A wonderful new Chopin Concerto recording by Benjamin Grosvenor

Benjamin Grosvenor

Benjamin Grosvenor is still only 27. But what an amazing trajectory he’s already had.

I pretty much recommend every single one of his albums (see here or here for examples). I’ve even listed him in my Top 10 Classical Pianists, and he’s also featured in My Top 10 Chopin Albums.

So, obviously when he recently released the Chopin piano concertos, I was all ears.

So was Gramophone (Editor’s Choice March 2020), and the French magazine Diapason, who gave a Diapason d’or, their highest rating.

So far, my favorite versions of these were the great classics (Zimerman and Argerich), so do I agree with the praise this album got?

Chopin Piano Concertos – Benjamin Grosvenor – Elim Chan – Royal Scottish National Orchestra (Decca 2020)

And the simple answer is: Absolutely!

I must admit in the past when listening to the Chopin concertos I often skipped directly to the 2nd movements only. They are obviously the true peak of these works. But here with Grosvenor even the 1st and 3rd movements are highly enjoyable. I

One of the favourite pieces of the first movement starts from the 10 min mark. Here you really hear what an exceptional pianist Grosvenor is. He plays with the melody, keeps it singing all the time.

I must admit I didn’t know what to expect from the Royal Scottish National Orchestra. With the exception of a few recordings from the Neeme Järvi time this orchestra had never made it into my library.

And this album cover was the first time I’d ever heard of Elim Chan. One of the reasons is simply that she’s only 33, a very young age for a conductor. I’m very happy to see we’re finally getting more female conductors! Let’s watch her career closely.

The orchestra in any case isn’t the highlight of any Chopin concerto recording, many critics over the last one and and a half centuries dismissed it as mere “background” and claimed that Chopin didn’t know how to orchestrate. Whatever truth there is to this claim, in any case in this album, soloist and orchestra really complement each other, in a beautiful intensity.

So, while I presume you may already have a recording of the Chopin concerti, get this one anyhow. And if you don’t, get it now! This one is up there (or at least pretty close) with the Zimermans and Argerichs of this world.

My rating: 5 stars

You can find it here (Qobuz)

My Reflections On the Classica Magazine “Chocs de l’année 2019” – part I

Classica Magazine

Regular readers of my blog know that I mainly follow two classical magazines as a reference. One is the UK’s Gramophone, the other France’s Classica Magazine.

Interestingly enough, Classica really is the magazine where I have the most overlap with their reviews, for Gramphone it is a bit more hit and miss.

I’ve commented nearly every year on the Gramophone Awards nominees and winners, but I’ve never written a lot about the equivalent of Classica Magazine, the “Chocs de l’année”.

Classica has a five star rating system for all albums (although I hardly ever see 1 stars appear), but on top of the 5 stars, they also select every months the albums “Choc”, similar to Gramophone’s Editor’s Choice.

And, once per year, Classica publishes their “Chocs de l’année”, i.e the overall best albums of the year.

Let’s have a look together.

Les Chocs de l’année 2019 – Classica Magazine – Artist of the Year

First category is “L’artiste de l’année”, winner is French pianist Michel Dalberto (I can’t help but notice that while Gramophone is a bit biased towards UK artists, Gramophone has the same for their local talent.)

Two albums get a particular mention, his recent 2019 Beethoven sonata album on La Dolce Volta, as well as César Franck solo piano and chamber album on Aparte.

Beethoven Michel Dalberto Pathetique Funebre Claire de Lune Appassionata op. 111 Erato 2019
Michel Dalberto & Novus Quartet César Franck Piano works quintet Aparte 2018

I must admit I really don’t share their excitement for the Beethoven album. Sure, it’s not bad, but I’d clearly prefer others here (among recent choices, Levit, Perahia, Lewis).

The Franck album I haven’t really listened to a lot, he is one of those lesser known French composers that I just have much less experience with. But I’ll check it out more systematically in the future, and so should you.

Label of the Year

Label of the year is the French label Alpha, and here I fully agree. In 2019, the smaller dedicated labels like Alpha, Hyperion, BIS, Chandos, have just become so much more important that the old majors like DG, Sony, Decca, etc.

Among other albums they specifically mention Celine’s Frisch Well Tempered Clavier recording (my 5 star review here), and Rouvali’s Sibelius 1 (also featured in the Gramophone Award nominees).

