Reis/Demuth/Wiltgen: Places in Between – A Review

The Jazz Piano Trio

As regular readers know, I’m always on the lookout for new piano trios, as it is one of my favorite art forms.

The trio I’ll be writing below isn’t new to me, I already discovered them with their previous album, which was simply titled Reis/Demuth/Wiltgen and released on the French label Laborie Jazz.

Reis/Demuth/Wiltgen 

The naming of the band isn’t very complicated to explain, as we have Michel Reis on piano, Marc Demuth on bass, and Paul Wiltgen on drums.

All three come from Luxembourg, the small place in the middle of Europe known to most people as a tax haven, and somehow next to Brussels and Strasbourg host to some of the EU institutions. Beyond those clichés it’s actually a beautiful little place.

I really liked their first debut album on Laborie, so I was very curious to hear their latest release, which came out some weeks ago in August.

Places In Between (Double Moon Records 2016)

Reis-Demuth-Wiltgen Places in Between Double Moon 2016

So how do I like it? Well to be honest, I liked their previous album better, I found it more inspiring.

Don’t get me wrong, this is a well done jazz trio album. You can really feel that the three musicians are well connected, this isn’t some collection of stars just put together for one album.

So what’s my issue with it? I guess it’s probably the songs. All are “nice”, but I don’t know, they leave me hungry for more.

More of what? If only I knew. I guess this won’t be the most useful music review I’ve ever written, as I keep rambling without giving you anything concrete. There are nice moments, e.g. the melodic developments on Joule’s Last Glimpse, the light swing of The Story of You and Me,  or the excellent drive of Paul Wiltgen on Shai. 

And it is really hard to put my finger on it as there’s really nothing wrong with the album.

I’ll just leave it at that and recommend their 2013 album instead, and wait if the new album grows on me. It has happened before.

 

Reis/Demuth/Wiltgen Laborie Jazz 2013

My rating: 3 stars (could eventually turn into 4 stars, let’s see) for Places In Between, and 4 stars for Reis/Demuth/Wiltgen.

You can download Places In Between here (Qobuz), and the former album here (Qobuz too)

Gramophone Awards 2016 – And The Winners Are……

The Gods have spoken

Or to be more precise, the jury at Gramophone has today officially published the winners in each category.

So, how did my little Crystal Ball work this year?

Baroque Instrumental

Here I forecasted a win for Rachel Podger’s Rosary sonatas.

Gramophone seemed to agree. Congratulations to Mrs Podger, well deserved!

Biber: Rosary Sonatas - Rachel Podger Channel Classics 2016 DSD

Baroque Vocal

As documented here, my vote went to Sebastian Daucé.

However, I’m perfectly supportive of the winner as well, congratulations to Les Arts Florissants for their winning Monteverdi album!

Monteverdi: Madrigali vol. 1 Cremona Paul Agnew Les Arts Florissants 2016

 

Chamber

While my vote would have been for the Quatuor Ebène, the jury went for the Heath Quartet’s Tippett album. Ok, no comment here, it’s just not my cup of tea.

Tippett String Quartets Heath Quartet Wigmore Hall Live

Choral

I just noticed I completely forgot to even mention this section in  my previous posts, don’t know what happened here. Well, anyhow, here’s the winner. I haven’t heard it, so no comment from my side.

Schönberg Gurrelieder Markus Stenz Gurrelieder Hyperion

Concerto

As written here, I’d have voted for Trifonov, but the Gramophone Jury liked Vilde Frang’s Britten and Korngold better. Congrats to Mrs Frang, and I’ll leave it at this, given that this album doesn’t really speak to me.

Britten/Korngold Violin Concertos James Gaffigan Frankfurt Radio Symphony James Gaffigan

Contemporary

I didn’t write about this section at all as I’m not really qualified, however, I must admit the winner looks interesting enough that I’ll check it out in more detail:

 

Hans Abrahamsen : Let me tell you Barbara Hannigan Andris Nelsons Winter & Winter

 

Early Music

Again a section I completely ignored in my posts.

0822252235227_600

I’ll take time to check this out formally, looks certainly interesting

Instrumental

Igor Levit Bach Goldberg Variations Beethoven Diabelli Variations Rzewski The People United Will Never Be Defeated Sony 2015

Now we’re back in familiar territory, and while I would have appreciated the recognition for Chamayou’s Ravel, Levit very much deserves this price IMHO.

