A pretty useless review of Nézet-Séguin’s Mendelssohn Symphony Box

Spoiler alert

Yes, again no post in 2 weeks, but I assume you don’t want to hear my lame excuses (too much work, family, etc.).

So let me start with a spoiler alert (actually, a bit late given that the title already gives it away), this will be a relatively useless review. I’ll actually be writing only about 2 out of 5 symphonies, and you won’t even get a proper review, just a very subjective “I like it, but”, with out getting any more specific.

Mendelssohn

I haven’t written that much about Mendelssohn yet. And this is not because I don’t like the composer, to the contrary. I adore his Lieder ohne Worte  (Song without Words), and have written about them here.

I also very much like his violin concerto, and have mentioned Janine Jansen’s recording among my 25 Essential Classical albums.

But I haven’t really written about his symphonies yet. Why is that? Well, for once, I really only like symphonies 3 and 4, the Scottish and the Italian. No. 1 and 2 never touched me, and the reformation was with the exception of certain elements also not really my cup of tea.

Furthermore, I have yet to find my preferred set of these two. I still often go back to Christoph von Dohnanyi’s or Claudio Abbado’s old recordings.

I was very hopeful for the recent approach of Heras-Casado with the Freiburgers, but again, wasn’t convinced.

Therefore, I obviously immediately had to check out a new version by Yannick Nézet-Séguin with the COE.

Mendelssohn: The Symphonies – Yannick Nézet-Séguin – Chanber Orchestra of Europe (DG 2017)

Mendelssohn: Symphonies No. 1-5 - Yannick Nézet-Séguin - Chamber Orchestra of Europe - RIAS Kammerchor - Deutsche Grammophon 24/96

It is no secret, I generally like Nézet-Séguin, the dynamic Canadian, and especially so with the COE. Be it for his Cosi Fan Tutte or for example his great Rachmaninov recoring with Daniel Trifonov.

Some critics say he has too many orchestras, having been involved with the COE, the Philadelphia, and the Rotterdam, to just name some, but he still is one of the most promising conductors of our time.

So, after this long intro, what about his Mendelssohn?

As mentioned above, I’m not too familiar with Symphonies 1, 2, and 5, and will leave the judgment to others.

But for 3 and 4, I do have an opinion. I can simply say, after at least 4-5 listenings, this is a 4 star recording to me. Lots of energy, punch at the right places, enough darkness in the Scottish, enough lightness in the Italian (but with a twist).

So what is wrong, why not 5 stars? And here is again where I get useless. There is something missing, but I simply cannot put my finger on it. This will be a version that I’ll go to again many times, but will it be my reference? Probably not.

But then again, as mentioned above, I really don’t have a reference yet. Maybe the seemingly accessible symphonies 3 and 4 have some dirty secret, that just make them impossible to master. I’ll keep looking.

I’m curious what the professional reviewers will be saying (at the time of writing, I haven’t seen any reviews out there yet).

In the meantime, check out this recording. You won’t be disappointed, I promise, in spite of my rather useless review.

My rating: 4 stars

YOu can find it here (Qobuz) and here (Prestoclassical)

UPDATE Aug 11: In their September issue, Gramophone awards this box a Recording Of The Month. Richard Wigmore is talking about “imaginative, fabulously executed performances” that “guarantee abiding pleasure”.

Bravo, Maestro? – No! Brava, Maestra! Alondra de la Parra at Tonhalle Zürich

Two premieres

Yesterday, I had two personal premieres:

I heard the Stravinsky’s Pulcinella suite for the first time live (and probably for the first time conciously, I have it on a Günter Wand album but never paid much attention).

And, more importantly, I was at my first live concert with a female conductor. This is a pretty sad fact given that we’re in the year 2017 and I attend classical concerts on a regular basis. But let’s look at the odds: right now there are only three female conductors I’d be able to spontaneously come up with: Simone Young in Hamburg, Marin Alsop, and closer to my heart, Emmanuelle Haïm. Can you come up with any other names? Wikipedia gives you a slightly (but really only slightly) longer lists with other names I’ve never heard of.

I actually had heard the name of Alondra de la Parra once before, on the radio. But that was  all I knew about this young Mexican conductor (who was born in NYC).

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Alondra de la Parra (Source: http://www.alondradelaparra.com)

So I was very curious to hear her, given that the Tonhalle Orchester had given her the opportunity of three consecutive concerts.

A little parenthesis on the Tonhalle-Orchester:  The only recently appointed current conductor, Lionel Bringuier, will soon be history. I’ve only heard him once with the Tonhalle, but really wasn’t convinced, so I’m not very sad about the change.

David Zinman did great things with the orchestra previously (even though it is still a bit short of being on par with the really big guys), and so I’m very much looking forward to whoever will be replacing him. Paavo Järvi has been mentioned, and given my affection for him, I’d be applauding.

But if de la Parra get’s 3 evenings, I’m just wondering, could she also be in the mix?

Alondra de La Parra Tonhalle Zürich February 2,2017

Stravinsky’s Pulcinella Suite

Well, this one will be quite quick, as I simply don’t have any reference to judge the performance from. All I can say is I was surprised I really liked the piece. I have a very difficult relationship with Stravinsky, I hate Le Sacre, I can listen to Petrouchka about once every 5 years, preferable in the piano version.