Sibelius Symphony No. 1 En Saga Gothenburg Symphony Santtu-Matias Rouvali Alpha 2019

Brahms: Piano Quintet & Klavierstücke op. 76 – Quatuor Hermes & Geoffroy Cocteau – LaDolce Volta 2019

Brahms Geoffrey Couteau & Quatuor Hermes Piano Quintet F minor op. 34 Klavierstücke op. 76 La Dolce Volta 2019 24 96

I had already noticed this album earlier this year when I saw it got a Choc from Classica and a 5 star review from Diapason.

I have yet to fully review this album, but overall I like it quite a bit. Not sure if it is a full 5 star to me, but I promise I come back to this more formally. In any case, it is worth discovering.

François Xavier Roth

Roth gets even two mentions, with his Berlioz Harold en Italie, as well as the recent Debussy album.

Hector Berlioz Harold en Italie Les Nuits d'été Les Siècles François-Xavier Roth Tabea Zimmermann Stéphane Degout Harmonia Mundi 2019 24 96

I can’t really comment on the Berlioz, again I’m only slowly getting to know the broader French repertoire better.

But I fully agree that Roth is a great talent, and also like his Debussy album very much, which also was nominated for a Gramophone Award.

Debussy Jeux Nocturnes Francois Xavier Roth Les Siècles Harmonia Mundi 2019

David Kadouch – Révolutions

David Kadouch Révolution 24 96 2019 Mirare

Here I really can’t comment, I’ve never heard of this album nor of this pianist before. Turns out he’s French as well (did I mention there seems to be some geographical bias somewhere).

In any case, the program of this concept album (obviously around the Revolution) is quite intriguing, from Dussek (yes, I also had to google him), via Beethoven, Chopin, Liszt, Janacek, Debussy, to Rzewski. I only quickly sampled works I know well, like the Chopin Revolutionary Etude, or the Scherzo no. 1, in both cases I wasn’t blown away. But don’t take this as a proper review, and have a look.

Rachmaninov – The Piano Concertos – Trifonov – Nézét-Séguin (DG 2019)

Daniil Trifonov Yannick Nézet-Séguin The Philadelphia Orchestra Destination Rachmaninov - Departure Deutsche Grammophon 2018 24/96
Destination Rachmaninov - Arrival - Piano Concertos 1 & 3 Daniil Trifonov Yannick Nézéz-Séguin The Philadelphia Orchestra Deutsche Grammophon 2019 24 96

While I absolutely loved Trifonov’s recording of Rach 2, and was right at predicting that this would be a very controversial version, I still haven’t been able to properly review his approach to Rach 3 (sorry I typically disregard Rach 1 and 4) which was released quite recently.

Classica praises both of them, but I honestly would caution you before you buy the Rach 3 blindly. I can’t put my finger on it, but something is there that I just don’t like as much. I’d be very curious to hear your opinions. Personally, I rather stick to other versions like Leif Ove Andsnes with the LSO.

Two Gounod Operas

Gounod, yet another composer I barely know. A good friend of mine loves his Faust, but to this day, I really haven’t found my way around this composers’ work.

Let me nevertheless mention the two operas here that Classica likes, they clearly know more about French composers than I do. Both come from conductors I personally like very much, Hervé Niquet and Christophe Rousset, you probably won’t go wrong with any of these recordings.

Le Tribut de Zamora Charles Gounod Hervé Niquet Chor des Bayerischen Rundfunks Münchener Rundfunkorchester
Gounod Faust version 1859 Les Talens Lyriques Flemish Radio Choir Christophe Rousset Faust

Look out for part II of this blog post in the next days. You’ll find it here.

You can find the new albums of this blog post here (Qobuz), or in the link to the original review.

Michel Dalberto – Franck

Quatuor Hermes – Brahms

Roth – Berlioz

Kadouch – Révolution

Trifonov – Rach 3

Niquet – Gounod

Rousset – Gounod

Musicophile’s Top 10 Chopin Albums

This list was triggered by a very interesting thread on a discussion forum I participate in, on Computer Audiophile. The thread is called “My Essential Classical Albums” by a forum participant called Sphinxsix.

The entire thread is very much worth checking out, I found a lot of recommendations on there already.

But with this specific question regarding Chopin, I noticed that I already pretty much had all the recordings I recommended covered on my blog. So in part, this is also a “best of list” of my Chopin blog posts. But there are also quite a number of albums I haven’t featured yet.

