Category Archives: Maurice Ravel

Classical composer

Musicophile’s Top 10 Favorite Classical Pianists

Top 10 and Best-Ofs

I don’t do top 10 lists often. I probably should to them more often, as if you’re a blogger you know that they tend to generate higher than average traffic, somehow either Google or more likely the average reader tends to like this kind of lists (and I must admit, I tend to click on other peoples “best of lists” as well), but I usually prefer to write about individual albums instead.

My Personal Top 10 Pianists

That said, the idea for this particular blog post came along while doing some comparative listening for a future blog post on Schubert’s piano sonatas. I noticed I always keep going back to a certain number of pianists, that I love and respect, and that usually always have something to say.

Obviously, this list is highly subjective. This is not supposed to be “Great pianists of the century” or Top 100 pianists of all times, you’ll find plenty of those on the internet already.

So obviously, there will be great names missing, Schnabel, Arrau, Rubinstein, Brendel, Trifonov, etc. etc. etc.

I’ll be listing them in alphabetical order, as there is absolutely no way I’ll try to rank them.

So, here we go:

  • Leif Ove Andsnes

Not very suprisingly, given that I’ve already listed him here for my all time favorite version of Grieg’s piano concerto, and have praised his recent Beethoven cycle with the Chamber orchestra of Europe.

I’ve seen him live playing Beethoven’s concerti 2-4 in a row, without a conductor. An amazing experience.

What I haven’t mentioned yet is that Andsnes has also recorded an excellent version of Rachmaninov’s piano concertos with Antonio Pappano, which I have yet to review.

Rachmaninov Complete Piano Concertos Leif Ove Andsnes London Symphony Orchestra Berliner Philharmoniker Antonio Pappano Warner Classics

I guess that covers such a large range of the romantic piano concertos that it is pretty clear why I’m choosing him. Note I could have mentioned many other beautiful recordings, including solo piano or chamber music.

 

  • Martha Argerich

Well I said I’m not going to rank the pianists, but Martha clearly makes it all the way to the top of the list.

With her, you can really start at the beginning, with her legendary debut album following her winning the 1965 Warsaw Chopin competition. 

Or go to a very recent recording around 50 years later of Argerich playing Mozart’s concertos, as mentioned in My Must Have Mozart Albums.

Or, for the sake of it, pretty much everything she has recorded in between. The only exception are some of the live recordings from her beloved Lugano festival, not all of them are necessarily must haves. But beyond that, you can be sure that her energy to enchant you!

Here is another example:

Martha Argerich Rachmaninov 3 Tchaikovsky 1 Riccardo Chailly Kirill Kondrashin

There are several “complete”, “best of”  and “collection” boxes out there. All are highly recommended.

 

  • Rafal Blechacz

Together with Benjamin Grosvenor and Igor Levit, among the youngest on this lists.

I had to list him already for his outstanding Chopin Préludes, as reviewed previously.

Another recording I can recommend is his Debussy and Szymanowksi album from 2012.

Debussy Szymanowksi Rafal Blechacz Deusche Grammophone 2012

I’ve seen him live play Chopin and Szymanowski, and I was really impressed by this timid young man and the intimacy of his playing. Somebody to watch.

 

  • Ronald Brautigam

Playing on an “authentic” piano that sounds like the composer would have heard the piece is a relatively recent trend, as techniques in the reconstruction of the fortepiano, and alongside the specific playing skills for these instruments have evolved.

I’ve already mentioned his beautiful version of Mendelssohn’s Lieder Ohne Worte (review of part I here, part II here).

However, what I recommend most often is his outstanding complete Beethoven sonata cycle. Obviously this doesn’t replace the efforts on modern piano from Schnabel to today, but you really owe it to yourself to discover how Beethoven can sound on a piano of that time, exceptionally well played by this amazing artist.

7318599920009_600

 

  • Emil Gilels

Why Gilels as a representative of the great pianists of the 1950s-70s, and not Rubinstein, or Richter, or Horowitz?