It’s generally just not my cup of tea. But this piece warrants further study.

Mozart: Piano Concerto No. 9 – Jan Lisiecki

Beyond Mrs de la Palla, Jan Lisiecki was the other motivation for me (plus being near Zurich anyhow that particular day) to go to see this concert.

He got very good reviews for his Chopin and Mozart, and so I was very curious to see this very young artist (22 years old) from Canada live. The first thing that’s a bit shocking is that he looks even younger than that. He wouldn’t be out of place in any US highschool movie.

Now, how did the two young stars play together? Well, let’s just say it was a really interesting experience. De la Parra lead the Tonhalle with a lot of energy, but overall the playing sounded a tiny bit heavy (maybe I’m also just too much used to historically informed performance these days). On top of that, Lisiecki had a rather firm grip on the Steinway.

Therefore, this well-known concert, which was written by the 21 year old Mozart, sounded a lot like Beethoven, and not even like his first two concertos, which still live the spirit of Mozart, but in parts this could have even been the 4th concerto.

And the 2nd movement got even more interesting, it sounded really much more like a Chopin concerto. Nothing wrong with all this, and it was a very pleasing experience, it is just different from what I’m recently used to hear.

Appropriately enough, Lisiecki gave us a Chopin encore, op. 48 no. 1, if my memory serves me well. This really was quite spectacular. Lisiecki gave it so much energy, especially in the second half, that I was occasionally thinking of being in the Grande Polonaise Brilliante. In any case, should you listen to this performance late at night (which the title Nocturne kind of indicates), you’d be wide awake by all the sheer brilliance. Very enjoyable.

The true highlight came after the break though.

Beethoven: Eroica

I love the Eroica. Actually, it is a mistake that I didn’t mention it in my 25 Essential Classical Albums (a mistake I’ll soon rectify by enlarging the list to 50). But it’s been ages since I last heard it live somewhere.

I was really hoping from some Latin power (mentally I was probably thinking of de la Parra as the female equivalent of Rodrigo, the slightly crazy Mexican conductor in Amazon’s TV series Mozart in the Jungle). 

But I wasn’t really sure what to expect. Boy, how positively surprised I ended up being. I spend the entire Eroica on the edge of my seat by the sheer energy she created. The poor musicians of the Tonhalle Orchester were clearly stretched to their limits, but they were following her with all the energy and passion they got. Wow!

In summary, as much as I’d like to see Paavo Järvi in Zürich, should the Tonhalle Orchester be daring and go for this amazing talent, I’d be all for it!

P.S. After the concert I read the review by the venerable Neue Zürcher Zeitung of the same concert the previous day, and they shared my enthousiasm.

 

Musicophile’s 25 Essential Classical Music Albums – Part II

Continued from part I here.

Anton Bruckner: Sinfonie Nr. 4 – Günter Wand – Berliner Philharmoniker

The 4th Big B as some call him, Bruckner had to be on my list.

The album I’m recommending nicely enough is a collection of all his relevant symphonies, but I’d really like to focus on Symphony no. 4, my first love, and still my preferred Bruckner symphony.

Günter Wand Anton Bruckner Symphonies Berliner Philharmoniker RCA Red Seal

I’ve written about it previously, and am not going to repeat the entire blog post. As I mentioned there, I’m not listening to Bruckner that much any more, my taste has moved on from the romantic period to much more Mozart and especially Bach, but my Essential Album list couldn’t be complete without Symphony No. 4. Even if I listen to it only a couple of times per year, the broad symphonic sound will always remain close to my heart.

There is especially one part in the first movement, that really give me goose bumps (for 10 other tracks doing the same, check out this blog post), it is a little part that connects two larger sections of the movement, and on the Wand album mentioned here, from 9:48 to 11:02, and has a beauty from out of this world.

 

Chopin: Nocturnes – Moravec

Finally moving away from the letter B, my first Chopin album. Chopin to me is one of the absolute masters of the piano to me. You’ll notice that I haven’t mentioned any Beethoven piano sonata, as much as I love them, Chopin is still closer to my heart.

And if you only have to have one Chopin album, it should be Moravec’s legendary Nocturnes. Already, to me the Nocturnes are quintessential Chopin, and nobody plays them better than Ivan Moravec.

Ivan Moravec Chopin Nocturnes

See my full review here.

Not surprisingly, Moravec also shows up in my Top 10 Classical Pianists.

 

Chopin: Preludes – Blechacz

Another Chopin album, another pianist I already featured in my Top 10 pianists. At least you cannot call me inconsistent.

Chopin Complete The Preludes Rafal Blechacz Deutsche Grammophon

See my review here

Obviously, there are many other pieces you could get from Chopin, the Etudes (Pollini), the piano concertos, Benjamin Grosvenor’s beautiful albums, etc. etc.

But really, the Nocturnes and Preludes should be in everybody’s music library.

 

Mendelssohn: Violin Concerto – Janine Jansen

Skipping quite a lot of letters of the alphabet, and with this really good composers like Berlioz, Debussy, Dvořák, Fauré, Händel, Haydn (although I was close in adding his Cello concertos), Grieg, Mahler, all of which have composed great music and that I’ll write or have written about. But none of these composers have made it on my, again, extremely subjective list of “essential”, i.e. something I really wouldn’t want to live without. I know, we can discuss this endlessly, but I had to make a choice, and here we go.

