Category Archives: Claudio Monteverdi

Gramophone Awards 2016 – And The Winners Are……

The Gods have spoken

Or to be more precise, the jury at Gramophone has today officially published the winners in each category.

So, how did my little Crystal Ball work this year?

Baroque Instrumental

Here I forecasted a win for Rachel Podger’s Rosary sonatas.

Gramophone seemed to agree. Congratulations to Mrs Podger, well deserved!

Biber: Rosary Sonatas - Rachel Podger Channel Classics 2016 DSD

Baroque Vocal

As documented here, my vote went to Sebastian Daucé.

However, I’m perfectly supportive of the winner as well, congratulations to Les Arts Florissants for their winning Monteverdi album!

Monteverdi: Madrigali vol. 1 Cremona Paul Agnew Les Arts Florissants 2016

 

Chamber

While my vote would have been for the Quatuor Ebène, the jury went for the Heath Quartet’s Tippett album. Ok, no comment here, it’s just not my cup of tea.

Tippett String Quartets Heath Quartet Wigmore Hall Live

Choral

I just noticed I completely forgot to even mention this section in  my previous posts, don’t know what happened here. Well, anyhow, here’s the winner. I haven’t heard it, so no comment from my side.

Schönberg Gurrelieder Markus Stenz Gurrelieder Hyperion

Concerto

As written here, I’d have voted for Trifonov, but the Gramophone Jury liked Vilde Frang’s Britten and Korngold better. Congrats to Mrs Frang, and I’ll leave it at this, given that this album doesn’t really speak to me.

Britten/Korngold Violin Concertos James Gaffigan Frankfurt Radio Symphony James Gaffigan

Contemporary

I didn’t write about this section at all as I’m not really qualified, however, I must admit the winner looks interesting enough that I’ll check it out in more detail:

 

Hans Abrahamsen : Let me tell you Barbara Hannigan Andris Nelsons Winter & Winter

 

Early Music

Again a section I completely ignored in my posts.

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I’ll take time to check this out formally, looks certainly interesting

Instrumental

Igor Levit Bach Goldberg Variations Beethoven Diabelli Variations Rzewski The People United Will Never Be Defeated Sony 2015

Now we’re back in familiar territory, and while I would have appreciated the recognition for Chamayou’s Ravel, Levit very much deserves this price IMHO.

Opera

My coverage of the Opera section was a bit light,  but at least my prediction of the winning album was correct:

Verdi: Aida Pappanis Anja Harteros Jonas Kaufmann

This album really is a must-have.

Orchestral

Very interestingly, here I correctly predicted the winner without even having actively previously listened to any of the nominated albums. Congratulations to Andris Nelsons!

Shostakovich Symphony No. 10 Andris Nelson Boston Symphony Orchestra Deutsche Grammophon 2016 24 96

Recital

Yes, she did it! As I was hoping, Sabine Devieilhe wins in her category. Couldn’t agree more!!!!

Mozart: The Weber Sisters Sabine Devielhe Raphael Pichon Pgymalion Erato 2015

Solo Vocal

This is another section I completely skipped in my blog post.

For reference, here’s the winning album:

Néère - Hahn, Duparc, Chausson - Véronique Gens Alpha

I really like Véronique Gens, but had only very briefly sampled this album, I’ll make sure to give it a proper listen now.

Summary

Let me virtually brag a bit (sorry!) and say that my crystal ball did a pretty good job this year. Out of 8 categories I wrote about, I got 5 “right”. Not a bad score (insert smiley here). OK, bragging mode off again.

What do you think? Who would you have chosen?

I really appreciate your feedback!

My Reflections on the 2016 Gramophone Awards (Part II): Baroque Vocal

The Gramophone Awards 2016

Following yesterday’s post on the Gramophone Awards Nominees in the Concerto category, let’s attack another one: Baroque Vocal. Again, this isn’t meant to be an exhaustive review of the nominated albums, but just a couple of comments and reflections, as usually I’ll know quite a number of the recommendations well.

And if I don’t, I’ll try to find out (or shut up).

Baroque Vocal

Baroque vocal is not surprisingly one of my favorite categories. As written previously, you can never have enough Bach.

The good thing is, this year’s Gramophone award nominees in this category feature 3 times this great composer, even twice with his outstanding b-minor mass (sorry for all the superlatives here, but what else can you call this?).

Bach: Magnificat – John Butt – Dunedin Consort

Gramophone starts very appropriately for this hot summer season with… Christmas Music.

Well, actually, the title piece is the Magnificat BWV 243a, which is as magnificent as the name implies. I’ve praised John Butt and his Dunedin consort several times here on this blog (e.g. his fantastic St Matthew Passion), and this album keeps the very high level of playing of this great ensemble (plus the beautiful recording quality of the Scottish label Linn, known for their turntables, and more recently, excellent digital hifi).