For those albums previously covered, you will find links in the entries below to the original blog posts. In the original blog posts, you’ll also find their respective download links.

1. The Nocturnes – Moravec

Ivan Moravec Chopin Nocturnes

To me, the Nocturnes are the quintessential Chopin, even more than the Preludes or the Etudes. And when we talk Nocturnes, the legendary Ivan Moravec version really is unbeatable. It is not by coincidence that I’ve ranked Moravec in my in My Top 10 Favorite Classical Pianists for this album alone. I’ve also mentioned this Album in My 25 Essential Classical Music album, as it is so important to me.

2. The Preludes – Blechacz

Chopin Complete The Preludes Rafal Blechacz Deutsche Grammophon

Right after the Nocturnes, the Preludes are my favorite Chopin, both op. 10 and 25 are oustanding achievements. Here again I could have listed dozens of recordings, but for a Top10 list I’d really like to restrict myself to the young Polish pianists Rafal Blechacz, who recorded this as one of his first albums on Deutsche Grammophon after winning the Warsaw Chopin competition. Another “triple winner”, as he also shows up in My Top 10 Classical Pianists and My 25 Essential Classical Music albums with this recording.

3. The Scherzos – Grosvenor

Benjamin Grosvenor Chopin Liszt Ravel Decca 2011

Some readers may be suprised that I rank these so high, but these little gems are very close to my heart. Completely different, each one of them is a world on its own.

Here, my favorite version comes from the young British pianist Benjamin Grosvenor.

Grosvenor is also a part of my Top 10 Favorite Classical pianists.

4. Piano Concertos – Krystian Zimerman

Chopin Piano Concertos No. 1 & 2 Krystian Zimerman Polish Festival Orchestra Deutsche Grammophon 1999

The legendary Polish pianist Krystian Zimerman, himself also winner of the famous Chopin competition, has recorded the concertos twice. Once with the LA Philharmonic under Giulini in the late 1980s. Knowing that Zimerman is one of the most perfectionist pianists out there, if he records something twice, you can be sure, he does it for a reason.

This second recording from 1999 with a hand-picked “Polish Festival Orchestra”, and while the Giulini recording is already excellent, this one really is a true benchmark.

A must have.

My rating: 5 stars

5. Ballades / Barcarolle – Krystian Zimerman

Chopin 4 Balladen Barcarolle Fantasie Krystian Zimerman Deutsche Grammophon 1988

Zimerman (also one of my Top 10 Favorite Classical pianists) is also my recording of choice for the Ballades.

I’ve had the pleasure of hearing Zimerman perform some of these live, including the beautiful Barcarolle that you’ll also find on this outstanding 1988 album. Don’t miss it.

My rating: 5 stars

6. Etudes – Pollini

Chopin Etudes Maurizio Pollini Deutsche Grammophon

A Chopin list without Maurizio Pollini wouldn’t be complete. I could have easily mentioned him for the Preludes, and several of his other Chopin recordings are legendary. He, like Blechacz, Zimerman above and Argerich below, is also a winner of the Warsaw piano competition (Not that this competition is held only every 5 years, winning it is truly a big deal).

The Etudes are technically extremely challenging. Apparently even a true master like Pollini needed cuts in recording (hundreds of them if you believe some reports). In spite of this piecemeal type recording, the result is just fantastic, and can be described with only one word: fantastic.

Perahia would have been a nice alternative, but Pollini really remains the reference.

My rating: 5 stars

7. Argerich Legendary Chopin

Martha Argerich The Legendary 1965 Chopin Recording Emi

Marta Argerich won the Chopin Competion 5 years after Pollini.

This was one of her first recordings. You will never hear Chopin’s sonata no. 3 played more passionately. Argerich (another member of my Top 10 Favorite Classical Pianists) is in a way the complete opposite of Pollini. Pollini is typically the perfectionist, rational architect, and Argerich is known for her energy and fire. Check out her recording of the piano concertos for another example of her extraordinary talent.

My rating: 4 stars

8. Cello Sonata – Argerich / Rostropovich

Chopin Cello sonata op. 65 Polonaise op. 3 Schumann Adagio & Allegro op. 70 Mstislav Rostropovich Martha Argerich Deutsche Grammophon

Chopin really isn’t well known for his chamber music. So I must admit that until recently I only knew one recording of this, by Sol Gabetta. In preparation of this blog post I checked out several versions, and end up again with the great Martha Argerich, joined here by the cello giant, Mstislav Rostropovich.