So finally an album and piece that I haven’t written about yet.

You could argue, of the great violin concertos, why do I chose Brahms and Mendelssohn, and not Beethoven or Tchaikovsky (or, to a lesser extent, Bruch)? Well, again for the same subjective reasons as above, both really touch me the most.

Janine Jansen Riccardo Chailly Gewandhausorchester Mendelssohn Bruch Violin Concertos Decca

I’ve previously praised Janine Jansen’s recent Brahms recording, and am also quite a fan of what Riccardo Chailly has done with the Gewandhaus, be it his complete Brahms symphonies, or the piano concertos with Nelson Freire.

On this excellent album, on top of Mendelssohn’s masterpiece, you also get an outstanding version of Bruch, so this really is another must have.

Other music from Mendelssohn I can highly recommend includes his Songs Without Words, and his symphonies no. 3 and 4.

 

Mozart: Cosi Fan Tutte – Nézet-Séguin

Moving on to Mozart. And getting into dangerous territory. My favorite pieces of all times are his great DaPonte operas, most of all Cosi, closely followed by Figaro.

Nezet-Seguin Mozart Cosi Fan Tutte Chamber Orchestra of Europe Deutsche Grammophon

However, as mentioned in my review of this album, I still don’t consider myself an opera expert. So take my recommendations with a grain of salt, and I’d particularly appreciate any feedback from any opera lovers about their favorite versions.

That said, this 2013 live recording is great, much better than the more recent, slightly disappointing Figaro.

 

Le Nozze Di Figaro – René Jacobs

Even more difficult territory here, as René Jacobs operas are usually love/hate affairs, i.e. you either love them or hate them.

I personally usually find them really interesting and insightful.

Mozart: Le Nozze Di Figaro René Jacobs Concerto Köln Harmonia Mundi

I also have about 10 other versions, including the classics from Böhm, Muti, Erich Kleiber, but keep returning to this version, as well as the first I ever owned, by James Levine.

 

Mozart: C-minor Mass – Masaaki Suzuki

Mozart: Great Mass in C-Minor Exsultate Jubilate Masaaki Suzuki Bach Collegium Japan BIS 2016 24/96

I’ve written twice previously about Mozart’s choral masterpiece, one of the most amazing works of music ever written. And I must admit that Masaaki Suzuki’s recent version really made something very special.

Read my full review here.

You’ll find more great Mozart in my blog post about My Must-Have Mozart albums.

 

Rachmaninov: Piano Concerto No. 3 – Leif Ove Andsnes

Again, jumping a couple of letters ahead, skipping Liszt (although his b-minor sonata was close to making the list), Monteverdi, Mussorgsky, and Prokofiev), directly to Rachmaninov.

And for Rachmaninov, as much as I like quite a bit of his solo piano work, the true essentials are his piano concertos no. 2, and even more so, no. 3

Rachmaninov Complete Piano Concertos Leif Ove Andsnes London Symphony Orchestra Berliner Philharmoniker Antonio Pappano Warner Classics

I’ve previously mentioned this album in my post about My Top 10 pianists.

Obviously, there are many other legendary performances of the Rach’s, including Horowitz, and Van Cliburn, but Andsnes and Pappano really stand out.

 

Schubert: The Late Piano Sonatas – Uchida

Moving one letter ahead again, to S.

Mitsuko Uchida plays Schubert

Schubert’s “late” (all relative, given that he passed away at the age of 31) piano sonatas, D958-960, are absolute masterpieces again. It is not easy to pick my favorite.

Luckily, quite recently I did a systematic comparison of D959, where Uchida, Perahia, and Brendel came out on top.

I’m here rather arbitrarely recommending Uchida, given that her rather exhaustive Schubert box contains 8 CDs for a really low price, you may as well get this directly. You won’t regret it.

 

Schubert: Winterreise – Prégardien – Staier

Schubert: Die Winterreise - Christoph Prégardien - Andreas Staier Warner Classics

A Schubert Lied just had to be in the list, and Winterreise really is such a gem.

As written here, I really like Christoph Prégardien with Andreas Staier, but this is one where one could easily collect 20 and more versions and still discover something new.

 

Schubert: String Quintet – Pavel Haas Quintet

Pavel Haas Quartet String Quintet Schubert Death and the Maiden Supraphon

As you can see, I really like Schubert. He get’s 3 entries, and I could easily have given him four or five. Luckily, on this album you get two of my favorites, the amazing quintet, and the nearly as outstandingly beautiful Death and the Maiden Quartet.

You’ll find my initial review here. I could have easily recommended the more recent version by the Quatuor Ebène as well, I just find the coupling more attractive of the Pavel Haas.

 

Schumann: Symphony No. 3 – Daussgard – Swedish Chamber Orchestra

 

Schubert: Symphony No. 3 and 4 - Thomas Dausgaard - Swedish Chamber Orchestra - BIS

And last but not least, Schumann.

