Tag Archives: Benjamin Grosvenor

Musicophile’s Top 10 Favorite Classical Pianists

Top 10 and Best-Ofs

I don’t do top 10 lists often. I probably should to them more often, as if you’re a blogger you know that they tend to generate higher than average traffic, somehow either Google or more likely the average reader tends to like this kind of lists (and I must admit, I tend to click on other peoples “best of lists” as well), but I usually prefer to write about individual albums instead.

My Personal Top 10 Pianists

That said, the idea for this particular blog post came along while doing some comparative listening for a future blog post on Schubert’s piano sonatas. I noticed I always keep going back to a certain number of pianists, that I love and respect, and that usually always have something to say.

Obviously, this list is highly subjective. This is not supposed to be “Great pianists of the century” or Top 100 pianists of all times, you’ll find plenty of those on the internet already.

So obviously, there will be great names missing, Schnabel, Arrau, Rubinstein, Brendel, Trifonov, etc. etc. etc.

I’ll be listing them in alphabetical order, as there is absolutely no way I’ll try to rank them.

So, here we go:

  • Leif Ove Andsnes

Not very suprisingly, given that I’ve already listed him here for my all time favorite version of Grieg’s piano concerto, and have praised his recent Beethoven cycle with the Chamber orchestra of Europe.

I’ve seen him live playing Beethoven’s concerti 2-4 in a row, without a conductor. An amazing experience.

What I haven’t mentioned yet is that Andsnes has also recorded an excellent version of Rachmaninov’s piano concertos with Antonio Pappano, which I have yet to review.

Rachmaninov Complete Piano Concertos Leif Ove Andsnes London Symphony Orchestra Berliner Philharmoniker Antonio Pappano Warner Classics

I guess that covers such a large range of the romantic piano concertos that it is pretty clear why I’m choosing him. Note I could have mentioned many other beautiful recordings, including solo piano or chamber music.

 

  • Martha Argerich

Well I said I’m not going to rank the pianists, but Martha clearly makes it all the way to the top of the list.

With her, you can really start at the beginning, with her legendary debut album following her winning the 1965 Warsaw Chopin competition. 

Or go to a very recent recording around 50 years later of Argerich playing Mozart’s concertos, as mentioned in My Must Have Mozart Albums.

Or, for the sake of it, pretty much everything she has recorded in between. The only exception are some of the live recordings from her beloved Lugano festival, not all of them are necessarily must haves. But beyond that, you can be sure that her energy to enchant you!

Here is another example:

Martha Argerich Rachmaninov 3 Tchaikovsky 1 Riccardo Chailly Kirill Kondrashin

There are several “complete”, “best of”  and “collection” boxes out there. All are highly recommended.

 

  • Rafal Blechacz

Together with Benjamin Grosvenor and Igor Levit, among the youngest on this lists.

I had to list him already for his outstanding Chopin Préludes, as reviewed previously.

Another recording I can recommend is his Debussy and Szymanowksi album from 2012.

Debussy Szymanowksi Rafal Blechacz Deusche Grammophone 2012

I’ve seen him live play Chopin and Szymanowski, and I was really impressed by this timid young man and the intimacy of his playing. Somebody to watch.

 

  • Ronald Brautigam

Playing on an “authentic” piano that sounds like the composer would have heard the piece is a relatively recent trend, as techniques in the reconstruction of the fortepiano, and alongside the specific playing skills for these instruments have evolved.

I’ve already mentioned his beautiful version of Mendelssohn’s Lieder Ohne Worte (review of part I here, part II here).

However, what I recommend most often is his outstanding complete Beethoven sonata cycle. Obviously this doesn’t replace the efforts on modern piano from Schnabel to today, but you really owe it to yourself to discover how Beethoven can sound on a piano of that time, exceptionally well played by this amazing artist.

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  • Emil Gilels

Why Gilels as a representative of the great pianists of the 1950s-70s, and not Rubinstein, or Richter, or Horowitz?

Well, honestly, all of them would have deserved to be listed here. I’m just having a very special attraction to his Brahms concertos, be it with Jochum (reviewed here) or with Fritz Reiner and the CSO.