Opera

My coverage of the Opera section was a bit light,  but at least my prediction of the winning album was correct:

Verdi: Aida Pappanis Anja Harteros Jonas Kaufmann

This album really is a must-have.

Orchestral

Very interestingly, here I correctly predicted the winner without even having actively previously listened to any of the nominated albums. Congratulations to Andris Nelsons!

Shostakovich Symphony No. 10 Andris Nelson Boston Symphony Orchestra Deutsche Grammophon 2016 24 96

Recital

Yes, she did it! As I was hoping, Sabine Devieilhe wins in her category. Couldn’t agree more!!!!

Mozart: The Weber Sisters Sabine Devielhe Raphael Pichon Pgymalion Erato 2015

Solo Vocal

This is another section I completely skipped in my blog post.

For reference, here’s the winning album:

Néère - Hahn, Duparc, Chausson - Véronique Gens Alpha

I really like Véronique Gens, but had only very briefly sampled this album, I’ll make sure to give it a proper listen now.

Summary

Let me virtually brag a bit (sorry!) and say that my crystal ball did a pretty good job this year. Out of 8 categories I wrote about, I got 5 “right”. Not a bad score (insert smiley here). OK, bragging mode off again.

What do you think? Who would you have chosen?

I really appreciate your feedback!

My Reflections on the 2016 Gramophone Awards (Part V): All The Rest

And All The Rest

After 4 parts on my favorite categories of the 2016 Gramophone Award nominations, I discovered that I simply don’t have enough to say about most albums in the other categories, so I decided to lump all remaining categories (Baroque Instrumental, Choral, Contemporary, Early Music, Opera, Orchestral, Recital, Solo Vocal) into one big “super-post” and only write about the albums I really care about in this remaining sections.

So, here we go:

Baroque Instrumental

Masaaki Suzuki plays Bach Organ Works (BIS 2016)

I must admit, I bought this album initially because I finally wanted to have a well recorded modern version of the Toccata d-minor BWV565, probably Bach’s best known work even for lay people.

Masaaki Suzuki plays Bach Organ Works BIS 2016 24/96

Well, that and the fact that I truly admire Masaaki’s efforts with the Bach Collegium Japan, and have pretty much his entire Cantata cycle. So I was curious to hear him as a soloist.

Well, I wasn’t disappointed. BIS can usually be trusted for recording quality, and this recording delivers (although has quite a bit of reverb from the Marinikerk in Groninen, so if you don’t like this, look elsewhere).

The good thing of this album is as well that once you go beyond the Toccata earworm, there is lots of beautiful music to discover. I don’t listen to organ very regularly, so this album pushes me in the right direction.

And Masaaki surely knows how to play. This album has received some controversial reviews, some like Diapason and obviously Gramophone love it, some critisize Suzuki takes too many liberties. Well, I’m certainly in the first camp.

My rating: 4 stars

 

WF Bach Keyboard Concertos – Maude Gratton (Mirare 2015)

Wilhelm Friedemann Bach: Concertos pour Clavecin et Cordes / Cembalo Concerts Maude Gratton Il Convito

I’ve reviewed this album previously and unfortunately, it still isn’t my cup of tea.

 

Biber: Rosary Sonatas – Rachel Podger (Channel Classics 2016)

Ah, Rachel Podger. I’m a big fan, and like pretty much everything she recorded, see also here.

Biber: Rosary Sonatas - Rachel Podger Channel Classics 2016 DSD

Sometimes, even in the music world, there seem to be trends.

You barely heard about Heinrich Ignaz Franz von Biber (to quote his full name) for years, and all over sudden, you get 3 recordings of the Rosary Sonatas in a row.

Not sure about the exact order, but we got Ariadne Daskalakis on BIS, Hélène Schmitt on Aeolus, and Rachel Podger in the space of about 12 months.

What’s even more difficult: all of the above are very good.

Nevertheless Podger has an edge over the two others in my ear due to the sheer beauty of the playing. Now, you could argue, is beauty the right approach for these works.

Well I’m not religious, but if Wikipedia is correct, the Mystery of the Rosaries are meditations on important moments in the life of Christ and the Virgin Mary. I personally would want these to be beautiful. The outstanding recording quality of Channel Classics in DSD only makes it more breathtaking. 

My rating: 5 stars

In any case, check out the two others as well before buying.

My prediction

So who will win in the category? Both Suzuki and Podger have made it into the final three, I’d expect a tight race here. I personally give the edge to Podger.