Given that this is the last entry, you’ll notice the absence of Stravinsky, Tchaikovsky (although you’ll find I’ve reviewed quite a bit of Tchaikovsky on my blog), Ravel, Telemann, Sibelius (although his violin concerto was close to making the list), or Vivaldi.

And for Schumann, I didn’t chose his piano concerto, nor his solo piano music, but his symphony no. 3, the “Rhenish”. Moreover, I’m recommending an atypical version, by Thomas Dausgaard with the Swedish Chamber orchestra. Why? Well, it has often been written that Schumann didn’t know how to orchestrate properly, the balance was supposedly off.

Well, actually, if you listen to it played by a smaller chamber orchestra, like here, or on Nézet-Séguin’s recent recording with the Chamber Orchestra of Europe, another excellent version, you get a totally different picture. Well, obviously the classic recordings of Klemperer, Szell or Sawallisch also have their charm. But for me, a smaller ensemble is what works best.

 

Again, I very much appreciate any feedback!

Thanks again for all of you who already commented on part I, I can assure you, your feedback is always very welcome. Agree, or even better, disagree, and tell me why!

All albums mentioned here are five stars on my personal rating scale.

 

 

You can find the albums here:

Bruckner / Wand: here (Qobuz) and here (Prestoclassical)

Chopin / Moravec:  here (Prestoclassical)

Chopin / Blechacz: here (Prestoclassical)

Mendelssohn / Janssen: here (Qobuz)

Mozart Cosi Séguin: here (Qobuz)

Mozart Figaro Jacobs: here (Qobuz) and here (Prestoclassical)

Mozart / Suzuki: here (eclassical)

Rachmaninov / Andsnes: here (Qobuz)

Schubert / Uchida: here (Prestoclassical)

Schubert / Pavel Haas: here (HDTracks)

Schubert  Winterreise: here (Qobuz) or here (Prestoclassical)

Schumann / Dausgaard: here (eclassical)

Musicophile’s 25 Essential Classical Music Albums – Part I

I Love Reader Feedback!

Hearing from your readers is just fantastic. Blogging is obviously sometimes a bit lonely exercise. You write something on your own, and then it’s out there, being read in places as far away as Turkmenistan, Mozambique, or Mongolia (I’m not making this up, the stats for my blog show user access from 157 different countries, including all of the above, and places like Micronesia, Myanmar, or Brunei).

So it is really great to hear back from readers, which luckily happens regularly, and even better if I get questions, because often these turn into blog posts, like for example My Must Have Mozart Albums.

So in this particular case, in my last blog entry about the CPE Bach keyboard concertos, reader Jim S asked me if I could do a similar post to my 25 Essential Jazz albums for classical music.

Sure, here we go!

25 Essential Classical Albums

However, now starts the tricky part. How do you define essential? Are we talking about the musical value of the work, or do you want to be as representative as possible of the 500+ years of what we call classical music today? And obviously, you’ll find many of these lists already online.

I’ve toyed with several ideas and concepts, but discarded all supposedly objective approaches to something purely subjective. Therefore, this list will simply be albums I truly don’t want to live without. Call them “desert island” albums (a cliché I hate, I’d much prefer to take an entire external hard drive to said island).

With this purely subjective list, there will be obvious gaps. Nothing prior to Bach, so the entire early music gets excluded. No Grieg, no Wagner, no Mahler, no Händel, no Debussy, no Ravel, no Haydn? All this doesn’t mean that I don’t appreciate these artists (and I’ve written about most of them on this blog already). They are just not as essential to my very personal taste. And if you’re listing only 25 albums you really have to do some tough choices.

Furthermore, I’ve cheated a bit, occasionally I’ve extended the concept of “album” to an entire multi-CD box by the same artist.

So, here we go. I decided to simply go alphabetically.

I’ve you’re following my blog regularly, you won’t be surprised that the entire first part of the blog post is exclusively dedicated the the “big B’s”, Bach, Beethoven, and Brahms. The entire rest of the alphabet will be covered in part II.

 

Bach: Brandenburg Concertos

This first entry is already controversial. The Brandenburgs are essentially music for entertainment. How can I put them in this list and for example, not put Beethoven’s Missa Solemnis? The answer is very simple, I just love them too much. I really never get tired from this music. So all musicologists out there, sorry!

Bach Brandenburg Concertos Rinaldo Alessandrini Naive 2005

I’ve already written about my favorite version here.

 

Bach: Goldberg Variations – Pierre Hantaï

Pierre Hantai Goldberg variations Mirare 2003

This one was easy. No essential classical album list could be complete without this absolute pinnacle of keyboard music.

I’m recommending here Pierre Hantaï on harpsichord, given that this is the instrument for which this was originally written. You’ll find my original review here. if you prefer a modern piano version, go with Murray Perahia, or more recently, Igor Levit (see the review of the latter here).

 

Bach: B-minor mass – Herreweghe

Bach b-minor mass Herreweghe 2011 Phi

Again, another absolute masterpiece, that has to be in every collection. My review of my favorite version with Philippe Herreweghe can be found here.

 

Bach: St: Matthew Passion – Dunedin Consort

Here I could have chosen either the smaller St. John’s passion or the larger St. Matthew’s. I went for the larger one.