Another album that is his outstanding recording of Grieg’s Lyric Pieces, an all time classic.

 

Edvard Grieg Lyric Pieces Emil Gilels Deutsche Grammophon 24 96

 

  • Benjamin Grosvenor

I’ve just recently praised his latest album, Homages (review here), and given 5 stars to his Chopin Liszt Ravel album here. He was also nominated for the Gramophone awards for his album Dances in 2015, which he should have won (IMHO).

Benjamin Grosvenor Dances Decca Classics

He is probably the youngest of my list (note to self, do some fact checking), and among his few recordings, all are just amazing. This is one of the most outstanding talents I’m aware of.

 

  • Igor Levit

Regular readers of my blog know that I’ve praised this great young artist several times already.

Most lately for his Gramophone Album of the Year: Bach / Beethoven /Rzewski, see here for my review, and here as well, as well as in my article about the top 5 classical albums of 2015.

Back in 2015, his Bach Partitas album was also nominated by Gramophone for an Award in the Instrumental category.

But there is one album I haven’t mentioned yet on my blog, which I also like very much, his debut on Sony.

And no, he didn’t start easy, he tackled immediately Beethoven’s late piano sonatas.

Igor Levit Beethoven The Late Piano Sonatas Sony Classical 24 96 2015

And how! This is not only technically impressive (the Hammerklavier always is) but such a high level of musicality. Again, watch this artist!

 

  • Ivan Moravec

Very simply, for the most beautiful Chopin Nocturne recording there is, see my review here. But basically, his other Chopin is also excellent. I actually don’t have any recording from other composers by him. I’ll investigate!

Ivan Moravec Chopin Nocturnes

 

  • Murray Perahia

No idea why I haven’t written more about Perahia. I’ve mentioned him as one of my favorite Goldberg players, and his Bach in general is excellent (will need to write about his new French suites at some point).

But fundamentally, this is one of the pianists that really adds new insights to whatever he touches. Never flashy, never show-off, but always nuanced.

As an example, let me take his Schumann, which is among the best recordings I know of these little gems:

Schumann: Davidsbündlertänze, Fantasiestücke Murray Perahia CBS Sony

 

  • Krystian Zimerman

Again, an artist I haven’t mentioned enough. A living legend to me, winner of the 1975 Chopin competition in Warsaw (he’s the third from this illustrous list, together with Argerich and Blechacz).

Which album to mention? Usually he records relatively few albums, so you can pretty much trust them to be top notch in general.

My preferred is probably his Chopin Ballades:

Chopin: 4 Ballades, Barcarolle, Fantasie Krystian Zimerman Deutsche Gramophon

I’ve heard him play live couple of years ago, including the Barcarolle. He maybe the most intellectual pianist I’m aware of, and you can hear the cerebral approach he takes. That said, this isn’t to say that his music isn’t full of emotion.

I could also have mentioned his Chopin piano concerto recordings, be it with the LA Phil or the Polish Festival orchestra, both are among the best there is for these works.

 

What do You think?

So, here we go. What do you think? Do you agree, disagree? Did I miss anybody (I’m sure I did, with this artificial cut off of 10). Please let me know?

You can find the albums mentioned here in the respective links to previous posts, or below:

 

Oops, He Did It Again: Benjamin Grosvenor with Another Great Album!

Benjamin Grosvenor

I’ve mentioned Benjamin Grosvenor several times already, including here, and here in my comments about last year’s Gramophone Awards. If you read through these reviews and comments, you’ll quickly see I’m a huge fan. This young artist (he’s only 24!) is really spectacular.

So far, I have yet to hear a disappointing album from him.

So my hopes were high when he released his new album, Homages.

Homages (Decca 2016)

Benjamin Grosvenor Homages (24/96) Decca 2016

Grosvenor likes albums mixing several composers around a theme. His last album was called Dances, now we’re talking about Homages.