My rating: 4 stars (excellent playing, but the music is not as essential as the piano pieces)

9. Mazurkas – Rubinstein

No Chopin list can be complete without the name that is most closely associated with this composer: Artur Rubinstein.

This recommendation is following up to a recommendation in the forum thread that I should check out his earlier recordings. I ended up liking this version most:

Great Pianists Rubinstein Frederic Chopin Mazurkas 1938-1939 Naxos

Yes, it truly is a historic pre-war recording, but the playing really makes up for it. I usually didn’t care so much about these little dances, but Rubinstein really gives these little pieces such a very special meaning, it is a pleasure to listen to.

My rating: 4 stars

10. The Complete Chopin Edition on Deutsche Grammophon

Deutsche Grammophon Complete Chopin Edition 2009

I typically don’t recommend box sets. Even the better ones are typically hit and miss, as they are typically just “recycling” of older catalog material.

But you probably have noticed the large number of yellow covers above, and DG really did a great job on this 17 CD box.

You’ll get the Zimerman piano concertos in the Polish Festival version, the Ballades again by Zimerman, the Pollini etudes, and the Nocturnes by Maria João Pires (my second favorite after Moravec), the Preludes by Blechacz, and the Cello Sonata by Argerich

In a way, you could think that for this blog post pretty much all I did was copy this box set. Well, actually no, I got all of these albums individually over many years (and also I’m not getting any incentive from DG here). But I’m truly impressed by the selection that DG did here (having all this in their archives obviously helped).

On top, you’ll also get the Mazurkas and Valses well played by Vladimir Ashkenazy, some individual pieces with Anatol Ugorsky, the Scherzos by Pollini again, and the piano sonatas by Lilya Zilberstein and Pollini again.

So if you want to kick-off your Chopin journey, this box really is all you need for a start with truly outstanding recordings.

My rating: 5 stars

 

You can find the recordings either in the respective original blog post or here:

Concertos / Zimerman: here (Qobuz) and here (Prestoclassical) (note that Presto has a special offer on Zimerman recordings until the end of 2017)

Ballades / Zimerman: here (Qobuz) and here (Prestoclassical)

Etudes / Pollini: here (Qobuz) and here (Prestoclassical)

Argerich Legendary 1965 recording: here (Qobuz) and here (Prestoclassical)

Argerich Rostropovich Cello Sonatas: here (Qobuz) and here (Prestoclassical)

Chopin Mazurkas Rubinstein here (Qobuz) and here (Prestoclassical)

The Complete Chopin Edition here (Qobuz) and here (Prestoclassical)

Fazil Say´s Chopin Nocturnes – Charming

Fazil Say

Fazil Say, a classical pianist from Turkey usually doesn’t leave people cold. Its often a love it or hate it affair.

The first time I heard Fazil was in a duo with a similarly polarising artist, Patricia Kopachinskaya, playing the Beethoven sonatas. It was clearly a memorable concert. And while fro Kopachinskaya I really don´t like everything she does, I really admire her artistic courage and ambition. She´s always in there with all her heart.

Fazil Say seems also quite emotional, but at least from his performances, his emotions typically translate into very sensitive playing, whether he plays Western classical music, or his own compositions.

I omitted to write about his great recent complete Mozart sonatas cycle recording, which I can really recommend you check out. There is not one boring moment in there.

So I was really intrigued when Say released his very recent Chopin Nocturnes album.

Chopin: Nocturnes – Fazil Say (Warner 2017)

Chopin: Nocturnes - Fazil Say 24/96 Warner Classics 2017

As expected, it is a beautiful recording. You get Say´s characteristic playfulness, sensitivity, interesting play with beautiful rubato.

The feeling you get is of a warm Mediterranean summer night. Chopin being one of the first tourists on Mallorca comes to mind, and Franz Liszt claimed the Nocturnes were inspired by Italian Bel Canto. Both very much apply here.

These are nuanced, intelligent interpretations. The only reproach I have is sometimes the tempi feel a bit fast.

Overall, Moravec´s legendary version not under threat of being kicked of the throne, but Say´s version is very much worth exploring. Recommended!

My rating: 4 stars

You can find it here (Qobuz) and here (HDTracks).