Bach: Magnificat Christmas Cantata 63 John Butt Dunedin Consort Linn Records

You also get a Christmas cantata plus some other church music (this is trying to recreate Bach’s first Christmas Vespers as he could have performed them), so make sure you get this excellent album under your Christmas tree this year (side note: this is one of the downside of the virtual download era, a FLAC file doesn’t look that pretty even wrapped).

My rating: 5 stars

Bach: B-minor Mass by Gardiner and the Monteverdi Choir

Bach: Mass in B-Minor - Gardiner (2015) - SDG

Already reviewed here, so no need to repeat my four star rating. Very well done, but I still prefer Herreweghe (no matter which version, see also here).

 

Bach: B-minor Mass by the Lars Ulrik Mortensen and the Concerto Copenhagen

Bach: Mass in B Minor Lars Ulrik Mortensen Concerto Copenhagen CPO

Yes, another version of the masterpiece. And admittedly one I haven’t heard. This is mainly due to the fact that this SACD release doesn’t seem to be available on my streaming provide of choice.

Mortensen’s recordings of the Bach keyboard concertos are, and I’m not a big fan. However, the couple of snippets of this b-minor I was able to find on the internet sound interesting. The couple of reviews I’ve read speak of a lot of transparency. Once this becomes available on a streaming site I’ll have another look, and if you have an SACD player, you may even want to check it out right now.

 

Händel: Partenope – Riccardo Minasi – Il Pomo d’Oro

From baroque giant no. 1 to no. 2, Händel.

Händel: Partenope - Riccardo Minasi - Il Pomo d'Oro - Gauvin - Jaroussky Erato 2016

No idea why I haven’t purchased this one yet. I’m usually a big fan of the countertenor Philippe Jarrousky, and Riccardo Minasi is very reliably producing high level baroque productions.

And Erato (in spite of being part of Warner these days) is also a gauge of quality.

In spite of this album being available on Qobuz, I haven’t spent a lot of time on this recording yet, so I’m not going to offer any judgment beyond that I like what I’ve heard so far.

 

Monteverdi: Madrigali Vol. 1 – Cremona – Paul Agnew – Les Arts Florissants

First of all, reading “Les Arts Florissants” and not seeing William Christie in the same entry is a bit weird. They have been associated for so many years (and I’m looking forward to seeing him live again in the soon to open Hamburg Elbphilharmonie early next year).

But Paul Agnew, his disciple, does an outstanding job there.

Monteverdi: Madrigali vol. 1 Cremona Paul Agnew Les Arts Florissants 2016

I must admit I listen to Monteverdi less than I should. While my musical brain feels immediately at home in the harmonic world of a Bach and Händel, the 100+ years between them and Monteverdi, the very beginning of what can be called baroque music, makes is much less immediately approachable to me.

However, when I’m in the mood and have the patience, it can be a very rewarding experience.

Again, I haven’t spent enough time with this album for proper judgment, but my initial impressions are very positive.

Le Concert Royal De La Nuit: Sebastian Daucé – Ensemble Correspondances

From Germany via England (Händel) and Italy now to France (Well to be fair, of the previous mentioned countries, only France and England actually were countries, Germany and Italy still had to wait for a couple of centuries for this pleasure).

And directly to the court of the Sun King, Louis XIV.

Why haven’t I written about this fantastic album yet, although I purchased it months ago? No idea, shame on me. This is putting you directly into the front row at Versailles, into a musical spectacle of first order.

Le Concert Royal de la Nuit: Sébastian Daucé - Ensemble Correspondances Harmonia Mundi 2016

I must admit, I didn’t know any of the composers previously (I’m not a great expert in French music in the first place), but the booklet quotes them as:  Cambefort, Boesset, Constantin, Lambert, Cavalli and Rossi.

Never mind, just sit back, close your eyes, and enjoy the beauty of the music!

By the way, this was also a Choc Classica in addition to the Gramophone Editors choice. It is rare that these two magazines agree, but if they do, it’s usually on something rather outstanding.

My rating: 5 stars

Now, the tricky question, who should win this year’s Gramophone Awards? My guess is Gardiner will make it, as a sort of lifetime award (and having seen him live earlier this year, he’d certainly deserve it).

But my personal call would go for the outsider: Sébastian Daucés account of a night at Versailles. Let’s see.

Who would you choose?

 

UPDATE Aug 18: Gramophone has just communicated the three finalists for each category. For this one, still in the running are the Dunedin Magnificat, the Monteverdi, and the Concert Royal. So my personal favorite has a one in 3 chance of winning. Nice!

 

You can find the recordings here:

Bach Magnificat Dunedin

Bach B-minor Mass Gardiner

Bach B-Minor mass Mortensen

Händel: Partenope

Monteverdi: Madrigali vol. 1

Le Concert Royal de la Nuit