The “Sun Bear” Concerts
Keith Jarrett has recorded A LOT of solo concerts. Attending one of the last of them in 2015 actually triggered me to start this blog.
I’ve reviewed a number of them here already, and still have the ambition at some point to review them all. You’ll find the links to my reviews of his concerts in Budapest, Munich, Paris, Modena/Ferrara/Torino/Genova, Bregenz/München, Milan, and Bremen/Lausanne, which I mentioned in my 25 Essential Jazz albums. And yes, there’s obviously, the Köln Concert, the best selling solo Jazz album in Jazz history.
None of these concerts is ever not worth exploring, but some are better than others.
The Sun Bear Concerts however are in a good spot to be a contender for the best solo piano album of Jarrett ever. Thanks to my loyal reader Alain for reminding me to finally get this blog post out.
Calling the Sun Bear Concerts an “album” is a bit of an understanding. When they came out, they were a hefty 10 vinyl box (which I still own), and in the days of CDs it still filled 6 of the silver discs. We’re actually talking about 6h42 of music with concerts taken from 5 different cities in Japan, all in 1976, the year following the legendary Köln Concert.
I must admit I’m not even going to try to properly “review” 7 hours of music. It would probably a rather boring read anyhow. What I can say though is that in spite of being this long, this really is a gem of a box.
Jarrett can have three tendencies that I tend to dislike: 1) occasionally, he get’s into “noodling”, i.e the music isn’t going anywhere. Which shouldn’t be surprising given that they are 100% improvised. You barely get this here. Where he found his creative energy, I’m not sure, but let’s face it, the man is a genius. 2) Sometimes Jarrett gets quite beyond tonality. I’m personally not a big fan of this, my simple little brain is just to addicted to actually chords and melodies. Again, very little of this during the 6 hours of music. And 3) there isn’t a Jarrett album without his somewhat obnoxious humming along to the music. I’m still hoping some future AI can filter this out at some point, but on this album, maybe because of the special atmosphere in Japan, he holds himself back much more than usual.
All of this taken together makes this album an absolute must have for any loyal Jarrett fan, but I’d even say it should be your next step after the Köln Concert as your gateway drug, even if you’re not very much into Jazz at all (for me the Köln Concert was the 2nd Jazz album I ever owned, and it clearly got me hooked forever).
My rating: A very definite 5 stars