Matthew Passion Dunedin Consort John Butt Linnrecords 24 88

You’ll find my review of this truly essential masterpiece here.

 

Bach: Orchestral Suites

No. 5, the last of the great Johann Sebastian. And like with entry no. 1, the Brandenburgs, we’re getting into the “pop music” territory again. I would never claim that the Orchestral Suites (also known as Overtures) are of the same musical value as the b-minor mass for example.

But again, I listen to these over and over again. That’s why they feature here.

I haven’t reviewed my favorite version on this blog yet, so just a quick comment about this album. I usually really like the Freiburger Barockorchester, and this is probably my favorite album they’ve ever recorded. They just get the balance right between swing, brillance, and sheer fun.

Bach: Ouvertüren - Complete Orchestral Suites - Freiburger Barockorchester Harmonia Mundi

 

Now, moving on to the next Big B:

Beethoven: Symphony No. 5 & 7

Among the Beethoven symphonies, I was very tempted to simply put Paavo Järvi’s complete cycle, that I’ve written about here. However, they actually haven’t been released as a single album yet, and anyhow, I just needed to feature this outstanding album below, as I hadn’t written about it yet:

Carlos Kleiber Beethoven Symphonies 5 & 7 Wiener Philharmoniker Deutsche Grammophon 24 96

Carlos Kleiber, son of famous Erich Kleiber, is one of those conductor legends. Partially this is due to the fact that he has recorded relatively little, so a rarety factor comes into play here. But then again, this album above features in pretty much every “Best Of Classical” list I’ve consulted while doing the research for this post. And honestly, it very much deserves that place. There is really something special about it.

On top of everything else, you’re not only getting the famous “da da da daaaa” 5th, but my personal favorite of Beethoven’s symphonies, No 7.

A true must have.

Beethoven Complete Piano Sonatas – Ronald Brautigam

I’ve already mentioned Brautigam and his complete Beethoven cycle in My Top 10 Favorite Classical Pianists.

7318599920009_600

I know not everybody appreciates the sound of the fortepiano. And if you don’t you’ll find plenty of alternatives in the catalogue on modern Steinways. But I really suggest you check this out. Not only you get outstanding playing, the different sound of the fortepiano opens up an entirely different world.

 

Beethoven: Complete Violin Sonatas – Isabelle Faust

Beethoven: Complete Sonatas for piano & violon - Isabelle Faust - Alexander Melnikov - Harmonia Mundi 2013 24/44

Oh no you’re going to say – again Isabelle Faust? Yes I know, I’m a BIG fan. I’m not going to give links here to all the positive reviews I’ve written about her, there are simply too many (just enter “Faust” in the search box on the right, and you’ll see the long list).

But what can I do? She’s done one of the best, if not THE best cycle of Beethoven’s violin sonatas.

What you could argue about, if I choose chamber music from Beethoven, why the violin sonatas and not the string quartets? Well to be frank, I’m still in the process of fully absorbing all string quartets and have yet to make up my mind which version to prefer.

So, only 3 entries for Beethoven, but given that I’ve “cheated” with two complete boxes, I figured we can move on to the composer whose name features in the sub-title of my blog.

 

Brahms: Piano Concerto No. 1 – Leon Fleisher – George Szell

Brahms first piano concerto was my first big love in music. I started out with a decent, but not outstanding version, with Sir Georg Solti, and Andras Schiff on piano, and by now have collected more than 20 versions.

Among the more recent recordings, I really like the version by Riccardo Chailly with Nelson Freire, but when we’re getting a bit back in time, I guess there is simply no beating of George Szell.

The only problem I’m having is, which version? George Szell has recorded piano concerto no. 1 with several pianists, including Rudolf Serkin, Leon Fleisher, and Clifford Curzon, among others.

I guess, overall the version with Leon Fleisher wins by a very small margin, but tomorrow I may well recommend Curzon instead. But I guess I have to decide, so Fleisher it is:

Leon Fleisher: Brahms Piano Concerto No. 1 and Beethoven Piano concerto No. 2 Cleveland Orchestra George Szell

Brahms: Piano Concerto No. 2 – Richter – Leinsdorf

Brahms Piano concerto no. 2 Beethoven Sonata No. 23 Sviatoslav Richter, Erich Leinsdorf - Chicago Symphony RCA

Again, for piano concerto no. 2 I could have recommended a lot of albums. I’ve previously written about Emil Gilels,  and could have recommended Gilels with Reiner, or again Chailly/Frere.

But I guess there is something truly special about this particular recording with the great Sviatoslav Richter, that I had the pleasure of hearing live once in a solo recital.

A must have.

Brahms: Symphony No. 1 – Wilhelm Furtwängler

Here it gets complicated. In one of my very first blog posts I’ve written about my quest to find a modern version to replace my love for Wilhelm Furtwängler in Brahms first symphony. I’ve also written about why this symphony is so important to me, so I simply couldn’t keep it of the list.

Therefore, be warned, the recording I’m recommending here is a historic performance, that may not please everyones ears from a technical perspective (musically it is hard to beat though).

Furtwängler has recorded this symphony several times, and my favorite version is either with the Berlin Philharmonic, or with the NDR Sinfonieorchester Hamburg.

