A New Reference Recording for the Chopin Nocturnes – Stephen Hough

First of all, sorry for my long absence, there was just too much going on in my day job. I even skipped my traditional section “reflections on the Gramophone awards”.

The Chopin Nocturnes

Which of the many works of Chopin are his true masterpiece? The Etudes, the Préludes, the Sonatas, Scherzi, or even the Mazurkas that Chopin cherished so much? As always, these things are impossible to judge objectively.

But I know which ones are my favourite: The Nocturnes. They are simple enough that even I with my very limited piano skills could try to play some of them (I’d butcher them…), but they have such a melodic charm and such an intimacy to them, that if I’d have to live with only one category of his works, this would be it. It is clearly inspired by Belcanto, and as I’ve written many times here, I’m a sucker for beautiful melodies.

Has Chopin invented the Nocturne? Almost certainly not, it is a much older category, and even the solo piano one was invented by Irish composer John Fields according to some musicologists.

But Chopin truly mastered this category, which by the way, unlike the Préludes and the Etudes, aren’t just one or two large collection of works, but actually a lot of smaller collections of 2-3 Nocturnes per opus.

So the way we listen to them today, as one end-to-end album experience, probably wasn’t something that a lot of people would have heard during Chopin’s lifetime, given that they were written over a period of nearly 20 years.

I’ve already written about my favourite version of the Nocturnes, in the legendary Supraphon recording by Ivan Moravec, which also features in my Top 10 Chopin albums and my 25 Essential Classical Albums.

I’ve also mentioned the other legendary version, by Maria-Joao Pires, have reviewed Fazil Say’s recent recording. Beyond Moravec and Pires, there are other legendary classics like Rubinstein obviously, Claudio Arrau, or Nelson Freire.

So I wasn’t really searching for yet another Nocturnes recording. But then I read that Stephen Hough had released on the Hyperion label.

Until recently, Stephen wasn’t even fully on my radar screen. I had heard his name as a great pianist, of course, but I hadn’t really listened to many of his recordings yet.

This is mainly due to the fact that Hyperion, his record label, still categorically refuses to be streamed anywhere. While I can understand their reluctance, given how little streaming revenues must mean to any classical label, it just really doesn’t help discovery.

Chopin: Noctures – Stephen Hough (Hyperion 2021)

Chopin Noctures Stephen Hough Hyperion Records 2021 24/192

The first album that I truly appreciated Stephen Hough is his recording of a collection of works I particularly care about, Brahms’ Late Piano pieces. I already had several recordings of this that I considered to be my absolute references, including Volodos, but then I read several reviews of Stephen Hough’s recording, bought it blindly, and was blown away.

So when I read another outstanding review of this recording by Jed Distler on classicstoday.com, I just went ahead and shelled out the GBP26, without thinking too much.

I was glad I did. Very much like with the Brahms above, Hough just finds something new to say about these works that are so familiar, so often played, without ever feeling like he had to force himself to do something different (which was one of my issues with the recent Say recording).

The entire playing sounds so natural, light, and charming (in the most positive sense of the word), that when you listen to this you’re kind of wondering how these little masterpieces could ever have been played in a different way. Take one of my favourites, op. 37 No. 2. So deceivingly simple, it could be mistaken as a Children’s lullaby. But when you listen closely, in spite of all the apparent ease in which Hough takes this, you’ll see all the depth and complexity underlying this little gem of a song.

I’d go as far that if you buy only one classical piano album in 2021, this should be the one (And yes, I still plan to do my top albums of the year post in the coming days, this one is already set).

I should probably at some point add Hough to my Top 10 Favorite Pianists.

My rating: 5 stars

You can find it here (Hyperion)

My Top 5 Classical Albums of 2020

2020

I don’t need to tell anybody that 2020 was a weird year to say the least. It was supposed to be the big Beethoven anniversary year, with concerts all over the world and a lot of new album releases.

We certainly got a lot of new album releases, but we clearly didn’t have the live concerts we all wished for. I got lucky, I attended two socially distanced concerts during the times when Covid in Europe was still at lower levels, both involving Beethoven by the way (Igor Levit playing some piano sonatas, and Lars Vogt playing the 4th piano concerto with Paavo Järvi).

But without further ado, let’s jump right into it and list my top 5 classical albums of the year. Interestingly, less Beethoven than I’d have expected in here.