Opera

I recently bought Netrebko’s beautiful recording of Tchaikovsky’s Iolanta and enjoyed it a lot, so I really need to check out the recording of Pique Dame that Gramophone recommends here by Mariss Jansons, but I haven’t done so yet, so will refrain from any comment at this stage.

The only album in the opera category I’ve heard (and own) is:

Verdi: Aidi – Antonio Pappano – Anja Harteros – Jonas Kaufmann (Warner 2015)

Verdi: Aida Pappanis Anja Harteros Jonas Kaufmann

Well, no change to my previous five star rating (see the review here), and I wouldn’t be surprised if this album will also win. Like the Tchaikovsky mentioned above, it made it into the final three candidates.

Orchestral

I’m a bit surprised myself that I wasn’t able to write a dedicated blog post about the Orchestral category, but there are simply too many albums nominated from composers that I dont’ care enough about, often 20th century, from Casella, Dutilleux, Elgar, to Vaughan Williams.

So just a quick note about two albums in this section:

Schubert: Symphony No. 9 – Claudio Abbado – Orchestra Mozart

Schubert Symphony No. 9 Abbado Orchestra Mozart Deutsche Grammophon 2015

Going to be brief here, I love a lot of the stuff that Abbado did with his Orchestra Mozart, this isn’t my favorite. I’d much rather go with Dohnanyi as reviewed here.

And then there is Andris Nelson’s BSO recording of Shostakovich symphony no. 10. I don’t have that one yet, but really like his even more recent release of symphonies no. 5 and 9.

Shostakovich Symphony No. 10 Andris Nelson Boston Symphony Orchestra Deutsche Grammophon 2016 24 96

Given that I haven’t heard 90% of the albums in this category, predicting the winner is obviously preposterous. But I wouldn’t be surprised if Nelsons wins here.

Recital

I’ve only spent a decent amout of time with one album in this section, the excellent Weber Sisters.

A side note on the Ricercar Cavalli album, I skipped through it, but found the Christina Pluhar album released pretty much at the same time more exciting. I may need to revisit that though.

And I gave Jonas Kaufmann’s Nessun Dorma as a present to my mother-in-law, she’s a big Kaufmann fan, and I must admit, the album is really worth checking out.

Mozart and the Weber Sisters – Sabine Devieilhe – Raphael Pichon – Ensemble Pygmalion

Mozart: The Weber Sisters Sabine Devielhe Raphael Pichon Pgymalion Erato 2015

I’ve already reviewed this album, with 5 stars.

And I keep going back to it over and over again.

This is again one of the rare birds of albums where Classica (Choc de l’année), Diapason (5 stars), Gramophone (Editor’s choice, Gramphone Award nominee), and Telerama (4F) all agree.

She is nominated among the final 3 contenders in this category, I really hope she wins!

 

So in summary: Podger’s Biber, Pappano’s Aida, and Devielhe’s Mozart are the must have albums for me here, with Suzuki’s organ works also highly recommended.

 

What do you think? I’d love to hear your opinions!

 

You can find the albums here:

Bach Suzuki Organ Works

WF Bach Cembalo Concertos

Biber Rosary Sonatas Podger

Verdi Aida Pappano

Schubert 9 Abbado

Nelsons BSO Shostakovich 10

The Weber Sisters

 

 

My Reflections on the 2016 Gramophone Awards (Part IV): Chamber

This is the 4th part of a series of posts about the nominated albums for the 2016 Gramophone Awards. You’ll find the rest of the series here.

Chamber Music

I’ve written quite a bit about chamber music on my blog already, it is one of the most beautiful and intimate forms of classical music.

Beethoven: Complete Works for Cello and Piano – Xavier Phillips – François-Frédéric Guy (Evidence 2015)

I’ve only recently “discovered” François-Frédéric Guy for me, in his album of the Brahms piano sonatas, reviewed here. As you can see from that review, I was really impressed with wh

Beethoven: Complete Works for Cello & Piano - Xavier Phillips - François-Frédéric Guy Evidence 2015

Xavier Phillips was another new name to me (which also tells me I’m not reading Gramophone with enough attention, given that all of these award-nominated albums obviously were previously praised by Gramophone).

The catalogue of complete Beethoven cello recordings has seen two recent excellent addition in recent years, with the excellent Steven Isserlis and Robert Levin on fortepiano (Gramophone Award finalist in 2014) on Hyperion, and even more recently Jean-Guihen Queyras and Alexander Melnikov.