UPDATE Oct 1, 2017: Classic agrees, and gives this album 4 stars as well.

My Reflections on the 2017 Gramophone Awards – Part I

2017 Gramophone Awards

The 2017 Gramophone Awards nominees have been published. As in the two previous years(2015 and 2016, let me add my comments and reflections on the proposed selection.

Overall, this year I was suprised how very few of the recordings I actually knew.

Therefore, this year I’ll only do two overall post on this, unlike the posts per category I did in recent years.

Baroque Instrumental

Bach: Orchestral Suites: Zefiro

Johann Sebastian Bach: Overtures - Zefiro - Alessandro Bernadini - Arcana - 2017 (24/96)

I very much liked this recording, giving it 4 stars here. Is it good enough for album of the year? Well, maybe.

Bach: Goldberg Variations – Mahan Esfahani

I was never as enthousiastic about this album as was Gramophone, my rating in my review was a lukewarm 3 stars. So definitely not my album of the year.

I haven’t heard any of the other albums, with some Telemann and Vivaldi, but will check in and maybe report back later.

 

Baroque Vocal

Hyperion doesn’t stream, so I cannot comment about Cohens/Arcangelos cantata album.

Bach: Matthew Passion – Gardiner

Bach St Matthew Passion John Eliot Gardiner SDG 2017 24/96

As reviewed here, I fully agree that this is a five star album very much worth having.

 

I haven’t heard any of the other recommended albums, from Blow (never heard that name before), Couperin, Monteverdi and Scarlatti, but will check them out, as they are by Les Arts Florissants and Christophe Rousset among other, that I really admire.

Chamber

I haven’t heard any of the first three recommended albums, as they are all 20th century stuff which really isn’t my cup of tea, from Ades, via Bacewicz, Berg, Schönberg, and Webern. I’ll leave this to others.

I´d be interested in trying the Bruch String Quartets as I have very little chamber music from this composer, but Hyperion doesn´t stream so I have no way of risk free trying.

Then there are two Schubert albums. Quatuors 12 and 15 by the Doric Quartet. I have only heard it once on the radio (again, also Chandos doesn´t stream), and liked it, but wasn´t blown away. Not interesting enough for me to spend money blindly on it.

Finally, there is the Death and the Maiden and a quartet by Sibelius by the Ehnes Quartet. Unfortunately, Onyx is another label that doesn´t stream.

So basically, there´s unfortunately not a lot I can contribute to this category, which I usually love.

Choral

Several albums in here that are just not my cup of tea, eg. Berkeley or Elgar. Even Haydn´s Season, here with Paul McCreesh, is not a piece of music I´m particularly passionate about. Better to shut up then.

I´m more curious about the Cherubini album by Hervé Niquet, I´ll check that one out later today.

There have been a number of recent recordings of Rachmaninov´s All-Night Vigil, and I´m also very interested by this latest recording of John Scott. I will report back on this one as well.

And then there is my highlight of the year:

Mozart: C-minor Mass – Mazaki Suzuki

Mozart: Great Mass in C-Minor Exsultate Jubilate Masaaki Suzuki Bach Collegium Japan BIS 2016 24/96

Truly a new reference, see also my review here

Concerto

Let me maybe start by the one recording I can really recommend in here:

Mozart: Violin Concertos – Isabelle Faust

Mozart: Violin Concertos Isabelle Faust Il Giardino Armonico Giovanni Antonini Harmonia Mundi 2016 24/96

I gave it a four star rating, as I don´t consider Mozart´s violin concertos to be essential, but the playing is truly five star.

I´m not a very huge fan of Lisa Batiashvili´s Sibelius and Tchaikovsky album, but this is more due to Barenboim, not Batiashvili´s fault. Augustin Hadelich Tchaikovsky is straightforward, but also not that much my cup of tea.

I will certainly check out Alexandre Tharaud´s Rachmaninov album and report back.

I can´t comment on the albums by Adams and Beach.

I´ll skip the contemporary and early categories, as I don´t feel qualified enough here.

 

Instrumental

Bach: French Suites – Murray Perahia

Johann Sebastian Bach: The French Suites - Murray Perahia (24/96) Deutsche Grammophon 2016

Yes, absolutely, great album. A must have. See also here

 

Bach: Goldberg Variations: Beatrice Rana

Bach: Goldberg Variations - Beatrice Rana Warner Classics

I´ve now played this album many times, and still haven´t fully made up my mind. I kind of like it, but it´s really not my personal reference.

