I’m a big fan of this young British pianist (maybe not as extreme a fan as Gramophone who adore every single one of his albums). I’ve previously reviewed and praised his Chopin concertos (part of my top 5 albums of 2020), his Homages album, his Chopin/Liszt/Ravel album, which also appeared in my Top 10 Chopin albums, and I’ve even listed him among my Top 10 Classical pianists (a list that led to a lot of debate by the way).
So I had really high hopes when Grosvenor recently released his latest recording, of nothing less than Liszt’s magnificent b-minor sonata, plus some other works.
Benjamin Grosvenor – Liszt (Decca 2021)
Now, before I go to the meaty bit, the b-minor sonata, let me start by saying that I really love how Grosvenor plays the other pieces on this album, particularly the extract from the Années de Pélérinage.
Also particularly interesting is Liszt’s 15 min piano adaptation of Bellini’s classic, Réminiscenes de Norma, a less often played work.
And I can’t get enough of the beautiful piano adaptation of Schubert’s Ave Maria.
The b-minor sonata
I really love the b-minor sonata, it is to me at least the ultimate Liszt piece. And here’s where we get to my “but” that you probably saw coming from my intro above.
Let me start by the positives: I really like how he takes the Andante sostenuto slower than most, giving it a special sense of intimacy and out-of-this-world spirit.
Now, what am I missing here, in what is actually a very good version?
Well I really believe one needs to go to the biggest extremes in this work (an opinion probably not universally shared). That’s why my favorite versions will remain those of the legendary Martha Argerich, and the somewhat controversial version by Katia Buniatishvili. In some parts, I just wish Grosvenor would push things just a bit further, he certainly has the power and technical abilities to do it.
Nevertheless, this is a beautiful album absolutely worth having.
My rating: 4 stars
You can find it here (Qobuz)