Keith Jarrett / Gary Peacock / Jack De Johnette – After The Fall – A Review

The Keith Jarrett Trio

Having Keith Jarrett in the sub-title of my blog, I obviously had to get excited.

Wow, a new recording of the legendary Keith Jarrett Trio?

Well, “new” is relative, we’re actually talking about a live recording from 1998 in New Jersey, that slept in some drawer for now about 20 years.

1998 wasn’t a bad time for Jarrett’s legendary combo, with Gary Peacock on bass and Jack De Johnette on drums. Standards in Norway, one of my favorite live albums ever, was recorded just a year later, so, musically, my expectations were high.

This was also an important moment for Jarrett himself, as he just recovered from Chronic Fatigue Syndrome which stopped him from playing for nearly two years in 1996-1998. In the liner notes, Jarrett calls this concert a “scary experiment”, as it was his first live appearance since the Italian solo concerts (that were also just recently released as A Multitude Of Angels, see my review here).


Keith Jarrett / Gary Peacock / Jack DeJohnette – After The Fall (ECM 2018)


Keith Jarrett Gary Peacock Jack DeJohnette After The Fall ECM 2018 24 44

And to make it clear, musically, this album is all you could ask for. The tracks on average 8-9 min longs, which is very enjoyable, as the musicians really get to develop the material and interplay.

This is a “double album” (a term that feels a bit silly in the days of downloads and streaming, but in reality it means you get a total of 1h45 of music and pay about the price of two regular albums should you decide to purchase it, so still has some form of meaning).

To mention some individual songs, Scrapple from the Apple is a very groovy bop track. Old Folks is beautiful ballad. And we get standards like Autumn Leaves with very enjoyable solos (unfortunately, like in so many concerts, Jarrett cannot stop himself from “singing” along. If any digital company could ever invent the AI-driven Keith Jarrett/Glenn Gould humming filter, i’d be extremely grateful).

So, where is the but?

Well, very similar to his recently released solo album A Multitude Of Angels, this album wasn’t professionally recorded, but was basically using Jarretts own DAT (Digital Audio Tape recorder).

And as much as I didn’t mind the shoe-box sound created by this recording set-up for Angels, for a trio where you need to better capture the nuances and interplay of three instruments, I find the sound quality a bit off-putting (and this in spite of the fact that this was remastered at the legendary Rainbow Studios in Oslo).

So, in conclusion, as a hard-core Jarrett fan, this is a must have. If you don’t mind the poor sound quality, I can recommend it as well.

However, if you don’t yet own most of his catalogue, there are many other live albums that benefit from the outstanding sound quality that ECM normally is famous for, like Standards in Norway, or Live At Blue Note from 1994 (one of my 25 Essential Jazz Albums), that you may want to check out first.

My rating: 4 stars (1 star taken off for sound quality)

You can find it here (Qobuz) or here (Highresaudio)

GoGo Penguin Latest Album A Humdrum Star – A Totally Subjective Review

What is Jazz?

The question of what actually constitutes Jazz is as old as the music itself. In the 1970s, Jazz tried to cross-over into rock creating subgenera such as Jazz-rock and Fusion, and also some singer-songwriter pop music in the style of Norah Jones or Katie Melua could often be found in the “Jazz” boxes of your average record store.

And obviously, one of the most important movements of the last 3 decades, electronic music in all its ways, has had an influence on Jazz as well. The late Esbjörn Svensson was one of the first to bring electronic elements into the Jazz trio, and many have followed since, blurring the lines even further.

GoGo Penguin

Gogo Penguin is a young Jazz trio from Manchester, that, while using the traditional piano / bass / drums combination, is influenced very heavily by electronic music in the style of Massive Attack, especially on the rythmic side, but at the same time clearly draws inspiration from the minimalist movement.

I’ve praised their previous album, Man Made Object (their first release on BlueNote), here, even naming it as one of my top 5 Jazz albums of 2016, after having seen them live at Moods Zurich in 2016.

So I had really high expectations when they recently released their latest album.

A Humdrum Star (BlueNote 2018)

I purchased A Humdrum Star blindly the moment it came out, and was expecting to write a review pretty soon afterwards. However, its now been out for 2 weeks and I still hadn’t written the review.

Gogo Penguin A Humdrum Star BlueNote 2018 24/88


Basically, I wasn’t very impressed after the first couple of listening sessions, but was really hoping this album would grow on me. Now I can unfortunately safely report, it didn’t. Let me make it clear, this is very good music from very talented musicians.

However, it simply doesn’t work for me. Is it the even increasing influence of minimalism, or electronica? Is it maybe a decreasing focus on the melodic vs. the rhythmic elements? Some songs feel a bit more stuck in loops and patterns than before.