So do we need yet another new recording? Well, while this new album doesn’t replace Isserlis and Queyras, it is certainly a strong contender.

As said before, I really liked Guy on Brahms, and his transparent, clear style works very well here. Phillips has a beautiful tone, and this recording, while very singing, has also a certain etheral style to it. Very much worth checking out.

My rating: 4 stars

Berg: Lyric Suite – Renée Fleming and Emerson Quartet

Berg/Schönberg/Webern: Belcea Quartet

Berg: Lyric Suite - Emerson String Quartet Decca 2015

Berg Webern Schönberg: Chamber Music Belcea Quartet

Berg twice, plus some more Zweite Wiener Schule.

As much as I love the Klimt on the cover, I’ve tried over and over again to get used to this kind of music, but haven’t managed. It’s just not my cup of tea. I can listen to Berg’s Violin concerto occasionally, but beyond that, the only thing I want is find my Ipad remote and turn back to Beethoven or Brahms as soon as I can.

Given my complete lack of competence and understanding here, I’ll just shut up and let you make up your own mind (you’ll find the Qobuz links below).

Brahms: String Quartets 1 & 3 – Artemins Quartet

Now we’re getting back to a composer I absolutely love (see also the subtitle of my blog).

That’s the good news.

Brahms: String Quartets No. 1 & 3 - Artemis Quartet Erato 2016

Now to the bad news: I personally think that Brahms’ String Quartets are among his weakest contributions to the genre of chamber music. I love everything he did with piano (naturally, he was a very good pianist), I like his string sextets and quintets already a bit less, and I never got to like the string quartets.

Honestly, when I want a string quartet, I’ll just pick between Schubert, Beethoven, Haydn, and occasionally Mozart. More than enough brilliant choice here.

But you don’t care about that, you care about what I think about their playing? Well, here’s the problem: If I don’t really like the music, my judgment is clouded at best. Sure, they do a fine job, but the entire thing just doesn’t touch me enough. So this will be another one where I refrain from any rating. Just so much: If you unlike me like the Brahms quartets, it’s worth checking out (which you probably would have guessed without me as well).

Bruckner: String Quartet, String Quintet – Fitzwilliam Quartet

You may, like me, rub your eyes and ask yourself if you just ended up in the wrong section. No this is not “orchestral”, we are in chamber music.

I must admit somewhere in the back of my head I had heard Bruckner did some Chamber music, but seriously had never heard it before. I could double check this fact, as my pretty large digital library doesn’t contain a single recording of these works.

Well at least I’m not alone, even the 30M+ library of Qobuz only features a very small handful of recordings of this work.

Bruckner: String Quintet - String Quartet - Fitzwilliam String Quartet - Linn Records 2016

Now the problem: The Fitzwilliam has recorded on Linn Records. While this usually means you get excellent recording quality, it also means no streaming.

Now, from the couple of other albums available for streaming of these works I must admit I haven’t made up my mind if I care enough about them to buy this new album (currently I rather don’t think so). Don’t get me wrong, I love Bruckner (see here), but I’m not sure his chamber music is for me.

So another album without any rating from my side. Sorry.

Schubert: String Quintet – Quatuor Ebène

Schubert String Quintet - Lieder - Quatuor Ebène - Gautier Capuçon - Matthias Goerne ERATO 2016

NOW we’re talking. Already reviewed here, and I can only reiterate my strong 5 star rating here. Just go, get it!

Tippett: String Quartets – Heath Quartet

Who? Could you repeat that name?

Well I shouldn’t brag, rather shut up, this just shows again how ignorant I am in 20th century music.

But as I’ve previously said about Britten, I love English composers. Especially when they are called Purcell. Or actually, only if they are called Purcell. For all the rest, really not my cup of coffee (or more appropriately, tea).

 

So, who should win?

Well, if you’ve read so far, you’ll have noticed that I’m rather biased this time (ok, all the time), and actually would give the Award without hesitation to the Quatuor Ebène.

Well, but I’m not Gramophone, and knowing the three finalists the jury there has chosen (they were released some days ago), I know they won’t make it. The Beethoven, my other favorite, is out as well.

Basically, the Emerson Berg, the Artemis Brahms, and the Heath Tippett are in the final selection.

Well, over and out for me at this stage. Let Gramophone’s jury do their job.