Well, honestly, all of them would have deserved to be listed here. I’m just having a very special attraction to his Brahms concertos, be it with Jochum (reviewed here) or with Fritz Reiner and the CSO.

Another album that is his outstanding recording of Grieg’s Lyric Pieces, an all time classic.

 

Edvard Grieg Lyric Pieces Emil Gilels Deutsche Grammophon 24 96

 

  • Benjamin Grosvenor

I’ve just recently praised his latest album, Homages (review here), and given 5 stars to his Chopin Liszt Ravel album here. He was also nominated for the Gramophone awards for his album Dances in 2015, which he should have won (IMHO).

Benjamin Grosvenor Dances Decca Classics

He is probably the youngest of my list (note to self, do some fact checking), and among his few recordings, all are just amazing. This is one of the most outstanding talents I’m aware of.

 

  • Igor Levit

Regular readers of my blog know that I’ve praised this great young artist several times already.

Most lately for his Gramophone Album of the Year: Bach / Beethoven /Rzewski, see here for my review, and here as well, as well as in my article about the top 5 classical albums of 2015.

Back in 2015, his Bach Partitas album was also nominated by Gramophone for an Award in the Instrumental category.

But there is one album I haven’t mentioned yet on my blog, which I also like very much, his debut on Sony.

And no, he didn’t start easy, he tackled immediately Beethoven’s late piano sonatas.

Igor Levit Beethoven The Late Piano Sonatas Sony Classical 24 96 2015

And how! This is not only technically impressive (the Hammerklavier always is) but such a high level of musicality. Again, watch this artist!

 

  • Ivan Moravec

Very simply, for the most beautiful Chopin Nocturne recording there is, see my review here. But basically, his other Chopin is also excellent. I actually don’t have any recording from other composers by him. I’ll investigate!

Ivan Moravec Chopin Nocturnes

 

  • Murray Perahia

No idea why I haven’t written more about Perahia. I’ve mentioned him as one of my favorite Goldberg players, and his Bach in general is excellent (will need to write about his new French suites at some point).

But fundamentally, this is one of the pianists that really adds new insights to whatever he touches. Never flashy, never show-off, but always nuanced.

As an example, let me take his Schumann, which is among the best recordings I know of these little gems:

Schumann: Davidsbündlertänze, Fantasiestücke Murray Perahia CBS Sony

 

  • Krystian Zimerman

Again, an artist I haven’t mentioned enough. A living legend to me, winner of the 1975 Chopin competition in Warsaw (he’s the third from this illustrous list, together with Argerich and Blechacz).

Which album to mention? Usually he records relatively few albums, so you can pretty much trust them to be top notch in general.

My preferred is probably his Chopin Ballades:

Chopin: 4 Ballades, Barcarolle, Fantasie Krystian Zimerman Deutsche Gramophon

I’ve heard him play live couple of years ago, including the Barcarolle. He maybe the most intellectual pianist I’m aware of, and you can hear the cerebral approach he takes. That said, this isn’t to say that his music isn’t full of emotion.

I could also have mentioned his Chopin piano concerto recordings, be it with the LA Phil or the Polish Festival orchestra, both are among the best there is for these works.

 

What do You think?

So, here we go. What do you think? Do you agree, disagree? Did I miss anybody (I’m sure I did, with this artificial cut off of 10). Please let me know?

You can find the albums mentioned here in the respective links to previous posts, or below:

 

My Reflections on the 2016 Gramophone Awards (Part III): Instrumental

You can find Part I (concerto) and part II (Baroque Vocal) of this blog post here and here

Instrumental

Again, one of my absolute favorite categories, and some beautiful gems this year.

Let’s get right into it:

Bach/Beethoven/Rzewski: Variations – Igor Levit (Sony 2015)

Igor Levit Bach Goldberg Variations Beethoven Diabelli Variations Rzewski The People United Will Never Be Defeated Sony 2015

I’ve already reviewed this fantastic album, by one of the pianists I admire most these days. What else is there to say but “wow”, or 5 stars?