So in a nutshell, this is not my album of choice from them. I recently revisited their earlier albums Fanfares and v2.0, just to double check, and A Humdrum Star is personally my least favorite of their discography.

I still very much suggest you check this out, your conclusion may be very much different to mine.

I´ll make sure revisit this occasionally, and maybe it will grow on me over a longer period, but so far I´ll rather go back to Man Made Object.

My rating: 3 stars (objectively and musically speaking, this is at least 4 stars, but as mentioned, it doesn’t “stick” for me, hence this more neutral rating)

You can find it here (Qobuz) and here (HDtracks)




Walking The Line – without Johnny – but with Oscar Peterson!

Happy New Year!

Let me start by wishing all of my readers an excellent and successful 2018!

Oscar Peterson has been one of my earliest Jazz influences, actually, he was on the first Jazz CD I ever bought around the age of 18 (The Oscar Peterson Trio Plays, from 1964, note that the first jazz album I ever bought was on vinyl just some weeks earlier, Keith Jarrett´s My Song). Before that, I thought that Jazz was annoying and chaotic, how wrong I was!

So you can see, my love of the piano trio format dates back many years.

I’ve written about Oscar Peterson three times previously, about two albums from his legendary trio with Ray Brown and Ed Thigpen (Night Train and Plays The Cole Porter Songbook), but have also already mentioned his later work in Germany (Exclusively For My Friends) in my 25 Essential Jazz albums with several different bassist and drummers.

Walking The Line (MPS 1970)

The Oscar Peterson Trio Walking The Line Anniversary Edition Remastered 24 88 MPS 1970

Walking The Line is another album from the collaboration with MPS and the German producer Hans Georg Brunner-Schwer.

With Peterson, we have George Mraz on bass and Ray Price on drums here. The change in personnel really doesn’t impact this album in any way, this is pure Peterson Swing!

Like with many Peterson albums, we do get some standards. The most famous songs here are Teach Me Tonight and All Of You, but the albums starting song from Cole Porter,  Love, you’ll probably also have heard before.

What you may not have heard as much (unless you are from France or you are big fan of the original Thomas Crown Affair) is Michel Legrand´s song The Windmills Of Your Mind.

Michel Legrand is one of the greatest song composers I’m aware of, all the way up there with the giants like Cole Porter. I’ve previously mentioned him in my review of Bill Evans You Must Believe In Spring. I’m very glad he gets featured here as well.

Overall, this is not a must have album, but if you like Peterson, you really won’t regret the purchase. To quote another famous song title, it don’t mean a thing if it ain´t got that swing. Well this album clearly does!

My rating: 4 stars

You’ll find it here (Qobuz) and here (Prostudiomasters)


Piano Night (Jazz at Berlin Philharmonic VII) – So Much Fun – A Review

Three Great Pianists

Wow. An album that combines three very talented Jazz pianists.

I’ve shared my admiration for the German pianist Michael Wollny several times (see here, here, and here for example), and have also mentioned him in my 25 Essential Jazz albums.

I’ve also already written about the Finnish pianist Iiro Rantala previously (see my review of Anyone with a Heart here).

Leszek Mozdzer from Poland is the only artist I haven’t written about yet, but his album Komeda is very much worth checking out.

As regular readers of my blog will have seen, I was quite a regular visitor at the Berlin Philharmonic concert hall, but I’m quite sad I missed this particular pan-European concert evening that was recorded live in 2016.


Leszek Mozdzer, Iiro Rantala, Michael Wollny – Jazz at Berlin Philharmonic VII – Piano Night (ACT 2017)

Leszek Modzdzer Iiro Rantala Michael Wollny Jazz at Berlin Philharmonic VIII Piano Night 24/48 ACT 2017

Let me start with the highlight of this album: Chick Corea´s La Fiesta, from his legendary Return to Forever album. I’m very sure Corea would endorse this fantastically energetic live version. There is one Fender Rhodes electric piano involved, similar to the sound of Corea´s famous 1970s band. It is hard to tell just from listening who plays the Fender, but the booklet makes it clear: the three actually take turns!

Highlight number two is another Jazz standard, Gershwin´s Summertime, in a fantastic version.

But don’t expect the other songs to be of any lower level, from the very first second you’ll get absorbed by three outstanding musicians who clearly have a lot of fun together. Some of the previous tracks are originals. Rantala contributes Freedom, and Mozdzer She Said She Was A Painter.

If you like energetic piano jazz, this album is highly recommended.

My rating: 4 stars

You can find it here (Qobuz) and here (Prostudiomasters).

If you don’t like downloads, you’ll need to go with the 180g vinyl pressing, as this album is not available as a regular CD.

Michael Wollny Klangspuren (Live in Hamburg) – A Review

How did I miss this?

There is a live Wollny trio album out there and I only find out about it a year later. How is this possible? My bad.

