Beethoven’s String Quartets
I haven’t written that much yet about Beethoven’s string quartets. It is a hard to cover vast subject of 16 masterpieces, from the early ones that are still very reminiscent of Haydn, to the middle ones (mainly the Rasumovksy ones), that clearly match the power of the major Beethoven symphonies, to the entirely different universe that are the late quartets, that enter completely unheard harmonic complexities, that go even beyond his symphonic works.
How can one quartet really do them all justice? Typically, reviewers recommend getting different boxes for the different periods, and they are right.
However, some outstanding artists are able to just set a standard for all three periods. And the Takács Quartet is just one of them.
When Decca re-released the complete Beethoven box that was originally recorded in the early 2000s, I had to go back to it. I’m very glad I did, I was again blown away.
Beethoven: Complete String Quartets – Takács Quartet (Decca 2017 Remaster)
The Takacs Quartet has been around since 1975! They are probably one of the most outstanding string quartets ever. I’ve praised the Takacs´ several times already (See for example here my review of their fantastic Schubert), and remain a great fan of them.
In this box, in the early quartets of op. 18, you get all the Viennese lightness. These are just a pleasure to listen to. These works need to “swing”, and the Takacs just pull it off.
Moving to the more serious op. 59, the Takacs´switch gear appropriately. Take quartet no. 9, op. 59 no. 3, that starts with a very “serious” Andante con moto. This part occasionally reminds me of a Mahler symphony. And here, you get the full weight and emotional power this work requires, before moving on to the Allegro part, that gives you the Beethoven you are most likely to think of when you hear the name.
The late quartets again are a completely different animal. Let’s take for example op. 127. I have a pretty direct comparison, having only recently heard this played live by the equally fantastic Quatuor Ébène (see my concert review here). Comparing the two approaches here, let´s say we could characterise the Ébène’s live approach with “Passion”, and the Takacs’s with “Precision”. These are obviously simplifications, but you get the idea. Both are absolutely fantastic versions, and show you how much there is to discover in these masterworks, that are unfortunately not very approachable for the beginner. Give them some time, and they will grow on you.
If you only ever wanted to own one version of the Beethoven string quartets, this really would be the one to have. I´d strongly advise against having only one version, there are so many others to discover, and Beethoven’s quartets really are among the most outstanding masterpieces the Western world ever produced.
My rating: 5 stars