I´d like to comment about Cedric Tiberghien´s Bartok album and Pavel Koselnikov´s Chopin Mazurkas, but due to Hyperion´s no streaming policy I can´t. Side note: I really understand why labels don´t want to support streaming, as the business model is not very attractive, but on the other hand it really limits discovery. Maybe labels should invent a streaming model where you can listen to an album only 2-3 times and then need to purchase it. I find that album´s I can´t test I often don´t buy.

 

Liszt: Transcendental Etudes: Daniil Trifonov (Deutsche Grammophon)

Liszt: Transcendental: Daniel Trifonov Deutsche Grammophon

I haven´t reviewed this album yet, but have listened to it many times. And yes, it is very good, justifying the Artist of the Year he received last year.

Mozart/Schumann: Fantaisies – Piotr Anderszewski (Warner)

Mozart/Schumann.: Fantaisies - Piotr Anderszewski Warner

I wasn´t such a big fan of Anderszewski´s Bach album that won 2 years ago, but this one (only one listen so far, so beware) sounds really very good. I´ll report back.

Click here for Part II of this article.

 

 

 

Musicophile’s 25 Essential Classical Music Albums – Part II

Continued from part I here.

Anton Bruckner: Sinfonie Nr. 4 – Günter Wand – Berliner Philharmoniker

The 4th Big B as some call him, Bruckner had to be on my list.

The album I’m recommending nicely enough is a collection of all his relevant symphonies, but I’d really like to focus on Symphony no. 4, my first love, and still my preferred Bruckner symphony.

Günter Wand Anton Bruckner Symphonies Berliner Philharmoniker RCA Red Seal

I’ve written about it previously, and am not going to repeat the entire blog post. As I mentioned there, I’m not listening to Bruckner that much any more, my taste has moved on from the romantic period to much more Mozart and especially Bach, but my Essential Album list couldn’t be complete without Symphony No. 4. Even if I listen to it only a couple of times per year, the broad symphonic sound will always remain close to my heart.

There is especially one part in the first movement, that really give me goose bumps (for 10 other tracks doing the same, check out this blog post), it is a little part that connects two larger sections of the movement, and on the Wand album mentioned here, from 9:48 to 11:02, and has a beauty from out of this world.

Chopin: Nocturnes – Moravec

Finally moving away from the letter B, my first Chopin album. Chopin to me is one of the absolute masters of the piano to me. You’ll notice that I haven’t mentioned any Beethoven piano sonata, as much as I love them, Chopin is still closer to my heart.

And if you only have to have one Chopin album, it should be Moravec’s legendary Nocturnes. Already, to me the Nocturnes are quintessential Chopin, and nobody plays them better than Ivan Moravec.

Ivan Moravec Chopin Nocturnes

See my full review here.

Not surprisingly, Moravec also shows up in my Top 10 Classical Pianists.

Chopin: Preludes – Blechacz

Another Chopin album, another pianist I already featured in my Top 10 pianists. At least you cannot call me inconsistent.

Chopin Complete The Preludes Rafal Blechacz Deutsche Grammophon

See my review here

Obviously, there are many other pieces you could get from Chopin, the Etudes (Pollini), the piano concertos, Benjamin Grosvenor’s beautiful albums, etc. etc.

But really, the Nocturnes and Preludes should be in everybody’s music library.

Mendelssohn: Violin Concerto – Janine Jansen

Skipping quite a lot of letters of the alphabet, and with this really good composers like Berlioz, Debussy, Dvořák, Fauré, Händel, Haydn (although I was close in adding his Cello concertos), Grieg, Mahler, all of which have composed great music and that I’ll write or have written about. But none of these composers have made it on my, again, extremely subjective list of “essential”, i.e. something I really wouldn’t want to live without. I know, we can discuss this endlessly, but I had to make a choice, and here we go.

So finally an album and piece that I haven’t written about yet.

You could argue, of the great violin concertos, why do I chose Brahms and Mendelssohn, and not Beethoven or Tchaikovsky (or, to a lesser extent, Bruch)? Well, again for the same subjective reasons as above, both really touch me the most.

Janine Jansen Riccardo Chailly Gewandhausorchester Mendelssohn Bruch Violin Concertos Decca

I’ve previously praised Janine Jansen’s recent Brahms recording, and am also quite a fan of what Riccardo Chailly has done with the Gewandhaus, be it his complete Brahms symphonies, or the piano concertos with Nelson Freire.

