I haven’t written very many entries on Schumann yet. That is not because I don’t like this composer.
In fact, his symphonies, typically either played by Szell, Gardiner, or more recently, Nézet-Seguin (that I really need to review here), Dausgaard (that I even mentioned in my 25 Essential Classical albums), or Rattle, are in very heavy rotation on my hifi.
I listen to his piano concerto much less frequently, just because I probably overplayed it in my youth. That said, going back to Lipatti’s legendary performance every once in a while is a true pleasure. For more modern performances, it is also worth going with Leif Ove Andsnes, or if you prefer a period piano, Alexander Melnikov.
His solo piano music gets even less frequently played here, which is a pity, as there are beautiful pieces like the Davidsbündlertänze, the Etudes Symphoniques, or Kreisleriana. I really don’t know why I don’t play them more often, maybe I should just actively seek them out more.
Now, when we get to Schumann’s chamber music, I must admit I barely played it until recently. I purchased the three piano trios in a very good version with Isabelle Faust, Alexander Melnikov, and Jean-Guihen Queyras, as they were included in their excellent recordings of the concertos for piano, violin, and cello. However, I mostly focused my attention to the orchestral works, not giving the chamber works enough attention.
My interest in Schumann’s chamber music grew when I recently purchased a reference version of Brahms’ piano quintet by the Artemis Quartet with Leif Ove Andsnes (not yet reviewed here), that also included Schumann’s piano quartet (in an equally exellent performance)
So when the following album was released recently, I was immediately very interested:
Schumann: Complete Trios / Piano Quartet / Piano Quintet – Trio Wanderer (Harmonia Mundi 2021)
I already own an excellent box by this French trio, that consistently records very strong performances, of the complete Beethoven trios.
I really like these performances here as well. They are more polished that the somewhat rougher performances of the trios by Melnikov/Faust/Queyras mentioned above (the period instruments clearly make a difference), but there is beauty all along.
The piano quintet performance doesn’t get the brilliance of the above mentioned Artemis recording, but there is beautiful “singing” in the melodies everywhere.
I really don’t have a good reference for the piano quartet in my collection, so as with this entire review, take my comments here with a big grain of salt, but I really like what I hear as well.
Overall, a truly enjoyable box.
My rating: 4 stars
You can find it here (Qobuz)