 

You can find the albums here:

Beethoven Cello Philips

Berg/Emerson

Belcea

Brahms Artemis

Bruckner

Schubert

Tippett

 

 

 

My Reflections on the 2016 Gramophone Awards (Part III): Instrumental

You can find Part I (concerto) and part II (Baroque Vocal) of this blog post here and here

Instrumental

Again, one of my absolute favorite categories, and some beautiful gems this year.

Let’s get right into it:

Bach/Beethoven/Rzewski: Variations – Igor Levit (Sony 2015)

Igor Levit Bach Goldberg Variations Beethoven Diabelli Variations Rzewski The People United Will Never Be Defeated Sony 2015

I’ve already reviewed this fantastic album, by one of the pianists I admire most these days. What else is there to say but “wow”, or 5 stars?

 

Brahms: The Complete Solo Piano Music vol. 3 – Jonathan Plowright (BIS 2016)

Brahms: The Complete Solo Piano Music, vol. 3 - Jonathan Plowright (BIS 2016)

I cannot really comment on this album very much, as BIS has a restriction on streaming albums for the first 6 months I believe, so I wasn’t able to hear more than 30 secs of each track, which really isn’t enough to review.

I must admit, that past releases from Plowright’s Brahms recordings (e.g. Sonata No. 3) were ok, but not so great that I was particularly motivated in purchasing this album blindly.

Plus, I’m not sure if Op. 21 no.2 and the Waltzes are essential Brahms (I love op. 76 and 118 though). Will check back when it frees up for streaming.

 

Grieg: Lyric Pieces – Stephen Hough

Grieg Lyric Pieces Stephen Hough Hyperion 2016

Hyperion is another one of the labels that refuses streaming, but unlike BIS not only for the first 6 months, but permanently. On the one hand, I get the point that artists make peanuts on streaming, so it is not something some labels want to endorse.

I must admit that even though I have a subscription to a lossless streaming services that let’s me listen to any album in full CD quality, when there’s something I really like I usually purchase the album anyhow. And in the few years I had access  to streaming, I got so used to being able to listen to an album fully before buying, that Hyperion is actually losing money with their policy on me. But I guess I’m rather the exception.

Long story short: again, only 30 secs samples available to me. Not enough to judge. First impression is quite positive though. I really like Grieg’s little gems so I may end up buying this anyhow.

 

Ravel: Complete Works For Solo Piano – Bertrand Chamayou

Ravel: Complete Works For Solo Piano - Bertrand Chamayou Erato 2016

This album was my surprise of the year.

As mentioned previously, the so-called French impressionists (Ravel and Debussy) are usually only partially my cup of tea. So I wasn’t particularly excited when this came out, by a young French pianist I’d never heard about.

But then this album received a Gramophone Editor’s Choice AND a Choc from Classica. This really is rarer than you’d think, as my two favorite classical magazines rarely agree (Classica was only lukewarm on the Brahms Plowright above, for example).

So I went and checked it out, and Erato nicely enough IS available for streaming.

And what can I say: I don’t see how you could play these works any more beautifully than what Chamayou does here. Just magic. Go and loose yourself in the magic of the opening Jeux d’eau, take the amazing Gaspard de la Nuit, or even simple stuff like the Haydn inspired Menuet, all is just perfect. Nothing is ever Kitsch or Too Much, this is painted with a very light brush, his style doesn’t remind me of the Impressionism of a Monet, but more of the Pointilism of a Seurat, if you get the analogy.

 

My rating: 5 stars

Eugène Ysaÿe: Sonatas for Solo Violon – Alina Ibragimowa (Hyperion 2016)

Ysaye: Sonatas for solo violin - Alina Ibragimova Hyperion 2016

Let’s make this one quick: I really like Ibragimova, don’t know a lot about Ysaÿe (beyond that he was a Belgian superstar). Thanks to Hyperion’s no streaming policy, this is not likely to change any time soon. I’ve read a lot of positive reviews about this elsewhere, so don’t let my ignorance scare you off.

 

Scarlatti (D): 18 Sonatas – Yevgeny Sudbin (BIS 2016)

Scarlatti: 18 Sonatas - Yevgeny Sudbin BIS 2016

And here we go again, BIS’ no streaming policy will stop me for another couple of months or so to listen to this album.

What I can say is that I’m a big fan of Sudbin, but my expertise on Scarlatti is rather light anyhow, so I wouldn’t take my judgment very seriously even if I had listened to the album.

Be warned, this album also received some “meh” reviews, it’s apparently not everybody’s cup of tea.

 

Conclusion?