Let’s pick the BPO version here. Unfortunately it is not that easy to find. It can be found on the Furtwängler Anniversary Box, which is worth having:

Wilhelm Furtwängler Anniversary Tribute Deutsche Grammophon

 

Brahms: Symphony No. 4 – John Eliot Gardiner

Brahms 4 is my other favorite Brahms symphony. I really love the variations in the 4th movement!

I could have given a lot of recommendations here, Chailly, Szell again, or as above, Carlos Kleiber.

But let me stick to this version, the 2010 recording by John Eliot Gardiner with his Orcheste Revolutionnaire et Romantique. I know the concept of historically informed performance is controversial, especially for late 19th century works.

Anyhow, I really like what I hear, especially the transparency.

If you want more traditional Vienna Philharmonic sound, just get the Carlos Kleiber instead!

Brahms Symphony No. 4 John Eliot Gardiner SDG 2010

 

Brahms: Violin Concerto – Isabelle Faust

Isabelle Faust Brahms Violin Concerto Daniel Harding Mahler Chamber Orchestra Harmonia Mundi 2011

Yes, sorry, Faust pops up twice in this post, here we go again for Brahms Violin Concerto, as reviewed here. If you want an alternative, just get Jascha Heifetz with Fritz Reiner, or Janine Jansen (see here)

 

To be continued next week…..

All of the albums above that weren’t reviewed previously are obviously full 5 star ratings!

And while I’m preparing part II, I’d love to hear your feedback on the selection above? Am I nuts? What do you think? What are your favorites?

 

You can find the albums here:

 

My Top 5 Classical Albums for 2016

My Top 5 Classical Albums for 2016

I know, people love lists. Especially men apparently. Remember Nick Hornby’s book High Fidelity? Subjectively speaking, half of the book are top 5 lists. Somebody even bothered to compile them.

Why do we love lists? Well, they are easily digestable, and give you the feeling that you really are getting the best of the best, right?

I must admit, I also pay quite a bit of attention to such lists, be it the Gramophone Awards, the Chocs de l’Année by Classica, or whoever else bothers to put together such best-of’s. Even on my own blog, my various best-of lists (from Mozart, to Christmas Jazz, to Jazz Covers) tend to be the ones with the most clicks.

So here we go again. Helpful even if you’re still looking for Christmas gifts (though in the age of downloads and streaming, giving away music becomes more tricky, an iTunes Gift Card is probably not very sexy under the tree).

They are ordered alphabetically, by composer. Please don’t ask me to rank them within.

So you DO ask me? Really?

Well, here you go. Note that this priority list may change next week if I’m in a different mood.

  1. Mozart: The Weber Sisters
  2. Schubert: String Quintet
  3. Bach: French Suites
  4. Mozart: Mass in C-minor
  5. Shostakovich: Symphonies No. 5, 8, and 9

Again, as all my reviews, this list is very subjective, and not only based on the performance itself, but how much fun I have listening to you.

 

Bach: French Suites – Murray Perahia

Johann Sebastian Bach: The French Suites - Murray Perahia (24/96) Deutsche Grammophon 2016

Perahia this year not only made it into my list of top 10 pianists (yes, yet another list), he is the only baroque album of 2016 onto this particular list.

A fantastic album (see my full review here), getting the well deserved Gramophone Editor’s Choice.

 

Mozart: Great Mass in C-Minor – Masaaki Suzuki 

Mozart appears twice in my top 5 list this year, this is not on purpose, but a very happy circumstance. The playing of Mozart has evolved so much since the days of big orchestral Karajan, historically informed practice really has given us so many new insights into Mozart. Here we have two excellent examples.

Mozart: Great Mass in C-Minor Exsultate Jubilate Masaaki Suzuki Bach Collegium Japan BIS 2016 24/96

Suzuki’s excellent new recording of the amazing C-minor Mass really is good enough to justify it’s place on this list. You’ll find my review here. Suzuki’s often very clean style doesn’t always convince me, but here we really have a winner.

 

Mozart: The Weber Sisters – Sabine Devielhe

Mozart: The Weber Sisters Sabine Devielhe Raphael Pichon Pgymalion Erato 2015

Technically, this is an album that was released in November 2015 and I reviewed it last December. But I reviewed it after my Top 5 classical albums of 2015, so I it deserves to be highlighted here as well.

This is Mozart singing as beautiful as it gets. It’s a bit of a “concept album”, based on Mozart’s wife Constanze Weber, and her sisters. But honestly, you don’t need the booklet here to enjoy a voice that touches your heart directly.

 

Schubert: String Quintet – Quatuor Ebène & Gautier Capuçon

Schubert String Quintet - Lieder - Quatuor Ebène - Gautier Capuçon - Matthias Goerne ERATO 2016

As reviewed here, this is one of the best versions ever of the absolute masterpiece that is Schubert String Quintet. It was one of the Gramophone Award nominees in it’s category, I have no idea why it didn’t win.

 

Shostakovich: Symphonies No. 5, 8 and 9 – Andris Nelsons

Shostakovich: Symphonies Nos. 5, 8 & 9 - Andris Nelsons - Boston Symphony Orchestra

I didn’t have time yet to write a formal review about this album.

As mentioned previously, I don’t often venture into 20th century music.

