Category: ****

This is stuff I like, would purchase, and listen to repeatedly. This is most likely going to be the rating you see from me most often, as I usually cannot be bothered to review 1-3 stars albums in detail, and 5 stars, well they are exceptional and rare!

An Beautiful New Vocal Jazz Album with Giovanni Mirabassi and Sarah Lancman

Giovanni Mirabassi

Giovanni Mirabassi remains one of my favorite Jazz pianists. I really love his trio efforts, be it on Terra Furiosa, Live in Toyko, or, probably my preferred one, Architectures.

Mirabassi is Italian, but has been living in Paris for many years. As mentioned above, he trio output (mainly with Gianluca Renzi and Leon Parker) is fantastic, but he’s also collaborated with some excellent singers, e.g. Angela Elvira Herrera Zaparta and Maikel Ante Fajardo on Adelante, and on Sarah Lancman’s previous 2018 albums A Contretemps and Inspiring Love. Both albums only featured Sarah on the title, now we have a recording where both Lancman and Mirabassi share the cover. The two already met in 2015 and have toured together.

Sarah Lancman

Sarah Lancman is a young French singer, who studied in Paris, and has released three albums so far.

There is no shortage of excellent Jazz singers today, but still, Lancman has a very recognisable, unique voice. Not suprisingly, she won the first price in a jazz contest hosted by Quincy Jones.

Giovanni Mirabassi – Sarah Lancman – Intermezzo (Starprod 2019)

So what do you get? Well, you could argue, is this still Jazz?

You basically get beautiful duos where Mirabassi plays in a very intimate and connected way with Sarah, who singing exclusively in Italian (note the album cover kind of gives it away) on this album.

Every once in a while, Olivier Bogé joins playing the saxophone, with a sound somewhat reminiscent of Stan Getz. So who cares if this is Jazz or not?

All of this is just hugely enjoyable, beautiful, intimate music, and really worth checking out.

My rating: 4 stars

You can find it here (Qobuz)

An Excellent (Nearly) New Schumann Cycle by Rattle and the BSO

Schumann’s Symphonies

Schumann’s symphonies have long been underrated. The idea of “Schumann cannot compose for orchestra” has been going around in musicology circles for many years.

I really disagree. OK, he’s no Beethoven or Brahms, but I still really like his symphonies, especially no. 3 and 4.

To be fair, there are excellent recordings already out there, e.g. from Gardiner, Nezét-Séguin, or, a bit more unorthodox, Thomas Dausgaard, (mentioned in My 25 Essential Classical Albums).

Rattle is now on his way out from the Berlin Philharmonic, with Kirill Petrenko coming.

I’ve not always been a fan of Rattle’s work at the BPO, but he has left some very good recordings, so I was very interested when I recently rediscovered this 2014 cycle which launched BPO’s own label (I had missed it at the time).

Schumann: The Symphonies – Simon Rattle – Berliner Philharmoniker (BPO Recordings 2014)

Berliner Philharmoniker Sir Simon Rattle Robert Schumann Symphonies 1-4 BPO Recordings 2014 24/96

So, what do we get? Overall, a very convincing package. I really enjoy every single symphony on this box. My favorite is actually no. 1, subtitled “spring”; where Rattle takes a very fresh and precise approach.

Potentially the weakest of the 4 is symphony no. 2, which I found slightly incoherent in certain parts. The “Rhenish” (my other favorite), and no. 4 both are presented in a way that combines on one hand a good view of the big picture, but really looks at many exciting details.

Overall, Rattle was clearly influenced by the historically informed movement, and the BPO doesn’t sound like during the Karajan era any more. Everything is much lighter and transparent.

A really enjoyable set.

My rating: 4 stars

You can find it here (Qobuz)

Coltrane ’58: The Prestige Recordings

John Coltrane

I’ve checked, and to date, I’ve only mentioned John Coltrane twice on my blog. Let me clarify: this lack of coverage is not for lack of admiration, it is after all not by chance that I’ve listed the amazing album My Favorite Things in My 25 Essential Jazz Albums.

It is just that overall, so much more has been written about the Jazz legends, both online and offline, than about current contemporary musicians.

Therefore, I try to focus a lot of my Jazz writing here on recordings of the last 2 decades.

That said, every once in a while the record industry finds a smart way of re-releasing existing content, which gives me a nice excuse to write about it.

Coltrane’58 – The Prestige Recordings (Prestige Remaster 2019)

Coltrane '58 The Prestige Recordings 2019 remaster 24 96 192

To make it clear: there is no new content on this box that hasn’t been released previously. What is interesting about it is essentially two things: a remaster of the original recordings, and the chronological ordering of all of his recordings.

You get 37 tracks, all recorded in the year of 1958 when Coltrane signed with Prestige, and started to emerge as the star and legend he was bound to become in the following years. They are taken from albums such as Soultrane, Lush Life, or Kenny Burrell & John Coltrane.