You may complain, only two albums I properly bothered to comment about? Well, as a policy I rather shut up where I don’t know what I’m talking about or am unable to properly review.

But in any case, both the Levit and the Chamayou are such exceptional albums, that we’re already very well served here.

So, who will win? 2 days ago Gramophone announced the 3 finalists, namely Levit, Chamayou, and Sudbin.

My prediction: Chamayou will win the category, and I hope Levit will win the “Artist of the Year”, a public poll (I already voted for Mr. Levit, but votes are closed since end of July now).

As always, I’d love to hear your feedback!

 

You can find the albums here:

Levit: http://www.qobuz.com/fr-fr/album/bach-beethoven-rzewski-igor-levit/0886444998161

Brahms Plowright: http://www.eclassical.com/labels/bis/brahms-the-complete-solo-piano-music-iii.html

Grieg Hough: http://www.hyperion-records.co.uk/dc.asp?dc=D_CDA68070

Ravel Chamayou: http://www.qobuz.com/fr-fr/album/ravel-complete-works-for-solo-piano-bertrand-chamayou/0825646026777

Ysaÿe Ibragimova: http://www.hyperion-records.co.uk/dc.asp?dc=D_CDA67993

Scarlatti Sudbin: http://www.eclassical.com/labels/bis/scarlatti-18-sonatas.html

 

 

 

 

 

My Reflections on the 2016 Gramophone Awards (Part II): Baroque Vocal

The Gramophone Awards 2016

Following yesterday’s post on the Gramophone Awards Nominees in the Concerto category, let’s attack another one: Baroque Vocal. Again, this isn’t meant to be an exhaustive review of the nominated albums, but just a couple of comments and reflections, as usually I’ll know quite a number of the recommendations well.

And if I don’t, I’ll try to find out (or shut up).

Baroque Vocal

Baroque vocal is not surprisingly one of my favorite categories. As written previously, you can never have enough Bach.

The good thing is, this year’s Gramophone award nominees in this category feature 3 times this great composer, even twice with his outstanding b-minor mass (sorry for all the superlatives here, but what else can you call this?).

Bach: Magnificat – John Butt – Dunedin Consort

Gramophone starts very appropriately for this hot summer season with… Christmas Music.

Well, actually, the title piece is the Magnificat BWV 243a, which is as magnificent as the name implies. I’ve praised John Butt and his Dunedin consort several times here on this blog (e.g. his fantastic St Matthew Passion), and this album keeps the very high level of playing of this great ensemble (plus the beautiful recording quality of the Scottish label Linn, known for their turntables, and more recently, excellent digital hifi).

Bach: Magnificat Christmas Cantata 63 John Butt Dunedin Consort Linn Records

You also get a Christmas cantata plus some other church music (this is trying to recreate Bach’s first Christmas Vespers as he could have performed them), so make sure you get this excellent album under your Christmas tree this year (side note: this is one of the downside of the virtual download era, a FLAC file doesn’t look that pretty even wrapped).

My rating: 5 stars

Bach: B-minor Mass by Gardiner and the Monteverdi Choir

Bach: Mass in B-Minor - Gardiner (2015) - SDG

Already reviewed here, so no need to repeat my four star rating. Very well done, but I still prefer Herreweghe (no matter which version, see also here).

 

Bach: B-minor Mass by the Lars Ulrik Mortensen and the Concerto Copenhagen

Bach: Mass in B Minor Lars Ulrik Mortensen Concerto Copenhagen CPO

Yes, another version of the masterpiece. And admittedly one I haven’t heard. This is mainly due to the fact that this SACD release doesn’t seem to be available on my streaming provide of choice.

Mortensen’s recordings of the Bach keyboard concertos are, and I’m not a big fan. However, the couple of snippets of this b-minor I was able to find on the internet sound interesting. The couple of reviews I’ve read speak of a lot of transparency. Once this becomes available on a streaming site I’ll have another look, and if you have an SACD player, you may even want to check it out right now.

 

Händel: Partenope – Riccardo Minasi – Il Pomo d’Oro

From baroque giant no. 1 to no. 2, Händel.

Händel: Partenope - Riccardo Minasi - Il Pomo d'Oro - Gauvin - Jaroussky Erato 2016

No idea why I haven’t purchased this one yet. I’m usually a big fan of the countertenor Philippe Jarrousky, and Riccardo Minasi is very reliably producing high level baroque productions.

And Erato (in spite of being part of Warner these days) is also a gauge of quality.