Chopin’s Piano Concertos by Benjamin Grosvenor (Decca 2020)

Yes, Benjamin Grosvenor regularly gets 5 stars on this blog, guilty as charged. But what can I say, this new album with the Royal Scottish National Orchestra under Elim Chan is just great (see my original review here). And it won the Gramophone Album of the Year in its category, which was well deserved.

Brahms Late Solo Piano Works by Stephen Hough

Stephen Hough Brahms The Final Piano Pieces Hyperion 2020 24 96

I love Brahms’ late piano pieces, and this is a worthy addition to the top recordings of these works, alongside Arkadi Volodos. See my original review here.

Beethoven and Sibelius Violin Concertos – Christian Tetzlaff

Beethoven / Sibelius Violin Concertos Christan Tetzlaff Deutsches Symphonie-Orchester Berlin - Robin Ticciati Odine 2020 24/96

In this Beethoven year, two German artists recorded excellent versions of the Beethoven classics, both with the Deutsches Sinfonieorchester Berlin. I must admit, this second or third (depending on how you rank) orchestra of Berlin always flew a bit under my radar, behind the Berlin Philharmonic and the Staatskapelle Berlin. This was probably undeserved. Both the recordings of Martin Helmchen with Andrew Manze as conductor, and this recording with Christian Tetzlaff under Robin Ticciati both show the full potential of this orchestra.

Between Helmchen’s now complete Beethoven cycle (I reviewed one volume here), and this new recording of the violin concerto by Tetzlaff, I’m highlighting Tetzlaff here.

He really is one of the best violin players of our era, and probably also somewhat underrated. Both his Beethoven and the Sibelius give a very fresh take on these concertos.

Beethoven Complete String Quartets by the Quatuor Ebène

Beethoven Around The World Vienna String Quartets 7 & 8 Quatuor Ebène Erato 2019 24 96

I’m a big fan of the Quatuor Ebène, and already had the pleasure of seeing them live some years ago.

They have now recorded all Beethoven String Quartets in a world tour (mostly pre-Covid). I’ve reviewed one of the releases here.

Now, is their new complete cycle something that will replace my favorite box of all times, the complete recordings by the legendary Takacs Quartet? No, but honestly, the Beethoven string quartets are such masterpieces, and have such a breadth of material from the early op. 18 to the amazing but not very accessible late works, that one should never have only one complete cycle.

Bach: St John Passion – Herreweghe (2020 recording)

Johann Sebastian Bach: Johannes Passion Philippe Herreweghe Collegium Vocale Ghent Phi 2020 24/96

How could a best of list on my blog be complete without some Bach? This year, we had several great recordings of the choral masterpieces. Masaaki Suzuki has released both a St John (recorded in Cologne) and a St Matthew Passion, that have both won accolades from critics.

But let me flag here another recording by another artist that I admire (and had the pleasure of seeing live already), the great Philippe Herreweghe.

I had initially missed this and only really noticed it when it popped up in the Gramophone Awards. This is not his first recording but potentially his best. I can’t wait until Easter (I know, Christmas is just barely over…) so I can play it again in repetition.

So, here you go. This will be my last post of the year, there won’t be a similar list for Jazz. I just wasn’t able to find 5 albums that I liked enough to give them 5 stars this year. Let’s keep our fingers crossed for 2021.

Wishing all of you a Happy New Year 2021!

You’ll find the recordings here (Qobuz/Hyperion):

Grosvenor Chopin

Hough Brahms

Tetzlaff Beethoven Sibelius

Quatuor Ebene Beethoven

Herreweghe St John Passion

A wonderful new Chopin Concerto recording by Benjamin Grosvenor

Benjamin Grosvenor

Benjamin Grosvenor is still only 27. But what an amazing trajectory he’s already had.

I pretty much recommend every single one of his albums (see here or here for examples). I’ve even listed him in my Top 10 Classical Pianists, and he’s also featured in My Top 10 Chopin Albums.

So, obviously when he recently released the Chopin piano concertos, I was all ears.

So was Gramophone (Editor’s Choice March 2020), and the French magazine Diapason, who gave a Diapason d’or, their highest rating.

So far, my favorite versions of these were the great classics (Zimerman and Argerich), so do I agree with the praise this album got?

Chopin Piano Concertos – Benjamin Grosvenor – Elim Chan – Royal Scottish National Orchestra (Decca 2020)

And the simple answer is: Absolutely!