This album however, is really worth it. Shostakovich 5 and 9 are probably among the most approachable symphonies from the Russian genius, and these are so well played here by Nelsons in extremely engaging live recordings with the BSO.

My rating: 5 stars

So now it’s your turn

Do you agree, disagree? Anything I’ve missed? Anything that shouldn’t be on there? Please tell me in the comments!

 

You can find the albums here:

Bach Perahia:  here (Qobuz) and here (Prostudiomasters).

Mozart Great Mass: here (eclassical)

Mozart: the Weber Sisters: here (Qobuz) and here (Acoustic Sounds)

Schubert: here (Qobuz) and here (Prestoclassical)

Shostakovich: here (Qobuz) and here (Prostudiomasters)

 

My Reflections on the 2016 Gramophone Awards (Part V): All The Rest

And All The Rest

After 4 parts on my favorite categories of the 2016 Gramophone Award nominations, I discovered that I simply don’t have enough to say about most albums in the other categories, so I decided to lump all remaining categories (Baroque Instrumental, Choral, Contemporary, Early Music, Opera, Orchestral, Recital, Solo Vocal) into one big “super-post” and only write about the albums I really care about in this remaining sections.

So, here we go:

Baroque Instrumental

Masaaki Suzuki plays Bach Organ Works (BIS 2016)

I must admit, I bought this album initially because I finally wanted to have a well recorded modern version of the Toccata d-minor BWV565, probably Bach’s best known work even for lay people.

Masaaki Suzuki plays Bach Organ Works BIS 2016 24/96

Well, that and the fact that I truly admire Masaaki’s efforts with the Bach Collegium Japan, and have pretty much his entire Cantata cycle. So I was curious to hear him as a soloist.

Well, I wasn’t disappointed. BIS can usually be trusted for recording quality, and this recording delivers (although has quite a bit of reverb from the Marinikerk in Groninen, so if you don’t like this, look elsewhere).

The good thing of this album is as well that once you go beyond the Toccata earworm, there is lots of beautiful music to discover. I don’t listen to organ very regularly, so this album pushes me in the right direction.

And Masaaki surely knows how to play. This album has received some controversial reviews, some like Diapason and obviously Gramophone love it, some critisize Suzuki takes too many liberties. Well, I’m certainly in the first camp.

My rating: 4 stars

 

WF Bach Keyboard Concertos – Maude Gratton (Mirare 2015)

Wilhelm Friedemann Bach: Concertos pour Clavecin et Cordes / Cembalo Concerts Maude Gratton Il Convito

I’ve reviewed this album previously and unfortunately, it still isn’t my cup of tea.

 

Biber: Rosary Sonatas – Rachel Podger (Channel Classics 2016)

Ah, Rachel Podger. I’m a big fan, and like pretty much everything she recorded, see also here.

Biber: Rosary Sonatas - Rachel Podger Channel Classics 2016 DSD

Sometimes, even in the music world, there seem to be trends.

You barely heard about Heinrich Ignaz Franz von Biber (to quote his full name) for years, and all over sudden, you get 3 recordings of the Rosary Sonatas in a row.

Not sure about the exact order, but we got Ariadne Daskalakis on BIS, Hélène Schmitt on Aeolus, and Rachel Podger in the space of about 12 months.

What’s even more difficult: all of the above are very good.

Nevertheless Podger has an edge over the two others in my ear due to the sheer beauty of the playing. Now, you could argue, is beauty the right approach for these works.

Well I’m not religious, but if Wikipedia is correct, the Mystery of the Rosaries are meditations on important moments in the life of Christ and the Virgin Mary. I personally would want these to be beautiful. The outstanding recording quality of Channel Classics in DSD only makes it more breathtaking. 

My rating: 5 stars

In any case, check out the two others as well before buying.

My prediction

So who will win in the category? Both Suzuki and Podger have made it into the final three, I’d expect a tight race here. I personally give the edge to Podger.

Opera

I recently bought Netrebko’s beautiful recording of Tchaikovsky’s Iolanta and enjoyed it a lot, so I really need to check out the recording of Pique Dame that Gramophone recommends here by Mariss Jansons, but I haven’t done so yet, so will refrain from any comment at this stage.

The only album in the opera category I’ve heard (and own) is:

Verdi: Aidi – Antonio Pappano – Anja Harteros – Jonas Kaufmann (Warner 2015)

Verdi: Aida Pappanis Anja Harteros Jonas Kaufmann

Well, no change to my previous five star rating (see the review here), and I wouldn’t be surprised if this album will also win. Like the Tchaikovsky mentioned above, it made it into the final three candidates.

Orchestral

I’m a bit surprised myself that I wasn’t able to write a dedicated blog post about the Orchestral category, but there are simply too many albums nominated from composers that I dont’ care enough about, often 20th century, from Casella, Dutilleux, Elgar, to Vaughan Williams.

So just a quick note about two albums in this section:

Schubert: Symphony No. 9 – Claudio Abbado – Orchestra Mozart

Schubert Symphony No. 9 Abbado Orchestra Mozart Deutsche Grammophon 2015

Going to be brief here, I love a lot of the stuff that Abbado did with his Orchestra Mozart, this isn’t my favorite. I’d much rather go with Dohnanyi as reviewed here.