And we start strongly, with Busoni’s piano setting of the famous Chaconne from Bach’s suites for solo violin. This is rather rarely played, which is a pity, as for once a transcription actually adds something (more often than not, they do not work that well for me). You really get the full bandwidth of this beautiful piece, and the outstanding beauty of Milstein’s legendary interpretation comes to mind, while Busoni’s fireworks around the well known melody really works. This sounds almost like Brahms (who by the way also transcribed the Chaconne, but into a version for left hand only), or actually even occasionally like Rachmaninov. A true showpiece, but without any negative connotation that is usually associated with this term.

From this grandiose opening, we move to another rather unfamiliar music, Mendelssohn’s preludes & fuges op. 35. Mendelssohn was essential for the “rediscovery” of Bach in his time, and you can hear the spirit of Bach in these little-known, but beautiful gems.

From these Bach homages, we move on to more traditional romantic piano music with Chopin and Liszt, an area where Grosvenor feels very much at home.

The booklet tries to give some story around why Chopin’s beloved Barcarolle and parts of Liszt’ Années de Pélérinage are homages as well. I must admit I don’t care that much, I just love his playing.

The Barcarolle op. 60 is one of my all time favorites from Chopin. I heard it some years ago by Krystian Zimerman live, in what remains my personal reference. However, this interpretaion really stands on its own, and I like it a lot.Liszt’s Venezia e Napoli is also really well played.

He closes off with Ravel, as already in his Decca debut, focusing Le Tombeau de Couperin, where the homage aspect is already evident from the title.

I wonder if Grosvenor ever will record e.g. an entire cycle or work, or if he’ll stick to this kind of “concept” album. I wouldn’t be surprised if he sticks to the latter, which is great, because it gets me to discover music I wouldn’t necessarily have discovered without him.

Keep going!

My rating: 4 stars (to clarify: this is absolutely 5 stars playing, but not always essential repertoire)

You can find it here (Qobuz) or here (Prestoclassical)

Hype vs. Hype – Lang Lang vs. Benjamin Grosvenor

First of all, to my subscribers, you may have been surprised not to see a post yesterday. This indeed has been the first time since I started this blog nearly 6 month ago that I didn’t post anything on my regular schedule of every 2-3 days. I unfortunately had a health issue in the family. I’ll really target to get fully back on schedule with posts appearing at least every 3 days.

Second, to the Jazz fans among my readers, hope you don’t get bored, my blog has been rather focused on classical music for the last posts. I’m working on getting back to Jazz ASAP.

But well, one more on classical music.

This one was triggered by my mother in law, suggesting I should write about Lang Lang’s latest album. When I spoke to her, I mentioned that I hadn’t heard it yet, but wasn’t a big fan of Lang Lang in general. Her answer was, “So why don’t you compare it to something you like better?”.

Well, here we go.

“Hyped* classical music artists

Every once in a while there are musicians out there, that, usually helped either by YouTube (e.g. Valeria Lisitsa) or by the label (remember Vanessa Mae?) that are rather well-known even to a non classical audience, and have a certain pop-star following. Sometimes (e.g. Jonas Kaufmann) the hype is correlated with quality, more often than not, I find the correlation between fame and quality in classical music to be not very strong.

Lang Lang is a typical example. He’s probably today’s best known pianists (don’t have any data to back this up unfortunately). And as I said to my mother-in-law above, I have yet to hear a Lang Lang album I really like.

But thanks to my streaming subscription I could simply check the latest album out and make up my own mind.

Lang Lang in Paris Chopin Tchaikovsky Sony 2015

The Chopin Scherzi

A word of introduction on the music: the album consists of the four Chopin Scherzi, and Tchaikovsky’s The Seasons for piano. I’m not very familiar with the latter, so I’m not going to comment on the performance.

However, I just love the Scherzi. There is an entire world in the 6-12 minutes of each one, and they are among my absolute favorite piano pieces by Chopin.

So my expectations were rather high. And I’m sorry to say I was disappointed.

No. 1 was just too nervous, to ADHD (my wife told me to switch albums when we listened to it together).

No. 2 is nicely flowing at the beginning, but getting a bit quirky over time, and again too nervous in the fast parts.

No. 3 is probably the best of the four, a bit too much still, but quite enjoyable nevertheless.