I must admit in the past when listening to the Chopin concertos I often skipped directly to the 2nd movements only. They are obviously the true peak of these works. But here with Grosvenor even the 1st and 3rd movements are highly enjoyable. I

One of the favourite pieces of the first movement starts from the 10 min mark. Here you really hear what an exceptional pianist Grosvenor is. He plays with the melody, keeps it singing all the time.

I must admit I didn’t know what to expect from the Royal Scottish National Orchestra. With the exception of a few recordings from the Neeme Järvi time this orchestra had never made it into my library.

And this album cover was the first time I’d ever heard of Elim Chan. One of the reasons is simply that she’s only 33, a very young age for a conductor. I’m very happy to see we’re finally getting more female conductors! Let’s watch her career closely.

The orchestra in any case isn’t the highlight of any Chopin concerto recording, many critics over the last one and and a half centuries dismissed it as mere “background” and claimed that Chopin didn’t know how to orchestrate. Whatever truth there is to this claim, in any case in this album, soloist and orchestra really complement each other, in a beautiful intensity.

So, while I presume you may already have a recording of the Chopin concerti, get this one anyhow. And if you don’t, get it now! This one is up there (or at least pretty close) with the Zimermans and Argerichs of this world.

My rating: 5 stars

You can find it here (Qobuz)

My Reflections On the Classica Magazine “Chocs de l’année 2019” – part I

Classica Magazine

Regular readers of my blog know that I mainly follow two classical magazines as a reference. One is the UK’s Gramophone, the other France’s Classica Magazine.

Interestingly enough, Classica really is the magazine where I have the most overlap with their reviews, for Gramphone it is a bit more hit and miss.

I’ve commented nearly every year on the Gramophone Awards nominees and winners, but I’ve never written a lot about the equivalent of Classica Magazine, the “Chocs de l’année”.

Classica has a five star rating system for all albums (although I hardly ever see 1 stars appear), but on top of the 5 stars, they also select every months the albums “Choc”, similar to Gramophone’s Editor’s Choice.

And, once per year, Classica publishes their “Chocs de l’année”, i.e the overall best albums of the year.

Let’s have a look together.

Les Chocs de l’année 2019 – Classica Magazine – Artist of the Year

First category is “L’artiste de l’année”, winner is French pianist Michel Dalberto (I can’t help but notice that while Gramophone is a bit biased towards UK artists, Gramophone has the same for their local talent.)

Two albums get a particular mention, his recent 2019 Beethoven sonata album on La Dolce Volta, as well as César Franck solo piano and chamber album on Aparte.

Beethoven Michel Dalberto Pathetique Funebre Claire de Lune Appassionata op. 111 Erato 2019
Michel Dalberto & Novus Quartet César Franck Piano works quintet Aparte 2018

I must admit I really don’t share their excitement for the Beethoven album. Sure, it’s not bad, but I’d clearly prefer others here (among recent choices, Levit, Perahia, Lewis).

The Franck album I haven’t really listened to a lot, he is one of those lesser known French composers that I just have much less experience with. But I’ll check it out more systematically in the future, and so should you.

Label of the Year

Label of the year is the French label Alpha, and here I fully agree. In 2019, the smaller dedicated labels like Alpha, Hyperion, BIS, Chandos, have just become so much more important that the old majors like DG, Sony, Decca, etc.

Among other albums they specifically mention Celine’s Frisch Well Tempered Clavier recording (my 5 star review here), and Rouvali’s Sibelius 1 (also featured in the Gramophone Award nominees).

Sibelius Symphony No. 1 En Saga Gothenburg Symphony Santtu-Matias Rouvali Alpha 2019

Brahms: Piano Quintet & Klavierstücke op. 76 – Quatuor Hermes & Geoffroy Cocteau – LaDolce Volta 2019

Brahms Geoffrey Couteau & Quatuor Hermes Piano Quintet F minor op. 34 Klavierstücke op. 76 La Dolce Volta 2019 24 96

I had already noticed this album earlier this year when I saw it got a Choc from Classica and a 5 star review from Diapason.

I have yet to fully review this album, but overall I like it quite a bit. Not sure if it is a full 5 star to me, but I promise I come back to this more formally. In any case, it is worth discovering.

François Xavier Roth

Roth gets even two mentions, with his Berlioz Harold en Italie, as well as the recent Debussy album.

Hector Berlioz Harold en Italie Les Nuits d'été Les Siècles François-Xavier Roth Tabea Zimmermann Stéphane Degout Harmonia Mundi 2019 24 96

I can’t really comment on the Berlioz, again I’m only slowly getting to know the broader French repertoire better.