On this excellent album, on top of Mendelssohn’s masterpiece, you also get an outstanding version of Bruch, so this really is another must have.

Other music from Mendelssohn I can highly recommend includes his Songs Without Words, and his symphonies no. 3 and 4.

Mozart: Cosi Fan Tutte – Nézet-Séguin

Moving on to Mozart. And getting into dangerous territory. My favorite pieces of all times are his great DaPonte operas, most of all Cosi, closely followed by Figaro.

Nezet-Seguin Mozart Cosi Fan Tutte Chamber Orchestra of Europe Deutsche Grammophon

However, as mentioned in my review of this album, I still don’t consider myself an opera expert. So take my recommendations with a grain of salt, and I’d particularly appreciate any feedback from any opera lovers about their favorite versions.

That said, this 2013 live recording is great, much better than the more recent, slightly disappointing Figaro.

Le Nozze Di Figaro – René Jacobs

Even more difficult territory here, as René Jacobs operas are usually love/hate affairs, i.e. you either love them or hate them.

I personally usually find them really interesting and insightful.

Mozart: Le Nozze Di Figaro René Jacobs Concerto Köln Harmonia Mundi

I also have about 10 other versions, including the classics from Böhm, Muti, Erich Kleiber, but keep returning to this version, as well as the first I ever owned, by James Levine.

Mozart: C-minor Mass – Masaaki Suzuki

Mozart: Great Mass in C-Minor Exsultate Jubilate Masaaki Suzuki Bach Collegium Japan BIS 2016 24/96

I’ve written twice previously about Mozart’s choral masterpiece, one of the most amazing works of music ever written. And I must admit that Masaaki Suzuki’s recent version really made something very special.

Read my full review here.

You’ll find more great Mozart in my blog post about My Must-Have Mozart albums.

Rachmaninov: Piano Concerto No. 3 – Leif Ove Andsnes

Again, jumping a couple of letters ahead, skipping Liszt (although his b-minor sonata was close to making the list), Monteverdi, Mussorgsky, and Prokofiev), directly to Rachmaninov.

And for Rachmaninov, as much as I like quite a bit of his solo piano work, the true essentials are his piano concertos no. 2, and even more so, no. 3

Rachmaninov Complete Piano Concertos Leif Ove Andsnes London Symphony Orchestra Berliner Philharmoniker Antonio Pappano Warner Classics

I’ve previously mentioned this album in my post about My Top 10 pianists.

Obviously, there are many other legendary performances of the Rach’s, including Horowitz, and Van Cliburn, but Andsnes and Pappano really stand out.

Schubert: The Late Piano Sonatas – Uchida

Moving one letter ahead again, to S.

Mitsuko Uchida plays Schubert

Schubert’s “late” (all relative, given that he passed away at the age of 31) piano sonatas, D958-960, are absolute masterpieces again. It is not easy to pick my favorite.

Luckily, quite recently I did a systematic comparison of D959, where Uchida, Perahia, and Brendel came out on top.

I’m here rather arbitrarely recommending Uchida, given that her rather exhaustive Schubert box contains 8 CDs for a really low price, you may as well get this directly. You won’t regret it.

Schubert: Winterreise – Prégardien – Staier

Schubert: Die Winterreise - Christoph Prégardien - Andreas Staier Warner Classics

A Schubert Lied just had to be in the list, and Winterreise really is such a gem.

As written here, I really like Christoph Prégardien with Andreas Staier, but this is one where one could easily collect 20 and more versions and still discover something new.

Schubert: String Quintet – Pavel Haas Quintet

Pavel Haas Quartet String Quintet Schubert Death and the Maiden Supraphon

As you can see, I really like Schubert. He get’s 3 entries, and I could easily have given him four or five. Luckily, on this album you get two of my favorites, the amazing quintet, and the nearly as outstandingly beautiful Death and the Maiden Quartet.

You’ll find my initial review here. I could have easily recommended the more recent version by the Quatuor Ebène as well, I just find the coupling more attractive of the Pavel Haas.

Schumann: Symphony No. 3 – Daussgard – Swedish Chamber Orchestra

Schubert: Symphony No. 3 and 4 - Thomas Dausgaard - Swedish Chamber Orchestra - BIS

And last but not least, Schumann.

