My Reflections On the Classica Magazine “Chocs de l’année 2019” – part II

This is the continuation of a blog post started last weekend.

Marc-Antoine Charpentier – Histoires sacrées – Christophe Daucé – Ensemble Correspondances – Harmonia Mundi 2019

Yet another French composer that I know very little about. If like me you’ve grown up in Central Europe and have been watching television, you typically know Charpentier as the composer of the Eurovision theme, the fanfare that was played when several European countries decided to do a joint production.

This theme is actually the prelude to his Te Deum.

Beyond this, again giving away my ignorance, I barely knew anything about him. He occasionally pops up on some French baroque compilation I own, but in my entire library which really isn’t that small, I have a total of 2 albums featuring this composer.

Marc-Antoine Charpentier Histoires Sacrées Ensemble Correspondances Sébastien Daucé Harmonia Mundi 2019 24 96

Listening to this album as part of writing this blog post made it clear to me that I really missed something here. I have zero benchmark to compare the version to obviously, but Sebastien Daucé’s Ensemble Correspondances plays truly engaging early baroque vocal music, beautifully sung and played. It immediately reminded me of Monteverdi, which turns out isn’t misleading. Monteverdi’s operas clearly influenced the Versailles court and Charpentier’s composing.

Really worth checking out. No formal rating given my ignorance of the composer, but informally this is 4 stars upwards.

Antonio Vivaldi: Il Giustino – Ottavio Dantone (Naïve 2019)

Vivaldi Il Giustino Ottavio Dantone Accademia Bizantina Naive 2019 24 96 Galou Barath Gang Cangemi

Only two things to say here from my side: Dantone’s Vivaldi playing is truly fantastic, but unfortunately I can stand Vivaldi’s operas in doses of 10 min max.

So don’t expect a formal review here. But if you like Vivaldi, this is a no brainer.

Bach: 6 Partitas – Robert Levin (2019

J.S. Bach: Six partitas BWV 825-830 Robert Levin 2019

I was already confused when I saw the original review of this in Classica some months ago. I tried it again, and I just don’t get it: the interpretation is so bland and boring to my ears, I really don’t understand what Classica likes about this.

I prefer Igor Levit or Perahia any time.

Camille Pépin – Chamber Music (NoMad 2019)

Camille Pépin Chamber Music Ensemble Polygones (Nomad 2019)

I had already checked this out when I read the original review. A contemporary composer (born 1990), and female, which unfortunately is still a rarity, I was intrigued.

No formal review here, I still struggle with contemporary music, but this is not atonal, and actually quite rhythmic, so I encourage you to check this out, especially if you like e.g. the ECM New Series style.

Weinberg: Symphony No. 2 and 21 – Mirga Grazinyte-Tyla – City of Birmingham Symphony – Gidon Kremer (DG 2019)

A 20th century composer, with a young female conductor (also here we have way to few), and Gidon Kremer to top it all off, again I was interested. This album actually got huge praise by both Gramophone and Classica, and these two magazines don’t often overlap.

Mirga Grazinyte Tyla Gidon Kremer Weinberg Symphonies No. 2 & 21 City of Birmingham Symphony Orchestra Kremerata Baltica Deutsche Grammophon 2019

I checked this out several times, initially liking the tonal passages, then the music drifts into chordal progressions that just leave me confused. Which typically makes me give up to quickly. Now that I’m getting more and more (with baby steps) into Shostakovich, I may start to appreciate it more. I’ll certainly come back to this and so should you.

And keep an eye on Mirga Grazinyte-Tyla. This young Lithuanian conductor is a great talent worth watching.

Classica also recommends another Weinberg album by Gidon Kremer, also on DG; focusing on his chamber music.