In spite of this album being available on Qobuz, I haven’t spent a lot of time on this recording yet, so I’m not going to offer any judgment beyond that I like what I’ve heard so far.

 

Monteverdi: Madrigali Vol. 1 – Cremona – Paul Agnew – Les Arts Florissants

First of all, reading “Les Arts Florissants” and not seeing William Christie in the same entry is a bit weird. They have been associated for so many years (and I’m looking forward to seeing him live again in the soon to open Hamburg Elbphilharmonie early next year).

But Paul Agnew, his disciple, does an outstanding job there.

Monteverdi: Madrigali vol. 1 Cremona Paul Agnew Les Arts Florissants 2016

I must admit I listen to Monteverdi less than I should. While my musical brain feels immediately at home in the harmonic world of a Bach and Händel, the 100+ years between them and Monteverdi, the very beginning of what can be called baroque music, makes is much less immediately approachable to me.

However, when I’m in the mood and have the patience, it can be a very rewarding experience.

Again, I haven’t spent enough time with this album for proper judgment, but my initial impressions are very positive.

Le Concert Royal De La Nuit: Sebastian Daucé – Ensemble Correspondances

From Germany via England (Händel) and Italy now to France (Well to be fair, of the previous mentioned countries, only France and England actually were countries, Germany and Italy still had to wait for a couple of centuries for this pleasure).

And directly to the court of the Sun King, Louis XIV.

Why haven’t I written about this fantastic album yet, although I purchased it months ago? No idea, shame on me. This is putting you directly into the front row at Versailles, into a musical spectacle of first order.

Le Concert Royal de la Nuit: Sébastian Daucé - Ensemble Correspondances Harmonia Mundi 2016

I must admit, I didn’t know any of the composers previously (I’m not a great expert in French music in the first place), but the booklet quotes them as:  Cambefort, Boesset, Constantin, Lambert, Cavalli and Rossi.

Never mind, just sit back, close your eyes, and enjoy the beauty of the music!

By the way, this was also a Choc Classica in addition to the Gramophone Editors choice. It is rare that these two magazines agree, but if they do, it’s usually on something rather outstanding.

My rating: 5 stars

Now, the tricky question, who should win this year’s Gramophone Awards? My guess is Gardiner will make it, as a sort of lifetime award (and having seen him live earlier this year, he’d certainly deserve it).

But my personal call would go for the outsider: Sébastian Daucés account of a night at Versailles. Let’s see.

Who would you choose?

 

UPDATE Aug 18: Gramophone has just communicated the three finalists for each category. For this one, still in the running are the Dunedin Magnificat, the Monteverdi, and the Concert Royal. So my personal favorite has a one in 3 chance of winning. Nice!

 

You can find the recordings here:

Bach Magnificat Dunedin

Bach B-minor Mass Gardiner

Bach B-Minor mass Mortensen

Händel: Partenope

Monteverdi: Madrigali vol. 1

Le Concert Royal de la Nuit

 

 

 

 

It’s Gramophone Award Time Again – My Reflections Part I: Concerto

Feeling terribly guilty

Dear readers, I’m really sorry.

I just checked, and my last entry dates back more than a month ago. Shame on me. Lots of reasons, too much travel, too busy, too whatever. Who cares, let’s get back to it, shall we?

Gramophone Awards

Although I’ve recently had quite a number of disagreements with reviews by this venerable magazine, it probably remains the most important source for the entire classical music industry, and winning a Gramophone Award is rather prestigious.

I’ve already started reflecting about them last year, which generated some really interesting discussions here and elsewhere (plus lead me to discover David Watkin’s outstanding Cello Suites), so let’s have a look at who has been nominated this year.

If you want to do the same, best is to get our your tablet, get the Gramophone App, and get the Gramophone Awards issue for free.

As last year, I have no ambition to be exhaustive, I’m just giving my 2 cents on a number of albums that I’ve heard as well.

Concerto

Concerto is usually my favorite category, and the one where I’ve heard the largest number of the recordings.

We have 8 albums nominated this year, 5 of which I’ve heard and can comment on.

Brahms Violin Concerto x 2

We start with two versions of Brahms violin concerto, one coupled with Bartok, the other one with Brahms’ own String Quintet No. 2.

The first one is the new Janine Jansen recording, which I’ve reviewed here. I still fully stand by the 5 stars I’ve given there, and this is an album absolutely worth having in spite of heavy competition.