Especially after I’ve attended his concert in Basel just some weeks after this album was released (see my concert review here).

But well, better late than never.

Michael Wollny Trio In Concert: Klangspuren – Live in Hamburg (ACT 2016)

I’m a big Wollny fan (thanks to an old friend from highschool who initially introduced me to him). See for example my reviews of his album Nachtfahrten, or my mention of one of his previous live albums in my 9 Outstanding Live Jazz albums. His album Weltentraum was also mentioned in my 25 Essential Jazz albums.

Michael Wollny Trio In Concert Klangspuren Live in Hamburg ACT 2016




This album is very close in spirit (and material) to the live concert I saw at Kaserne Basel in 2016. Given that it is to a large extend based on his Nocturne-style album Nachtfahrten, it has a lot of long, quiet, but intense passages. My favorite song is White Moon.

Wollny plays with his usual trio of Christian Weber and Eric Schaefer.

But don’t worry, the lion Wollny is occasionally let out of his cage for one of his more improvising elements.

Looking back at his recent studio albums, I rated Weltentraum a full 5 star, while Nachtfahrten was still nice, but only received a 4 star rating.

When we get to live albums, I´d suggest you get one of the Weltentraum live albums first, but this album is still very much worth having.

Wollny remains one of the most important Jazz pianists of our days.

My rating: 4 stars

You can find it here (Qobuz) and here.

FYI, If you prefer to buy it as a physical album you also get a collectors edition that includes a DVD. – a great new online concert platform

Moods Zurich

It is no secret, I really like Moods, the best Jazz club in the Zurich area and probably one of the best in Switzerland.

I´ve written about some of the concerts there in the past, which allowed me to discover some truly outstanding artists, from Julia Hülsmann via GogoPenguin to Sarah McKenzie.

Moods has recently been closed for a while. Partially this was to renovate the club, but another major reason was to make the club “digital”.

What is To quote their website, “the facility features 10 full HD mobile cameras plus state-of-the-art broadcast studio“. In a nutshell, since March 2017 concerts are being recorded in high definition, and are now available for streaming, be it live during the event, or offline for later consumption. The site offers a number of different subscription options.

The video quality is truly impressive, comparable to professional televised concerts. Audio is also pretty good, and the overall experience really works. Audio quality actually gets quite a bit better with the recent introduction of the Sennheiser AMBEO 3D technology for the most recent concerts, which is optimised for headphone listening.

Shai Maestro Live at Moods – March 17 – 2017

I´ve written about this concert experience here. To quote myself: “I’ve been to many concerts in my life, this was one of the most memorable experiences I had.”

Well, now you have the opportunity of seeing and hearing what I saw, by simply following this link. What do you think? Did I exaggerate? Having seen the concert again now, I still love it, but look very much forward to your opinions.


Here´s the link to You will find one of the recent concerts online that isn´t behind the paywall, check it out: James Taylor at Moods

Søren Bebe Trio: Home – A Review

We Get Requests

Just a quick intro here paraphrasing one of my favorite Oscar Peterson album titles: I get contacted quite regularly to review albums.

I usually check out what I receive when it sounds interesting, but so far I’ve never received anything for review that was musically interesting enough for me to write about.

Given that this is my personal blog and I don’t intend to make any money of this (as a matter of fact, this thing is even costing me a bit of money every year to maintain).

This nicely gives me the opportunity to write about only music I care about, one way or another.

Søren Bebe Trio

Søren reached out to me some weeks ago. He did it very smartly, with some namedropping, quoting that he’d recorded his latest album at the great Rainbow studios with the great Jan Erik Kongshaug. He really is an exceptional sound engineer, so my curiosity was piqued. Nicely enough, the album is available for streaming on Qobuz and TIDAL, so it was easy to check out (although he also provided me with a free download link, so full disclosure here)

I must admit I had never heard of him before, shame on me, but even if you care about the Jazz Piano Trio like me, it is really hard these days to keep track.

In a nutshell, Søren with his trio is based in Denmark, and plays with Kasper Tagel on bass and Anders Mogensen on drums.


Søren Bebe Trio – Home (2016 Out Here Music)


So what do you get? Let me put it in the Amazon way: Customers who bought this also bought…. Basically, if you like Keith Jarrett´s trio, and the nordic trios in particular in the style of Tord Gustavsen, you need to check this out.

You get beautiful, dreamy ballads like Floating (that the cover picture really represents well), but you also get slightly more uptempo pieces like A Simple Song. It really always stays very Scandinavian (although I always thought Denmark was different to Sweden and Norway, but here you find a lot of commonalities).

Check out the long ballad Trieste as a very representative example:

And all of this, not surprisingly given the recording venue & personnel, is very well recorded.

My rating: 4 stars. Definitely worth checking out.

You can find it here (Bandcamp)