But I fully agree that Roth is a great talent, and also like his Debussy album very much, which also was nominated for a Gramophone Award.

Debussy Jeux Nocturnes Francois Xavier Roth Les Siècles Harmonia Mundi 2019

David Kadouch – Révolutions

David Kadouch Révolution 24 96 2019 Mirare

Here I really can’t comment, I’ve never heard of this album nor of this pianist before. Turns out he’s French as well (did I mention there seems to be some geographical bias somewhere).

In any case, the program of this concept album (obviously around the Revolution) is quite intriguing, from Dussek (yes, I also had to google him), via Beethoven, Chopin, Liszt, Janacek, Debussy, to Rzewski. I only quickly sampled works I know well, like the Chopin Revolutionary Etude, or the Scherzo no. 1, in both cases I wasn’t blown away. But don’t take this as a proper review, and have a look.

Rachmaninov – The Piano Concertos – Trifonov – Nézét-Séguin (DG 2019)

Daniil Trifonov Yannick Nézet-Séguin The Philadelphia Orchestra Destination Rachmaninov - Departure Deutsche Grammophon 2018 24/96
Destination Rachmaninov - Arrival - Piano Concertos 1 & 3 Daniil Trifonov Yannick Nézéz-Séguin The Philadelphia Orchestra Deutsche Grammophon 2019 24 96

While I absolutely loved Trifonov’s recording of Rach 2, and was right at predicting that this would be a very controversial version, I still haven’t been able to properly review his approach to Rach 3 (sorry I typically disregard Rach 1 and 4) which was released quite recently.

Classica praises both of them, but I honestly would caution you before you buy the Rach 3 blindly. I can’t put my finger on it, but something is there that I just don’t like as much. I’d be very curious to hear your opinions. Personally, I rather stick to other versions like Leif Ove Andsnes with the LSO.

Two Gounod Operas

Gounod, yet another composer I barely know. A good friend of mine loves his Faust, but to this day, I really haven’t found my way around this composers’ work.

Let me nevertheless mention the two operas here that Classica likes, they clearly know more about French composers than I do. Both come from conductors I personally like very much, Hervé Niquet and Christophe Rousset, you probably won’t go wrong with any of these recordings.

Le Tribut de Zamora Charles Gounod Hervé Niquet Chor des Bayerischen Rundfunks Münchener Rundfunkorchester
Gounod Faust version 1859 Les Talens Lyriques Flemish Radio Choir Christophe Rousset Faust

Look out for part II of this blog post in the next days. You’ll find it here.

You can find the new albums of this blog post here (Qobuz), or in the link to the original review.

Michel Dalberto – Franck

Quatuor Hermes – Brahms

Roth – Berlioz

Kadouch – Révolution

Trifonov – Rach 3

Niquet – Gounod

Rousset – Gounod

Musicophile’s Top 10 Chopin Albums

This list was triggered by a very interesting thread on a discussion forum I participate in, on Computer Audiophile. The thread is called “My Essential Classical Albums” by a forum participant called Sphinxsix.

The entire thread is very much worth checking out, I found a lot of recommendations on there already.

But with this specific question regarding Chopin, I noticed that I already pretty much had all the recordings I recommended covered on my blog. So in part, this is also a “best of list” of my Chopin blog posts. But there are also quite a number of albums I haven’t featured yet.

For those albums previously covered, you will find links in the entries below to the original blog posts. In the original blog posts, you’ll also find their respective download links.

1. The Nocturnes – Moravec

Ivan Moravec Chopin Nocturnes

To me, the Nocturnes are the quintessential Chopin, even more than the Preludes or the Etudes. And when we talk Nocturnes, the legendary Ivan Moravec version really is unbeatable. It is not by coincidence that I’ve ranked Moravec in my in My Top 10 Favorite Classical Pianists for this album alone. I’ve also mentioned this Album in My 25 Essential Classical Music album, as it is so important to me.

2. The Preludes – Blechacz

Chopin Complete The Preludes Rafal Blechacz Deutsche Grammophon

Right after the Nocturnes, the Preludes are my favorite Chopin, both op. 10 and 25 are oustanding achievements. Here again I could have listed dozens of recordings, but for a Top10 list I’d really like to restrict myself to the young Polish pianists Rafal Blechacz, who recorded this as one of his first albums on Deutsche Grammophon after winning the Warsaw Chopin competition. Another “triple winner”, as he also shows up in My Top 10 Classical Pianists and My 25 Essential Classical Music albums with this recording.