And then there is Andris Nelson’s BSO recording of Shostakovich symphony no. 10. I don’t have that one yet, but really like his even more recent release of symphonies no. 5 and 9.

Shostakovich Symphony No. 10 Andris Nelson Boston Symphony Orchestra Deutsche Grammophon 2016 24 96

Given that I haven’t heard 90% of the albums in this category, predicting the winner is obviously preposterous. But I wouldn’t be surprised if Nelsons wins here.

Recital

I’ve only spent a decent amout of time with one album in this section, the excellent Weber Sisters.

A side note on the Ricercar Cavalli album, I skipped through it, but found the Christina Pluhar album released pretty much at the same time more exciting. I may need to revisit that though.

And I gave Jonas Kaufmann’s Nessun Dorma as a present to my mother-in-law, she’s a big Kaufmann fan, and I must admit, the album is really worth checking out.

Mozart and the Weber Sisters – Sabine Devieilhe – Raphael Pichon – Ensemble Pygmalion

Mozart: The Weber Sisters Sabine Devielhe Raphael Pichon Pgymalion Erato 2015

I’ve already reviewed this album, with 5 stars.

And I keep going back to it over and over again.

This is again one of the rare birds of albums where Classica (Choc de l’année), Diapason (5 stars), Gramophone (Editor’s choice, Gramphone Award nominee), and Telerama (4F) all agree.

She is nominated among the final 3 contenders in this category, I really hope she wins!

 

So in summary: Podger’s Biber, Pappano’s Aida, and Devielhe’s Mozart are the must have albums for me here, with Suzuki’s organ works also highly recommended.

 

What do you think? I’d love to hear your opinions!

 

You can find the albums here:

Bach Suzuki Organ Works

WF Bach Cembalo Concertos

Biber Rosary Sonatas Podger

Verdi Aida Pappano

Schubert 9 Abbado

Nelsons BSO Shostakovich 10

The Weber Sisters

 

 

Christoph von Dohnányi – A Totally Underrated Conductor

Christoph von Dohnányi

Why are conductors get so much more well known that others? The classical music industry has it’s own mechanisms of getting attention. I’m not sure I’ve fully understood them yet.

In any case, let me take a recent release by German conductor Christoph von Dohnányi as trigger to write about this conductor I really like a lot, but probably isn’t as famous as he could (or should?) be?

Von Dohnányi, born in Berlin in 1929, started his training as… a lawyer. Yes, he went to law school in Munich before deciding that music was more his thing. Well to be fair, he had some family history, his father Ernst (Ernö) von Dohnányi  was a pianist and composer.

You could assume that  Dohnányi’s talent was rather quickly recognized, given that in his early years he worked with giants like Leonard Bernstein and Georg Solti.

Later on, he became conductor of major orchestras like the Cleveland Orchestra, that Georges Szell had really turned into a world class ensemble, and the Philharmonia orchestra, of Karajan and Klemperer fame.

He also worked with many other leading orchestras, be it in Boston, New York, Paris, or Vienna.

His recording of the Mendelssohn symphonies with the Vienna Philharmonic are still among my absolute favorite versions, especially for no. 3 and 4.

Nevertheless, I as said initially, I don’t see his name pop up as often as you think as one of the great conductors of our time.

Schubert’s Symphonies

I’ve said it before, I’m not a big fan of Schubert’s symphonies in general. OK, there is the beautiful Unfinished, but anything before that to me is only of passing interest. On the other hand, Schubert obviously was an absolute genius for chamber music (e.g. here, and here), piano music (see this review), or the Lied. Unfortunately, he passed away way too early. You can only wonder what Schubert’s music would have been had he reached the age of Beethoven or Brahms.

I also have somehow a difficult connection to his so called Great Symphony, or no. 9 in C-major.

Side note: Actually C-major is a really boring key. It’s the one you play on a piano if you just leave out all the black keys. By musicologists and composers it is often described as noble and majestic. I personally like minor key quite a bit more. But let’s close the parenthesis here.

What really annoys me (well that’s a strong word) about Schubert’s symphony no. 9 is what Robert Schumann called the Himmlische Längen (heavenly length) of this work, there are just some repetitions too many for me.

But that minor annoyance set apart, it is still a beautiful piece of music.

Especially when it get’s played by a conductor I really like…..

Schubert: Symphony No. 9 – Live in Concert – Christoph von Dohnányi – Philharmonia Orchestra (Signum Classics 2016)

 

Schubert: Symphony No. 9 Live In Concert Christoph von Dohnanyi Philharmonia Orchestra Signum Classics

Another parenthesis here: what do you plan to do when you’re about to turn 87 years old? Still working? Probably not.

Well, not so for our hero of the story here, who recorded this beautiful album at the age of 86, in a live performance.

What do I like about this recording?

Well, in a nutshell it has just the right balance of gravitas and lightness that this work needs. You have the big sound of a major orchestra, but there is never anything static about it, always positive tension, and most of all, a lot of fun and joyfulness.

I suggest you read this insightful interview with the conductor about this particular recording here on Prestoclassical.

My rating: 4 stars

You can find it here (Qobuz), and here (Signum Records)