 

Brahms: The Complete Solo Piano Music vol. 3 – Jonathan Plowright (BIS 2016)

Brahms: The Complete Solo Piano Music, vol. 3 - Jonathan Plowright (BIS 2016)

I cannot really comment on this album very much, as BIS has a restriction on streaming albums for the first 6 months I believe, so I wasn’t able to hear more than 30 secs of each track, which really isn’t enough to review.

I must admit, that past releases from Plowright’s Brahms recordings (e.g. Sonata No. 3) were ok, but not so great that I was particularly motivated in purchasing this album blindly.

Plus, I’m not sure if Op. 21 no.2 and the Waltzes are essential Brahms (I love op. 76 and 118 though). Will check back when it frees up for streaming.

 

Grieg: Lyric Pieces – Stephen Hough

Grieg Lyric Pieces Stephen Hough Hyperion 2016

Hyperion is another one of the labels that refuses streaming, but unlike BIS not only for the first 6 months, but permanently. On the one hand, I get the point that artists make peanuts on streaming, so it is not something some labels want to endorse.

I must admit that even though I have a subscription to a lossless streaming services that let’s me listen to any album in full CD quality, when there’s something I really like I usually purchase the album anyhow. And in the few years I had access  to streaming, I got so used to being able to listen to an album fully before buying, that Hyperion is actually losing money with their policy on me. But I guess I’m rather the exception.

Long story short: again, only 30 secs samples available to me. Not enough to judge. First impression is quite positive though. I really like Grieg’s little gems so I may end up buying this anyhow.

 

Ravel: Complete Works For Solo Piano – Bertrand Chamayou

Ravel: Complete Works For Solo Piano - Bertrand Chamayou Erato 2016

This album was my surprise of the year.

As mentioned previously, the so-called French impressionists (Ravel and Debussy) are usually only partially my cup of tea. So I wasn’t particularly excited when this came out, by a young French pianist I’d never heard about.

But then this album received a Gramophone Editor’s Choice AND a Choc from Classica. This really is rarer than you’d think, as my two favorite classical magazines rarely agree (Classica was only lukewarm on the Brahms Plowright above, for example).

So I went and checked it out, and Erato nicely enough IS available for streaming.

And what can I say: I don’t see how you could play these works any more beautifully than what Chamayou does here. Just magic. Go and loose yourself in the magic of the opening Jeux d’eau, take the amazing Gaspard de la Nuit, or even simple stuff like the Haydn inspired Menuet, all is just perfect. Nothing is ever Kitsch or Too Much, this is painted with a very light brush, his style doesn’t remind me of the Impressionism of a Monet, but more of the Pointilism of a Seurat, if you get the analogy.

 

My rating: 5 stars

Eugène Ysaÿe: Sonatas for Solo Violon – Alina Ibragimowa (Hyperion 2016)

Ysaye: Sonatas for solo violin - Alina Ibragimova Hyperion 2016

Let’s make this one quick: I really like Ibragimova, don’t know a lot about Ysaÿe (beyond that he was a Belgian superstar). Thanks to Hyperion’s no streaming policy, this is not likely to change any time soon. I’ve read a lot of positive reviews about this elsewhere, so don’t let my ignorance scare you off.

 

Scarlatti (D): 18 Sonatas – Yevgeny Sudbin (BIS 2016)

Scarlatti: 18 Sonatas - Yevgeny Sudbin BIS 2016

And here we go again, BIS’ no streaming policy will stop me for another couple of months or so to listen to this album.

What I can say is that I’m a big fan of Sudbin, but my expertise on Scarlatti is rather light anyhow, so I wouldn’t take my judgment very seriously even if I had listened to the album.

Be warned, this album also received some “meh” reviews, it’s apparently not everybody’s cup of tea.

 

Conclusion?

You may complain, only two albums I properly bothered to comment about? Well, as a policy I rather shut up where I don’t know what I’m talking about or am unable to properly review.

But in any case, both the Levit and the Chamayou are such exceptional albums, that we’re already very well served here.

So, who will win? 2 days ago Gramophone announced the 3 finalists, namely Levit, Chamayou, and Sudbin.