3. The Scherzos – Grosvenor

Benjamin Grosvenor Chopin Liszt Ravel Decca 2011

Some readers may be suprised that I rank these so high, but these little gems are very close to my heart. Completely different, each one of them is a world on its own.

Here, my favorite version comes from the young British pianist Benjamin Grosvenor.

Grosvenor is also a part of my Top 10 Favorite Classical pianists.

4. Piano Concertos – Krystian Zimerman

Chopin Piano Concertos No. 1 & 2 Krystian Zimerman Polish Festival Orchestra Deutsche Grammophon 1999

The legendary Polish pianist Krystian Zimerman, himself also winner of the famous Chopin competition, has recorded the concertos twice. Once with the LA Philharmonic under Giulini in the late 1980s. Knowing that Zimerman is one of the most perfectionist pianists out there, if he records something twice, you can be sure, he does it for a reason.

This second recording from 1999 with a hand-picked “Polish Festival Orchestra”, and while the Giulini recording is already excellent, this one really is a true benchmark.

A must have.

My rating: 5 stars

5. Ballades / Barcarolle – Krystian Zimerman

Chopin 4 Balladen Barcarolle Fantasie Krystian Zimerman Deutsche Grammophon 1988

Zimerman (also one of my Top 10 Favorite Classical pianists) is also my recording of choice for the Ballades.

I’ve had the pleasure of hearing Zimerman perform some of these live, including the beautiful Barcarolle that you’ll also find on this outstanding 1988 album. Don’t miss it.

My rating: 5 stars

6. Etudes – Pollini

Chopin Etudes Maurizio Pollini Deutsche Grammophon

A Chopin list without Maurizio Pollini wouldn’t be complete. I could have easily mentioned him for the Preludes, and several of his other Chopin recordings are legendary. He, like Blechacz, Zimerman above and Argerich below, is also a winner of the Warsaw piano competition (Not that this competition is held only every 5 years, winning it is truly a big deal).

The Etudes are technically extremely challenging. Apparently even a true master like Pollini needed cuts in recording (hundreds of them if you believe some reports). In spite of this piecemeal type recording, the result is just fantastic, and can be described with only one word: fantastic.

Perahia would have been a nice alternative, but Pollini really remains the reference.

My rating: 5 stars

7. Argerich Legendary Chopin

Martha Argerich The Legendary 1965 Chopin Recording Emi

Marta Argerich won the Chopin Competion 5 years after Pollini.

This was one of her first recordings. You will never hear Chopin’s sonata no. 3 played more passionately. Argerich (another member of my Top 10 Favorite Classical Pianists) is in a way the complete opposite of Pollini. Pollini is typically the perfectionist, rational architect, and Argerich is known for her energy and fire. Check out her recording of the piano concertos for another example of her extraordinary talent.

My rating: 4 stars

8. Cello Sonata – Argerich / Rostropovich

Chopin Cello sonata op. 65 Polonaise op. 3 Schumann Adagio & Allegro op. 70 Mstislav Rostropovich Martha Argerich Deutsche Grammophon

Chopin really isn’t well known for his chamber music. So I must admit that until recently I only knew one recording of this, by Sol Gabetta. In preparation of this blog post I checked out several versions, and end up again with the great Martha Argerich, joined here by the cello giant, Mstislav Rostropovich.

My rating: 4 stars (excellent playing, but the music is not as essential as the piano pieces)

9. Mazurkas – Rubinstein

No Chopin list can be complete without the name that is most closely associated with this composer: Artur Rubinstein.

This recommendation is following up to a recommendation in the forum thread that I should check out his earlier recordings. I ended up liking this version most:

Great Pianists Rubinstein Frederic Chopin Mazurkas 1938-1939 Naxos

Yes, it truly is a historic pre-war recording, but the playing really makes up for it. I usually didn’t care so much about these little dances, but Rubinstein really gives these little pieces such a very special meaning, it is a pleasure to listen to.

My rating: 4 stars

10. The Complete Chopin Edition on Deutsche Grammophon

Deutsche Grammophon Complete Chopin Edition 2009

I typically don’t recommend box sets. Even the better ones are typically hit and miss, as they are typically just “recycling” of older catalog material.