 

Janine Jansen Brahms Bartok Violin Concertos Antonio Pappano London Symphony Orchestra Orchestra dell'Accademia Nazionale di Santa Cecilia Decca 2015

The second Brahms recording is with the less known German violinist Antje Weithaas, with the Camerata Bern.

Brahms Violin Concerto String Quartet No. 2 Antje Weithaas Camerata Bern

I must admit I didn’t expect a lot, as I was pretty disappointed by the recording of Bach’s keyboard concertos with the Camerata Bern (2010  on Universal).

Well, I was positively surprised, up to a point. To be clear: Weithaas really plays exceptionally well.

However, the Camerata Bern is unfortunately no match for Pappano’s Santa Cecilia. They are really the limiting factor on this recording, which becomes especially apparent in the highly energetic third movement.

The string quintet is ok, but a bit heavy. Overall, I’d probably give this 3 stars.

Beethoven’s piano concertos x 2

The next two albums aren’t albums, but DVDs. I don’t have a DVD/Blueray player, and so have no way of reviewing these.

DVD no. 1 is Maria Joao Pires with Frans Brüggen playing Beethoven’s concerto no. 3.

Beethoven Piano Concerto No. 3 Frans Brüggen Orchestra of the 18th Century Maria Joao Pires DVD

There is a snippet on Youtube, and I wasn’t particularly impressed, but one shouldn’t judge from 39 seconds.

Interestingly enough, Pires won already last year with the same concerto but Daniel Harding conducting. Again, didn’t really impress me back then either. But if you’re into DVD’s, you may want to check it out. Just to clarify, I’m a big fan of Pires for a lot of solo recordings (e.g. Chopin, Mozart), but her recent orchestral recordings just aren’t my cup of tea (see also my review of her Schumann recording with Gardiner here).

The other DVD, also from Warsaw, again with Frans Brüggen, has one of my absolute piano godesses on the piano, the mighty Martha Argerich.

Beethoven Piano Concerto No. 1 Frans Brüggen Orchestra of the 18th Century Martha Argerich DVD

Here’s the 40 second Youtube snippet:

This is already more to my taste. But again, you simply cannot judge a recording on 40 seconds.

Britten & Korngold by Vilde Frang

Britten/Korngold Violin Concertos James Gaffigan Frankfurt Radio Symphony James Gaffigan

I’m a big Vilde Frang fan, her Sibelius is one of my all time favorites, see here.

Unfortunately, the music on this album really isn’t getting me excited, so I’m not qualified enough to comment about the interpretation.

I must admit I wouldn’t even know Korngold if it weren’t for some old Heifetz albums, and even here, his music that would at moments be rather fitting for the next Star Wars soundtrack doesn’t inspire me very much. OK to listen to once or twice, but nothing I’d consider purchasing.

I can comment even less on the Britten. There is unfortunately only one English composer I really love, Henry Purcell, everything after just isn’t for me.

Rachmaninov by Trifonov

Rachmaninov Variations Trifonov Nézét-Séguin Philhadelphia Orchestra Deutsche Grammophon 2016

Now we’re getting back into my home turf (not physically, obviously, I’m not Russian), but musically speaking.

This is an album I should have reviewed a long time ago, as it is a true 5 star recording.

We start with Nézét-Séguin, who here again is in top form, and with the Paganini Variations. Already an exceptional start.

However, this album shouldn’t actually be in the “Orchestral” section, as the entire rest of the 1:18 are all solo piano.

We’re talking about the Variations On A Theme Of Chopin, Op.22, the Variations On A Theme Of Corelli, Op.42, and some Rachmaniana pieces by Trifonov himself.

The Corelli’s are already great, but my absolute favorite here are the quite rarely played Chopin variations. Amazing, you really get the best of both worlds here, the melodical genius of Chopin together with the romantic virtuoso of Rachmaninov. Absolutely worth having.

My rating: 5 stars

So, my take home messages (or albums) are clearly Jansen and Trifonov. Both are absolutely worth having.

And my prediction for the Gramophone Award winner? The Trifonov.

What do you think? Let me hear!

 

Update August 18,2016: Gramophone has released the three finalists for the category: Pires’ Beethoven, Frang’s Britten, and Trifonov’s Rachmaninov. So my prediction above (written previously) could still come true.

 

You can find the albums here:

Brahms/Jansen

Brahms/Weithaas

Beethoven/Pires

Beethoven/Argerich

Korngold & Britten/Frang

Rachmaninov/Trifonov