The worst was probably no. 4, just too much forte all over the place, and just too slow for my taste.

Benjamin Grosvenor

Now, as suggested by my wise mother-in-law, let me write about my recommended alternative.

And actually another form of “hype”, albeit at a smaller scale.

Benjamin Grosvenor at the tender age of 24 has won more awards already than others in a lifetime. He was Gramophone’s youngest-ever double award winner, and the rest of the British (and partially international) press went just as crazy about him.

So how’s the hype working out here?

Well actually, I’m a HUGE fan. His Chopin Liszt Ravel album, which features all 4 Scherzi, is just outstanding, and his more recent release Dances was not far behind in terms of quality (I mentioned it my comments about the 2015 Gramophone awards here).

There are obviously other outstanding versions of the Scherzi out there (Argerich for no. 3, Rubinstein, and the best I’ve heard was Kristin Zimerman for no. 2 in a live concert), but the recording here is pretty close to perfect.

Benjamin Grosvenor Chopin Liszt Ravel Decca 2011

My rating: 3 stars (Lang Lang) vs. 5 stars (Grosvenor)

You can find the Lang Lang here (Qobuz) if you really insist, and the Grosvenor here (Qobuz) and here (Prestoclassical).

The official “making of” of the Lang Lang in Paris album here:

My Reflections on the 2015 Gramophone Award Nominees – Part I – Instrumental

Gramophone Award Nominees

The Gramophone awards nominees are now officially declared. This award is probably among the most prestigious award in classical music (beyond the obvious Grammy), so it is always interesting to see who’s in.

As said before, I don’t always agree with Gramophone but their opinions are always worth checking out.

If you have an iPad, you can download the Gramophone magazine app (the primary way I read the magazine these days, no shipment, no paper wasted) and get the Gramophone awards nominee issue for free. It’s worth checking out.

Let me comment on some recordings I know well and also play Oracle of Delphi who will eventually win.

Instrumental

There are four album in here I own or have heard, three of which I’ll be talking about here.

Bach’s English Suites with Piotr Anderszewski

Piotr Anderszewski Bach English Suites 1 3 5 Warner Classics

Well this one is a typical example where I don’t agree with Gramophone.  I can’t really put my finger on it but this album just doesn’t excite me. Maybe it is the tempo, maybe it is the touch, don’t know. Bach on a modern piano is always tricky, you really need to justify these days why you’d use the “wrong” instrument (instead of a harpsichord or similar).

My rating: 3 stars

Bach: Partitas – Igor Levit

Igor Levit Bach Partitas Sony Classical

This album, however, is a typical example of getting it just right. I don’t mind one second not hearing a harpsichord. Levit is an extraordinary talent; his previous recording of the late Beethoven sonatas was outstanding as well.

I’ve been listening to this times and times over, it’s been replacing even Perahia as my go-to version. So this album to me is a hot contender to win this category.

My rating: 5 stars

However, if I had to bet, I’d say the following will be the category winner (and not only because let’s say Gramophone sometimes seems to have a certain preference for their countrymen):

Benjamin Grosvenor – Dances

Benjamin Grosvenor Dances Decca Classics

5 years younger than the still very young Levit (years of birth 1992 and 1987 respectively), Grosvenor could be qualified as a Wunderkind. What a horrible term.

Actually, it really goes beyond this, he is just a truly brilliant artist who just happens to be very young. His previous album Chopin/Liszt/Ravel was truly fantastic, and his new release with “Dances” from Bach via Granados to Scriabin is another example of what he can achieve. With him, even relatively useless (sorry) pieces like Schulz-Evler’s questionable version of An der schönen Blauen Donau become enjoyable. (Ok, he could have skipped the Boogie-Woogie…).

An absolute must have!

My rating: 5 stars

Also nominated are a live recital of Mahan Esfahani (haven’t heard), Sokolov’s Salzburg recital (his Chopin Preludes here really aren’t my cup of tea, 3 stars), and La Fauvette passerinette by Peter Hill (haven’t heard either).

So what are your thoughts and ideas? Who would you have chosen?