But you probably have noticed the large number of yellow covers above, and DG really did a great job on this 17 CD box.

You’ll get the Zimerman piano concertos in the Polish Festival version, the Ballades again by Zimerman, the Pollini etudes, and the Nocturnes by Maria João Pires (my second favorite after Moravec), the Preludes by Blechacz, and the Cello Sonata by Argerich

In a way, you could think that for this blog post pretty much all I did was copy this box set. Well, actually no, I got all of these albums individually over many years (and also I’m not getting any incentive from DG here). But I’m truly impressed by the selection that DG did here (having all this in their archives obviously helped).

On top, you’ll also get the Mazurkas and Valses well played by Vladimir Ashkenazy, some individual pieces with Anatol Ugorsky, the Scherzos by Pollini again, and the piano sonatas by Lilya Zilberstein and Pollini again.

So if you want to kick-off your Chopin journey, this box really is all you need for a start with truly outstanding recordings.

My rating: 5 stars

 

You can find the recordings either in the respective original blog post or here:

Concertos / Zimerman: here (Qobuz) and here (Prestoclassical) (note that Presto has a special offer on Zimerman recordings until the end of 2017)

Ballades / Zimerman: here (Qobuz) and here (Prestoclassical)

Etudes / Pollini: here (Qobuz) and here (Prestoclassical)

Argerich Legendary 1965 recording: here (Qobuz)

Argerich Rostropovich Cello Sonatas: here (Qobuz) and here (Prestoclassical)

Chopin Mazurkas Rubinstein here (Qobuz) and here (Prestoclassical)

The Complete Chopin Edition here (Qobuz) and here (Prestoclassical)

Fazil Say´s Chopin Nocturnes – Charming

Fazil Say

Fazil Say, a classical pianist from Turkey usually doesn’t leave people cold. Its often a love it or hate it affair.

The first time I heard Fazil was in a duo with a similarly polarising artist, Patricia Kopachinskaya, playing the Beethoven sonatas. It was clearly a memorable concert. And while fro Kopachinskaya I really don´t like everything she does, I really admire her artistic courage and ambition. She´s always in there with all her heart.

Fazil Say seems also quite emotional, but at least from his performances, his emotions typically translate into very sensitive playing, whether he plays Western classical music, or his own compositions.

I omitted to write about his great recent complete Mozart sonatas cycle recording, which I can really recommend you check out. There is not one boring moment in there.

So I was really intrigued when Say released his very recent Chopin Nocturnes album.

Chopin: Nocturnes – Fazil Say (Warner 2017)

Chopin: Nocturnes - Fazil Say 24/96 Warner Classics 2017

As expected, it is a beautiful recording. You get Say´s characteristic playfulness, sensitivity, interesting play with beautiful rubato.

The feeling you get is of a warm Mediterranean summer night. Chopin being one of the first tourists on Mallorca comes to mind, and Franz Liszt claimed the Nocturnes were inspired by Italian Bel Canto. Both very much apply here.

These are nuanced, intelligent interpretations. The only reproach I have is sometimes the tempi feel a bit fast.

Overall, Moravec´s legendary version not under threat of being kicked of the throne, but Say´s version is very much worth exploring. Recommended!

My rating: 4 stars

You can find it here (Qobuz) and here (HDTracks).

UPDATE Oct 1, 2017: Classic agrees, and gives this album 4 stars as well.

My Reflections on the 2017 Gramophone Awards – Part I

2017 Gramophone Awards

The 2017 Gramophone Awards nominees have been published. As in the two previous years(2015 and 2016, let me add my comments and reflections on the proposed selection.

Overall, this year I was suprised how very few of the recordings I actually knew.

Therefore, this year I’ll only do two overall post on this, unlike the posts per category I did in recent years.

Baroque Instrumental

Bach: Orchestral Suites: Zefiro

Johann Sebastian Bach: Overtures - Zefiro - Alessandro Bernadini - Arcana - 2017 (24/96)

I very much liked this recording, giving it 4 stars here. Is it good enough for album of the year? Well, maybe.

Bach: Goldberg Variations – Mahan Esfahani

I was never as enthousiastic about this album as was Gramophone, my rating in my review was a lukewarm 3 stars. So definitely not my album of the year.

I haven’t heard any of the other albums, with some Telemann and Vivaldi, but will check in and maybe report back later.

 

Baroque Vocal

Hyperion doesn’t stream, so I cannot comment about Cohens/Arcangelos cantata album.