Given that this is the last entry, you’ll notice the absence of Stravinsky, Tchaikovsky (although you’ll find I’ve reviewed quite a bit of Tchaikovsky on my blog), Ravel, Telemann, Sibelius (although his violin concerto was close to making the list), or Vivaldi.

And for Schumann, I didn’t chose his piano concerto, nor his solo piano music, but his symphony no. 3, the “Rhenish”. Moreover, I’m recommending an atypical version, by Thomas Dausgaard with the Swedish Chamber orchestra. Why? Well, it has often been written that Schumann didn’t know how to orchestrate properly, the balance was supposedly off.

Well, actually, if you listen to it played by a smaller chamber orchestra, like here, or on Nézet-Séguin’s recent recording with the Chamber Orchestra of Europe, another excellent version, you get a totally different picture. Well, obviously the classic recordings of Klemperer, Szell or Sawallisch also have their charm. But for me, a smaller ensemble is what works best.

Again, I very much appreciate any feedback!

Thanks again for all of you who already commented on part I, I can assure you, your feedback is always very welcome. Agree, or even better, disagree, and tell me why!

All albums mentioned here are five stars on my personal rating scale.

You can find the albums here:

Bruckner / Wand: here (Qobuz) and here (Prestoclassical)

Chopin / Moravec:  here (Prestoclassical)

Chopin / Blechacz: here (Prestoclassical)

Mendelssohn / Jansen: here (Qobuz)

Mozart Cosi Séguin: here (Qobuz)

Mozart Figaro Jacobs: here (Qobuz) and here (Prestoclassical)

Mozart / Suzuki: here (eclassical)

Rachmaninov / Andsnes: here (Qobuz)

Schubert / Uchida: here (Prestoclassical)

Schubert / Pavel Haas: here (HDTracks)

Schubert  Winterreise: here (Qobuz) or here (Prestoclassical)

Schumann / Dausgaard: here (eclassical)

Another Disappointing New Release by Seong-Jin Cho

Seong-Jin Cho

Cho is the winner of last years Warsaw Chopin competition, that in the past used to launch piano legends, e.g. Krystian Zimerman, or Martha Argerich.

However, in my previous review of his debut recording, I already was quite surprised by the choice of last years jury.

And unfortunately, his latest release, a full Chopin album with the piano concerto no. 1 and the ballades, confirms my disappointment.

Chopin: Piano Concerto No. 1 / Ballades – Seong-Jin Cho (Deutsche Grammophon 2016)

Let’s start with the good part. Piano concerto no. 1 is an overall convincing performance. He uses a lot of rubato, which I really like in Chopin, the brilliant parts are brilliant as expected, but the slower parts also get a well reflected treatment.

We are clearly not yet beating Zimerman’s both recordings on Deutsche Grammophon, but at least this is interesting and worth listening to.

The LSO under Gianandrea Noseda are a quite powerful partner. Let’s face it, the Chopin piano concertos aren’t the most satisfying material for orchestras, they often are nothing more than “background” for the soloist. But their playing here cannot be faulted.

Chopin: PIano Concerto No. 1 / Ballades Seong-Jin Cho, London Symphony Orchestra, Giandandrea Noseda Deutsche Grammophon 2016 24/96

The Ballades

The Chopin ballades are just amazingly beautiful. My favorite version is again, Zimerman, as already featured in my Top 10 Classical Pianists posts. Another favorite of mine, Murray Perahia, is also exceptional.

Getting to Cho, something is just wrong. The slow parts are often just plain boring, I can’t even fully put my finger on it.

When it gets fast, like after 2 min into Ballade No. 2 he becomes impressive, but more technically than musically, unfortunately.

It is very clear that Cho has amazing technical reserves that are barely even challenged here in these works. Maybe he would be perfect for Liszt, but here in the simple ballades, what you really need are nuances, and these are missing to my simple ear.

It pains my heart writing this, but I don’t think Cho is up there with his peers from previous competitions.

Let me know what you think, do you agree? Disagree? Think I’m completely nuts? Please share your comments.

My rating: 3 stars

You can find it here (Qobuz) and here (HDTracks)

UPDATE January 5, 2016: By now, some other reviewers have had more positive opinions than me about this album, I’d say the general consensus is around 4 stars. Doesn’t change my personal rating but I wanted to flag this to ensure you get a balanced view.