Personally, I don’t think this year is as great as some of his all time masterpieces, be it Giant Steps (1959), My Favorite Things (1960) or obviously A Love Supreme (1964).

That said, this is nevertheless a box of thoroughly enjoyable music, uniting such fantastic musicians such as Tommy Flanagan, Red Garland, Paul Chambers, Jimmy Cobb, Louis Hayes or Art Taylor as the rhythm section, and great soloists such as Kenny Burrell and Freddy Hubbard.

Furthermore, the remastering really is quite well done, apparently taken directly from the original master tapes. Prestige unfortunately never was one of the “audiophile” labels, that said, for a 60 year old recording, this entire box really is fully enjoyable.

Before buying it, you may want to check out which of the original albums you may already own, or if you already (like me) have the Complete Prestige Recordings box set, in which case the only reason for buying would be the remastering.

If you don’t have any of these albums yet, this is a purchase I can recommend without any hesitation.

My rating: 4 stars

You can find it here (Qobuz)

Buxtehude: Membra Jesu Nostri by Philippe Pierlot’s Ricercar Consort – Just Beautiful

Easter time & music

I’m not religious, but I understand that Easter is the most important Christian holiday, and the history of his suffering and resurrection have dominated about 2000 years of European history.

Typically, around this time of the year, I’d be listening to the two masterpieces that Johann Sebastian Bach has composed, telling the story of the passion of Christ as recorded by the apostels John and Matthew (click on the links before and this one to see some of my reviews around them).

But obviously the great Bach is not the only one inspired by this important point of Western religion and culture. From Gesualdo, Pergolesi, via Telemann, Rossini, all the way to Pärt, all have written often amazingly beautiful music about it.

Dieterich Buxtehude

Regular readers of my blog know that I typically mainly write about music between 1700 and 1900, more or less from Bach to Mahler. In the 20th century, I often struggle, and before Bach, I’m often equally lost.

Therefore, if you look around at the 4.5 years of blogging history on this site, you’ll find only a small handful of mentions of Claudio Monteverdi, and that’s it.

So therefore, take the following review with a grain of salt, I’m clearly not an expert on Early Music.

Dieterich Buxtehude isn’t particularly well known any more today. He’s of Danish/German origins, and lived his entire life in the area of Southern Denmark and the very Northern end of Germany, and passed away in 1707.

However, in his time, he was a living legend. In his young years, Bach himself walked the 250 miles separating his home in Thüringen to Lübeck in Northern Germany just to hear Buxtehude play (and presumably study with him), and Händel even considered taking over his job after he died.

Buxtehude

Buxtehude: Membra Jesu Nostri – Philippe Pierlot – Ricercar Consort (Mirare 2019)

Buxtehude Membra Jesu Nostri Ricercar Consort Philippe Pierlot Mirare 2019 (24/96)

Membra Jesu Nostri, or if you prefer the full title Membra Jesu nostri patientis sanctissima (“The most holy limbs of our suffering Jesus”) is actually a selection of seven cantatas written in 1680 (so 5 years before Bach was even born).

I’m not going to bore you with more detail on the structure and story of the work, Wikipedia has some really good information here.

What I do want to share is the beauty of all of this. You have a small baroque ensemble, just a handful of voices. But this album is captivating every single one of the 1h20 of the album (you get another cantata as “filler” at the end as well).

I’ve already praised Pierlot and his Ricercar Consort in their recording of the St. John Passion, and here again, their singing and playing is exceptional.

Again, I’m not an early music expert, but I briefly compared this to some of the well known recordings of this work (Gardiner, Koopman, van Veldhofen), and can guarantee that you won’t regret the purchase of this album.

My rating: 4 stars (5 star playing, 4 star repertoire)

You can find it here (Qobuz).

Mare Nostrum III – Delightful


Paolo Fresu, Richard Galliano, Jan Lundgren

Three outstanding musicians. I had the pleasure of seeing two of them live. French accordionist Richard Galliano back in the 1990s, in a fantastic concert with Michel Portal on the clarinet, and Italian trumpet magician Paolo Fresu nearly two decades later in another beautiful duet, with Ralph Towner. The only one I haven’t seen yet is Jan Lundgren, Swedish pianist, but I do own several of his albums.

So you get the picture, a really weird combination of instruments. Does it work out? Very well so. This is not at all French musette style (the light French popular music) that you often hear Galliano play, this is something entirely different.

Mare Nostrum III – Paolo Fresu – Richard Galliano – Jan Lundgren – ACT 2019

Mare Nostrum III Paolo Fresu Richard Galliano Jan Lundgren ACT 2019 24/96

So what do you get? Well, the style of music is hard to describe actually. This is mainly very slow, pensive music making you wish you’d sit on a terrace let’s say on the Amalfi cost, after tourist season late September, with a light breeze, and maybe a glass of limoncello.