My prediction: Chamayou will win the category, and I hope Levit will win the “Artist of the Year”, a public poll (I already voted for Mr. Levit, but votes are closed since end of July now).

As always, I’d love to hear your feedback!

 

You can find the albums here:

Levit: http://www.qobuz.com/fr-fr/album/bach-beethoven-rzewski-igor-levit/0886444998161

Brahms Plowright: http://www.eclassical.com/labels/bis/brahms-the-complete-solo-piano-music-iii.html

Grieg Hough: http://www.hyperion-records.co.uk/dc.asp?dc=D_CDA68070

Ravel Chamayou: http://www.qobuz.com/fr-fr/album/ravel-complete-works-for-solo-piano-bertrand-chamayou/0825646026777

Ysaÿe Ibragimova: http://www.hyperion-records.co.uk/dc.asp?dc=D_CDA67993

Scarlatti Sudbin: http://www.eclassical.com/labels/bis/scarlatti-18-sonatas.html

 

 

 

 

 

Argerich vs. Angelich – Liszt’s B-Minor Sonata

Gramophone

The new July issue of Gramophone appeared rather early on my iPad (I’m not into paper subscriptions any more).

As usual, impatient that I am, I jump immediately to the Editor’s Choices, starting with the Recording of the Month. This time, Nicolas Angelich recent Dedication Liszt/Schumann/Chopin album. Cool, I think to myself, another great recording to check out of Liszt’s b-minor sonata.

Liszt’s b-minor sonata

I’m not a huge fan of Liszt in general (too much, especially his orchestral works). But there are certain works I really like, including most of all his great b-minor sonata.

My favorite version by the way is Michael Pletnev’s recording on DG by the way (maybe to be reviewed at some point in the future).

In any case, I must admit, I didn’t really even get to listen to the entire Angelich album, I stopped about 5 minutes into the b-minor sonata. I was really stunned. Liszt was supposed to be the greatest virtuoso of his time, and this version, well, let’s just say, it didn’t touch me at all.

To be fair, my taste may not be universal, as I really liked Katia Buniatishvili’s recording on Sony, which was anything if not controversial, to say the least (some just hated it, stating is was too much…).

But again, this post won’t be about Angelich (which I have yet to properly listen to beyond my 5 minute trial) nor about Pletnev or Buniatishvili, but about one of the greatest pianists  of all times:

Martha Argerich

Yes, the fiery Argentine pianist. She has a very particular sound and style (in a blind test on Swiss radio, two experts blindly identified her vs another artist on 5 out of 5 different pieces, and even I got 3 out of 5), and once you’ve heard her, you’ll never forget her.

So I recently found myself buying her legendary debut album, remastered and released as a 24/96 download (I had bought in on CD ages ago, but hadn’t listened to it regularly enough).

Martha Argerich: Debut Recital (DG)

Martha Argerich Debut Recital Deutsche Gramophon 24 96

Wow.

Somehow, the Chopin competition really means something. Look at the winners, Pollini, Blechacz (see here), Yundi, and Argerich! (well, this year seems to be a bit of an outlier, see my comment here). Basically she was a pure genius from day one.

Her Chopin barcarolle, so beautiful. And the Scherzo no. 3, my favorite! Her Brahms is ok, not outstanding, but when we get to Liszt, all hell breaks loose! Already the Hungarian Rhapsody is full of fire and energy, her trademark, but go to b-minor, and check out every savory moment, from the quiet introvert moments to the amazing prestissimo (track 17).

If this leaves you bored, you’re probably deaf.

And now go back to your streaming provider of choice and check out the Angelich against it, and I guess you’ll understand what I mean.

My rating: 5 stars plus!

You can find it here (Qobuz) and here (Prostudiomasters)

Note that getting the 24/96 remaster is not necessarily a must, unfortunately the original recording was already rather poor, and even the remaster still sounds rather like a shoe box.

 

UPDATE June 11: Another word about the Angelich recording that I browsed over a little bit superficially above.

The Angelich album not only got high praises from Gramophone as mentioned above, but also a Choc from Classica magazine, and this recording of the b-minor sonata was just selected in their June 2017 issue as best version in a blind test comparing 10 recordings out of the ones released in the last 20 years.