Bach: Matthew Passion – Gardiner

Bach St Matthew Passion John Eliot Gardiner SDG 2017 24/96

As reviewed here, I fully agree that this is a five star album very much worth having.

 

I haven’t heard any of the other recommended albums, from Blow (never heard that name before), Couperin, Monteverdi and Scarlatti, but will check them out, as they are by Les Arts Florissants and Christophe Rousset among other, that I really admire.

Chamber

I haven’t heard any of the first three recommended albums, as they are all 20th century stuff which really isn’t my cup of tea, from Ades, via Bacewicz, Berg, Schönberg, and Webern. I’ll leave this to others.

I´d be interested in trying the Bruch String Quartets as I have very little chamber music from this composer, but Hyperion doesn´t stream so I have no way of risk free trying.

Then there are two Schubert albums. Quatuors 12 and 15 by the Doric Quartet. I have only heard it once on the radio (again, also Chandos doesn´t stream), and liked it, but wasn´t blown away. Not interesting enough for me to spend money blindly on it.

Finally, there is the Death and the Maiden and a quartet by Sibelius by the Ehnes Quartet. Unfortunately, Onyx is another label that doesn´t stream.

So basically, there´s unfortunately not a lot I can contribute to this category, which I usually love.

Choral

Several albums in here that are just not my cup of tea, eg. Berkeley or Elgar. Even Haydn´s Season, here with Paul McCreesh, is not a piece of music I´m particularly passionate about. Better to shut up then.

I´m more curious about the Cherubini album by Hervé Niquet, I´ll check that one out later today.

There have been a number of recent recordings of Rachmaninov´s All-Night Vigil, and I´m also very interested by this latest recording of John Scott. I will report back on this one as well.

And then there is my highlight of the year:

Mozart: C-minor Mass – Mazaki Suzuki

Mozart: Great Mass in C-Minor Exsultate Jubilate Masaaki Suzuki Bach Collegium Japan BIS 2016 24/96

Truly a new reference, see also my review here

Concerto

Let me maybe start by the one recording I can really recommend in here:

Mozart: Violin Concertos – Isabelle Faust

Mozart: Violin Concertos Isabelle Faust Il Giardino Armonico Giovanni Antonini Harmonia Mundi 2016 24/96

I gave it a four star rating, as I don´t consider Mozart´s violin concertos to be essential, but the playing is truly five star.

I´m not a very huge fan of Lisa Batiashvili´s Sibelius and Tchaikovsky album, but this is more due to Barenboim, not Batiashvili´s fault. Augustin Hadelich Tchaikovsky is straightforward, but also not that much my cup of tea.

I will certainly check out Alexandre Tharaud´s Rachmaninov album and report back.

I can´t comment on the albums by Adams and Beach.

I´ll skip the contemporary and early categories, as I don´t feel qualified enough here.

 

Instrumental

Bach: French Suites – Murray Perahia

Johann Sebastian Bach: The French Suites - Murray Perahia (24/96) Deutsche Grammophon 2016

Yes, absolutely, great album. A must have. See also here

 

Bach: Goldberg Variations: Beatrice Rana

Bach: Goldberg Variations - Beatrice Rana Warner Classics

I´ve now played this album many times, and still haven´t fully made up my mind. I kind of like it, but it´s really not my personal reference.

I´d like to comment about Cedric Tiberghien´s Bartok album and Pavel Koselnikov´s Chopin Mazurkas, but due to Hyperion´s no streaming policy I can´t. Side note: I really understand why labels don´t want to support streaming, as the business model is not very attractive, but on the other hand it really limits discovery. Maybe labels should invent a streaming model where you can listen to an album only 2-3 times and then need to purchase it. I find that album´s I can´t test I often don´t buy.

 

Liszt: Transcendental Etudes: Daniil Trifonov (Deutsche Grammophon)

Liszt: Transcendental: Daniel Trifonov Deutsche Grammophon

I haven´t reviewed this album yet, but have listened to it many times. And yes, it is very good, justifying the Artist of the Year he received last year.

Mozart/Schumann: Fantaisies – Piotr Anderszewski (Warner)

Mozart/Schumann.: Fantaisies - Piotr Anderszewski Warner

I wasn´t such a big fan of Anderszewski´s Bach album that won 2 years ago, but this one (only one listen so far, so beware) sounds really very good. I´ll report back.

Click here for Part II of this article.

 

 

 

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