Are you any smarter now? Probably not, but if you like my little analogy above, you’ll like the album. Fresu really is the star here on this album, his subtle trumpet tones pretty much carry the entire album, though the trio doesn’t have a leader, and plays as if they’ve played together forever. Well, that’s not so suprising, they actually have. The first album of this series (the III indicates the volume number), was already released in 2008. Volume II is much more recent, in 2016, and was already reviewed on my blog here.

Overall, if you like this rather contrasted choice of instruments, or if you simply like beautiful music, you should check this out.

My rating: 4 stars

You can find it here (Qobuz)

(Note that Qobuz is now available in the US as well, so I won’t give alternative download sources any more. If you’re in a non Qobuz country, Prostudiomasters typically is a good source).

FYI, at the time of writing Qobuz has a 20% discount on the volume II of this album.

Another Excellent Recording of the Mendelssohn Piano Concertos by Ronald Brautigam

Mendelssohn again

Pretty much simultaneously two recordings of the Mendelssohn piano concertos were released, by Jan Lisiecki and the Orpheus Chamber Orchestra, as reviewed by me recently, and another one by Ronald Brautigam with the Kölner Akademie under Michael Alexander Willens.

So, which one should you get?

Mendelssohn Piano Concertos – Ronald Brautigam – Michael Alexander Willens – Die Kölner Akademie (BIS 2018)

Mendelssohn Piano Concertos - Ronald Brautigam Die Kölner Akademie - Michael Alexander Willens BIS 2019 24/96

Well, it’s not an easy choice.

I won’t do a full review here, as fellow music blogger Konsgaard has already done an excellent job here.

Let me focus more on the differences to Jan Lisiecki. The obvious one is the choice of instruments, Brautigam plays on his typical reconstructed Fortepiano, a Pleyel this time, and the Kölner Akademie clearly plays on historical instruments.

Overall, this gives a rougher, more unpolished, wilder sound than the more polished sound of Lisiecki’s modern Steinway.

Honestly, it’s very hard to choose. Both in their own way are excellent. I probably have a slight preference for Lisiecki and the Orpheus, the sound is just SOOO beautiful.

But then again, Brautigam clearly knows a thing or two about Mendelssohn. Furthermore, the two recordings differ by the choice of the “fillers” that you get on top of the piano concertos.

For Lisiecki, he intersperses some of the beautiful solo piano pieces. Brautigam and Willens instead go for some other lesser know pieces of the piano and concerto repertoire, the Rondo brilliant, the Capriccio brilliant, and the Serenade and Allegro giojoso. None of these works are particularly memorable individually, but taken together they really complement the piano concertos well, and are nice discoveries.

So back to the question, which one to choose? Well, while
my slight preference goes to Lisiecki, in the days of streaming, just check out both and make up your own mind. You won’t regret either of the two.

My rating: 4 stars

You can find it here (eclassical).

UPDATE March 30, 2019: Classica likes this a lot as well giving it 5 stars.

Christmas Time Is Here – Two More Beautiful Christmas Jazz Compilations

Christmas Jazz

I’ve already written about my 5 favourite Christmas Jazz albums here, not to mention the recent post about Joey Alexander’s Beautiful Christmas Jazz EP.

But some of my readers complained (rightfully so) that I’ve neglected the Jazz genre a bit on this blog. So just a handful of day before Christmas, let me point you to two beautiful Christmas Jazz compilations by two great labels.

A Concord Jazz Christmas

A Concord Jazz Christmas The Gene Harris Quartet Charlie Byrd

Concord Jazz is a great label that unfortunately has a bit disappeared from the map. Nevertheless, this best of Christmas Jazz is really worth it.

My favorite titles are Scott Hamilton’s Christmas Love Song, and obviously, being a great Gene Harris fan, I’ll Be Home For Christmas. But overall, the album avoids the overly cheesy territory and rather stays on the swinging side. Note that Concord also released a V2 of this album later, which I find much less appealing (even if it has some beautiful tracks)

Verve Presents: The Very Best of Christmas Jazz

Verve Presents: The Very Best of Christmas Jazz Ella Fitzgerald, Kenny Burrell, Bill Evans, Louis Armstrong, Jimmy Smith, Oscar Peterson

The legendary Verve label obviously has released a number of Christmas albums over the years. However, this must be one of the best.

Look at the list: Ella Fitzgerald (obviously), but also Kenny Burrell, Shirley Horn, Bill Evans, John Coltrane, Jimmy Smith, Oscar Peterson. Kind of the Verve All Stars.

You get a beautiful version of A Child Is Born with Oscar Peterson, Bill Evans Playing Santa Claus Is Coming To Town, and even a great Jingle Bells by Jimmy Smith. And yes, it also includes Rudolph, The Rednose Reindeer, Ella’s Christmas classic.

Again, an album that while giving you a nice Christmas feel, avoids the sugary overkill of some more contemporary collections.

Both are highly recommended.

My rating: 4 stars

Wishing all of you some relaxing Christmas days, or whatever other holiday you’re celebrating this year end!

You can find the albums here (Concord) and here (Verve)