Saint-Saëns: Piano Concertos 3-5 – Kantorow (x2) – Tapiola Sinfonietta (BIS 2019)

Saint Saens: Piano Concertos 3 4 5 Alexandre Kantorow Tapiola Sinfonietta BIS 2019

Sure, Classica likes French composers. Fair enough for a French classical music magazine. But actually, for Camille Saint-Saëns I truly share their enthousiasm. I must again admit my ignorance, but 2019 has been my year of discovery of his piano concertos. After the fantastic recording with Bertrand Chamayou which won a well deserved Gramophone Award, comes another outstanding recording, by French pianist Alexandre Kantorow, playing here with his father, Jean-Jacques at the baton. Kantorow is a fantastic pianist (see my review of his recent Russian album here, which also made it into my top classical albums of 2017). In short, a five star album that you should really own!

Mozart: Libertà – Raphaël Pichon

Liberta Mozart Et L'opera Raphael Pichon Pygmalion 24 96 Harmonia Mundi 2019

I’ve already shared my passion for this fantastic album in my review here. A must have.

Brahms: Clarinet Sonatas & Trio – Moraguès – Braley – Poltera (Indésens 2018)

Brahms: Clarinet Sonatas & Trio Moraguès Braley Poltéra Indesens 2019

Brahms’ chamber music for clarinet is still a part of his oeuvre that I find among the least accessible. I’ve so far only reviewed the recording of the sonatas with Lorenzo Coppola and Andreas Staier, but have never written about the clarinet trio.

This excellent album is a good occasion to change the latter, you get very nuanced and delicate playing that really helps exploring these beautiful and intimate works. Give them a try!

So, any feedback from your side? What do you think about this selection?

You can find the albums I mention above here (or in the original review):

Daucé – Charpentier

Dantone – Vivaldi

Levin – Bach

Pepin – Chamber music

Grazinyte-Tyla – Weinberg

Kantorow – Saint Saëns

Moraguès – Brahms

My Reflections On the Classica Magazine “Chocs de l’année 2019” – part I

Classica Magazine

Regular readers of my blog know that I mainly follow two classical magazines as a reference. One is the UK’s Gramophone, the other France’s Classica Magazine.

Interestingly enough, Classica really is the magazine where I have the most overlap with their reviews, for Gramphone it is a bit more hit and miss.

I’ve commented nearly every year on the Gramophone Awards nominees and winners, but I’ve never written a lot about the equivalent of Classica Magazine, the “Chocs de l’année”.

Classica has a five star rating system for all albums (although I hardly ever see 1 stars appear), but on top of the 5 stars, they also select every months the albums “Choc”, similar to Gramophone’s Editor’s Choice.

And, once per year, Classica publishes their “Chocs de l’année”, i.e the overall best albums of the year.

Let’s have a look together.

Les Chocs de l’année 2019 – Classica Magazine – Artist of the Year

First category is “L’artiste de l’année”, winner is French pianist Michel Dalberto (I can’t help but notice that while Gramophone is a bit biased towards UK artists, Gramophone has the same for their local talent.)

Two albums get a particular mention, his recent 2019 Beethoven sonata album on La Dolce Volta, as well as César Franck solo piano and chamber album on Aparte.

Beethoven Michel Dalberto Pathetique Funebre Claire de Lune Appassionata op. 111 Erato 2019
Michel Dalberto & Novus Quartet César Franck Piano works quintet Aparte 2018

I must admit I really don’t share their excitement for the Beethoven album. Sure, it’s not bad, but I’d clearly prefer others here (among recent choices, Levit, Perahia, Lewis).

The Franck album I haven’t really listened to a lot, he is one of those lesser known French composers that I just have much less experience with. But I’ll check it out more systematically in the future, and so should you.

Label of the Year

Label of the year is the French label Alpha, and here I fully agree. In 2019, the smaller dedicated labels like Alpha, Hyperion, BIS, Chandos, have just become so much more important that the old majors like DG, Sony, Decca, etc.

Among other albums they specifically mention Celine’s Frisch Well Tempered Clavier recording (my 5 star review here), and Rouvali’s Sibelius 1 (also featured in the Gramophone Award nominees).

Sibelius Symphony No. 1 En Saga Gothenburg Symphony Santtu-Matias Rouvali Alpha 2019

Brahms: Piano Quintet & Klavierstücke op. 76 – Quatuor Hermes & Geoffroy Cocteau – LaDolce Volta 2019

Brahms Geoffrey Couteau & Quatuor Hermes Piano Quintet F minor op. 34 Klavierstücke op. 76 La Dolce Volta 2019 24 96

I had already noticed this album earlier this year when I saw it got a Choc from Classica and a 5 star review from Diapason.

I have yet to fully review this album, but overall I like it quite a bit. Not sure if it is a full 5 star to me, but I promise I come back to this more formally. In any case, it is worth discovering.

François Xavier Roth

Roth gets even two mentions, with his Berlioz Harold en Italie, as well as the recent Debussy album.

Hector Berlioz Harold en Italie Les Nuits d'été Les Siècles François-Xavier Roth Tabea Zimmermann Stéphane Degout Harmonia Mundi 2019 24 96

I can’t really comment on the Berlioz, again I’m only slowly getting to know the broader French repertoire better.

But I fully agree that Roth is a great talent, and also like his Debussy album very much, which also was nominated for a Gramophone Award.

Debussy Jeux Nocturnes Francois Xavier Roth Les Siècles Harmonia Mundi 2019

David Kadouch – Révolutions

David Kadouch Révolution 24 96 2019 Mirare

Here I really can’t comment, I’ve never heard of this album nor of this pianist before. Turns out he’s French as well (did I mention there seems to be some geographical bias somewhere).

In any case, the program of this concept album (obviously around the Revolution) is quite intriguing, from Dussek (yes, I also had to google him), via Beethoven, Chopin, Liszt, Janacek, Debussy, to Rzewski. I only quickly sampled works I know well, like the Chopin Revolutionary Etude, or the Scherzo no. 1, in both cases I wasn’t blown away. But don’t take this as a proper review, and have a look.

Rachmaninov – The Piano Concertos – Trifonov – Nézét-Séguin (DG 2019)

Daniil Trifonov Yannick Nézet-Séguin The Philadelphia Orchestra Destination Rachmaninov - Departure Deutsche Grammophon 2018 24/96
Destination Rachmaninov - Arrival - Piano Concertos 1 & 3 Daniil Trifonov Yannick Nézéz-Séguin The Philadelphia Orchestra Deutsche Grammophon 2019 24 96

While I absolutely loved Trifonov’s recording of Rach 2, and was right at predicting that this would be a very controversial version, I still haven’t been able to properly review his approach to Rach 3 (sorry I typically disregard Rach 1 and 4) which was released quite recently.

Classica praises both of them, but I honestly would caution you before you buy the Rach 3 blindly. I can’t put my finger on it, but something is there that I just don’t like as much. I’d be very curious to hear your opinions. Personally, I rather stick to other versions like Leif Ove Andsnes with the LSO.

Two Gounod Operas

Gounod, yet another composer I barely know. A good friend of mine loves his Faust, but to this day, I really haven’t found my way around this composers’ work.

Let me nevertheless mention the two operas here that Classica likes, they clearly know more about French composers than I do. Both come from conductors I personally like very much, Hervé Niquet and Christophe Rousset, you probably won’t go wrong with any of these recordings.

Le Tribut de Zamora Charles Gounod Hervé Niquet Chor des Bayerischen Rundfunks Münchener Rundfunkorchester
Gounod Faust version 1859 Les Talens Lyriques Flemish Radio Choir Christophe Rousset Faust

Look out for part II of this blog post in the next days. You’ll find it here.

You can find the new albums of this blog post here (Qobuz), or in the link to the original review.

Michel Dalberto – Franck

Quatuor Hermes – Brahms

Roth – Berlioz

Kadouch – Révolution

Trifonov – Rach 3

Niquet – Gounod

Rousset – Gounod