Nicholas Angelich Liszt Schumann Chopin Dedication Erato 2017

Triggered by this I listened again to Angelich. Well, to be fair, it is a good recording. However, I still prefer much more the more extreme versions like Argerich, Bunatishvili, etc. For me, this extreme work requires extreme playing. I find the Angelich a bit too “middle of the road”. But given that several reviewers I really respect disagree with me, you have to check it out.

Hype vs. Hype – Lang Lang vs. Benjamin Grosvenor

First of all, to my subscribers, you may have been surprised not to see a post yesterday. This indeed has been the first time since I started this blog nearly 6 month ago that I didn’t post anything on my regular schedule of every 2-3 days. I unfortunately had a health issue in the family. I’ll really target to get fully back on schedule with posts appearing at least every 3 days.

Second, to the Jazz fans among my readers, hope you don’t get bored, my blog has been rather focused on classical music for the last posts. I’m working on getting back to Jazz ASAP.

But well, one more on classical music.

This one was triggered by my mother in law, suggesting I should write about Lang Lang’s latest album. When I spoke to her, I mentioned that I hadn’t heard it yet, but wasn’t a big fan of Lang Lang in general. Her answer was, “So why don’t you compare it to something you like better?”.

Well, here we go.

“Hyped* classical music artists

Every once in a while there are musicians out there, that, usually helped either by YouTube (e.g. Valeria Lisitsa) or by the label (remember Vanessa Mae?) that are rather well-known even to a non classical audience, and have a certain pop-star following. Sometimes (e.g. Jonas Kaufmann) the hype is correlated with quality, more often than not, I find the correlation between fame and quality in classical music to be not very strong.

Lang Lang is a typical example. He’s probably today’s best known pianists (don’t have any data to back this up unfortunately). And as I said to my mother-in-law above, I have yet to hear a Lang Lang album I really like.

But thanks to my streaming subscription I could simply check the latest album out and make up my own mind.

Lang Lang in Paris Chopin Tchaikovsky Sony 2015

The Chopin Scherzi

A word of introduction on the music: the album consists of the four Chopin Scherzi, and Tchaikovsky’s The Seasons for piano. I’m not very familiar with the latter, so I’m not going to comment on the performance.

However, I just love the Scherzi. There is an entire world in the 6-12 minutes of each one, and they are among my absolute favorite piano pieces by Chopin.

So my expectations were rather high. And I’m sorry to say I was disappointed.

No. 1 was just too nervous, to ADHD (my wife told me to switch albums when we listened to it together).

No. 2 is nicely flowing at the beginning, but getting a bit quirky over time, and again too nervous in the fast parts.

No. 3 is probably the best of the four, a bit too much still, but quite enjoyable nevertheless.

The worst was probably no. 4, just too much forte all over the place, and just too slow for my taste.

Benjamin Grosvenor

Now, as suggested by my wise mother-in-law, let me write about my recommended alternative.

And actually another form of “hype”, albeit at a smaller scale.

Benjamin Grosvenor at the tender age of 24 has won more awards already than others in a lifetime. He was Gramophone’s youngest-ever double award winner, and the rest of the British (and partially international) press went just as crazy about him.

So how’s the hype working out here?

Well actually, I’m a HUGE fan. His Chopin Liszt Ravel album, which features all 4 Scherzi, is just outstanding, and his more recent release Dances was not far behind in terms of quality (I mentioned it my comments about the 2015 Gramophone awards here).

There are obviously other outstanding versions of the Scherzi out there (Argerich for no. 3, Rubinstein, and the best I’ve heard was Kristin Zimerman for no. 2 in a live concert), but the recording here is pretty close to perfect.

Benjamin Grosvenor Chopin Liszt Ravel Decca 2011

My rating: 3 stars (Lang Lang) vs. 5 stars (Grosvenor)

You can find the Lang Lang here (Qobuz) if you really insist, and the Grosvenor here (Qobuz) and here (Prestoclassical).

The official “making of” of the Lang Lang in Paris album here: