A Multitude Of Angels – A review of the “new” Keith Jarrett solo album recorded by Jarrett himself

Ah, yet another blog post that starts with me complaining that I’m not writing often enough. I guess you don’t care about my excuses, so let me just say I really try to improve the frequency of my writing. So let’s stop whining and get into it.

A New Keith Jarrett Recording?

So, a new Keith Jarrett album! Out of the blue (at least to me)! Very nice surprise obviously for a blog that has Jarrett in the sub-title.

Let’s get the bad news out of the way first: I personally find the title quite cheesy (although Jarrett is very serious about it in the liner notes), and the cover even more so (which is sad given that I do quite like the general ECM sober cover style).

But let’s face it, you won’t buy this album for the title nor the cover, but for the music.

And we’re talking about A LOT of music. Should you decide to buy this on CD (do people still do this?), you’ll get 5 of them, should you decide to download, you may initially be disappointed to get only 12 files, but you’re still getting 4h57 for your money!

A Multitude Of Angels (ECM 2016)

Keith Jarrett A Multitude Of Angels Modena Ferrara Torino Genova Solo Concerts ECM 2016

So where is this album all over sudden coming from? Well unfortunately it doesn’t comprise any recent concerts, like the one in Lucerne I attended a year and a half ago (I know they were recording that, so I hope it will eventually be released).

In this case, we’re talking about 20 year old material. These are live recordings from four concerts in Northern Italy, as you see from the cover specifically Modena, Ferrara, Torino, and Genova, all in October 1996.

We were lucky, at the time, Jarrett hat a DAT recorder (one of the earliest portable digital recording techniques) and some microphones with him and was taping his own concerts.

In the liner notes, Jarrett explains that he’s listened to these recordings many times and claims them to be “a pinnacle in his career”. Lucky for us, we finally get to share this pleasure.

How do you describe 5 hours of improvised music?

Well to make it short, I don’t even try. Let me just summarize my impressions: These are indeed beautiful recordings. Are these to my ears the pinnacle of Jarrett’s career? I personally wouldn’t go as far. We’re still in the “old days” of Jarrett’s concerts with long 40 min uninterupted playing, very shortly before he had to take a break for health reasons. While there really is a lot to love here, my only point of criticism would be that sometimes I’d have liked a bit more stylistic variability.

So if you’re a first time Jarrett solo concert buyer, and you won’t get the cheap price on Qobuz (see last paragraph), you may want to go for some other concerts first, like the legendary Köln, or Bremen Lausanne. But if you like Keith Jarrett’s solo concerts, this one is clearly one to go for.

My rating: 4 stars.

You can find it here (Qobuz) or here (Amazon)

 

3 Hours Of Timeless Beauty – Keith Jarrett Bregenz München

What do Bregenz and Munich have in common? Not a lot on paper, the nice Austrian town on Lake Constance and the Bavarian capital, in spite of the fact that they are only about 2h away from each other by car.

So why bother writing about them here? Well, you’ll have guessed it already, Keith Jarrett gave one of his famous solo concerts in both places.

And as promised previously, I plan to eventually review all the Jarrett solo concert recordings (fun fact, it’s been nearly 6 month ago that I attended one myself for the first time and started this blog, see my post here)

Bregenz München (ECM 1981/2013)

These recordings date from 1981, i.e. 6 years after the famous Köln Concert. Jarrett by then had developed a clear style for his concerts, and these recordings show that he developed already a certain maturity.

Keith Jarrett Concerts Bregenz München ECM

Bregenz comes first: Part 1 starts swinging, with nearly a ragtime feel occasionally. After 10 minutes he slows down, into a more melancholic mood.

I just love the flowing passage around 15:00, that turns much heavier around 17:30. At around 19 he become more rhythmic, using the piano’s body regularly as percussion.

Part II keeps the rhythm, driven by the left hand, and the percussion elements. All this at a faster pace. At some time we even get Calypso elements.

Bregenz Heartland is one of my favorites on this album. As said before I’m a sucker for melodies. And luckily Jarrett on his encores nearly always delivers.

And the good news is: Munich gets even better. This concert is longer, in 4 parts, and 2 encores, including another one title Heartland, again astonishingly beautiful. I’m going to spare you a more detailed description, you get that I like it very much.

Keith Jarrett has a long history of playing classical music, and you can hear it here.

This is a thoroughly enjoyable album and very much worth having.

My rating: 4 stars (compared to the very high standards of Jarrett’s solo concerts, actually I’m on the edge of giving this 5 stars, and may revisit my rating after formally reviewing more of his solo albums, but so far, I’d probably still prefer Köln, Bremen Lausanne, and Sun Bear).

You can find it here (Highresaudio) or here (HDtracks)

Keith Jarrett: La Scala

Keith Jarrett’s Live Albums

Keith Jarrett and his solo piano concerts are legendary.

If Wikipedia is to be trusted, his Köln Concert is the best-selling solo and piano album in the history, with more than 3.5M albums sold. This may not be much by Taylor Swift standards, but for Jazz, where albums usually selling a some thousands of albums, this number is just mind-boggling.

And what is probably even more mind-boggling is that the Köln Concert is not a one hit wonder, but Jarrett has turned out dozens of solo concert albums in the last thirty years, and usually nearly all of them are worth having.

I’ve started this blog writing about the lucky chance I had to see Jarrett live earlier this year, and it is truly an outstanding experience.

In my 25 Essential Jazz albums post, I’ve promised to myself that I’ll eventually review all of his live solo albums.

This will be a challenging task, but well, you’ve got to have ambitions in life. Let’s see how long this journey is going to take.

La Scala (ECM 1997)

Every journey has got to start somewhere. I rather randomly chose La Scala for a start. Why? Well, the cover is beautiful, and it is probably one of the lesser known albums.

La Scala was recorded (you would have guessed) in Milan’s famous opera house, in 1995, and released in 1997. Apparently, this is the first time a solo jazz concert was hosted in these illustrious walls.

Keith Jarrett La Scala ECM 1997

The formal structure of the concert is very simple, you have “Part I” (approx 45 min) and Part II, adding 28 more minutes.

Part I evolves very slowly over time. it reminds me of a large river maeandering slowly and majestically. You have time to let your mind wander around while listening to this. In a way, this nearly becomes meditation music, but this is Jarrett, so you can rest assured that you won’t get bored, instead you just keep floating with the river.

Part II starts a bit randomly. This is the style I personally don’t really like that much, I just get lost without a clear melody and rhythm. Well luckily for me he doesn’t overdo the randomness, and structure reemerges rather quickly after around 4 minutes or so. Unlike part I, this part has some much faster flows, and while part I was focused on chords, here you often just get a chain of individual notes. Around 10 min in, the character changes again, chords reappear, and a melodic structure reemerges.

And in my personal opinion, he’s really saving the best for last. The encore is “Over the Rainbow”, in a very simple, minimalistic approach. I’ve mentioned previously how much I love this song, and I’m not disappointed here either.

My rating: 4 stars (not the most essential of Jarrett’s solo albums, but we’re really talking from a very high standard here, this is still better than 95% of other solo piano albums out there).

You can download it here (Qobuz) or here (HDTracks)

Musicophile’s 25 Essential Jazz Albums – Part II

Following up to part I of my 25 Essential Jazz albums, here are the entries 13-25. Again no ranking implied in the numbers, this is just a list of albums I think everybody should have heard, and to give you a good understanding of what it is I really like in Jazz.

13. Art Blakey and the Jazz Messengers – Moanin (1958)

Art Blakey and the Jazz Messengers Moanin Blue Note 24 192

Well, my entire mini-series on the Jazz Messengers’s spin-offs wouldn’t have been a series without this group. I’m not sure why I haven’t written about this album yet, but I eventually will.

14: Ella Fitzgerald – Clap Hands – Here Comes Charlie (1961)

Ella Fitzgerald Clap Hands Here Comes Charlie Verve 1961 24 192

Ella again is somebody with so many good albums to choose from. Just to give an example, the Ella and Louis series has been recommended everywhere, and I concur. The live recording Mack the Knife or her many songbook releases are also excellent.

So why this one? Well, purely subjectively again, it was one of my first I ever owned, and it’s got the outstanding 5 star track Cry Me A River.

15. Wayne Shorter: Adam’s Apple (1966)

Wayne Shorter Adam's Apple Blue Note

Already reviewed here.

16. Duke Ellington: Money Jungle (1963)

Duke Ellington Money Jungle

Duke Ellington obviously had a huge influence on Jazz, also as a composer of many standards. I’m not really into big band, but luckily he also did some albums with smaller crews, like the famous Duke Ellington & John Coltrane album, or this one, with Charles Mingus and Max Roach. I mean, what could go wrong if you combine these giants? This by the way has the best version ever of the great standard Caravan.

17. Stan Getz and Kenny Baron – People Time (1992)

Stan Getz Kenny Barron People Time The Complete Recordings

This is another example of a large box of “last concerts” recordings similar to the Bill Evans Consecration I wrote about in Part I of this post. This concert was recorded in Copenhagen very close to Stan Getz too early death.

Often duos in Jazz lack something, not here. This one is just beautiful, and a pleasure to listen to. If you don’t want to go for the full 6 box Complete Recordings, there’s also a 2 box compilation.

18. Oliver Nelson: The Blues And The Abstract Truth (1961)

Oliver Nelson Blues And The Abstract Truth 24 96

Oliver Nelson in a way is the One Hit Wonder of jazz. Or could you name any other album from him (with the possible exception of less known and less interesting part II follow-up with a different cast)?

In any case, just look at the line-up here, Evans!, Chambers!, Hubbard!, Haynes!, Dolphy! and you know you’re onto something. One of my favorite Impulse albums.

19. Oscar Peterson: Exclusively For My Friends (1968)

Oscar Peterson Exclusively For My Friends MPS 24 88

You could nominate many Oscar Peterson albums here. He is really one of the best pianists of all times. However, this set recorded in the cosy Black Forest in the personal studio of Hans Georg Brunner-Schwer, is probably one of the best, and most intimate. This album has recently been remastered from the original tapes.

20. Ray Brown: Summer Wind – Life At The Loa

Ray Brown Trio Summer Wind Live At The Loa Concord

You cannot talk about Oscar Peterson without mentioning Ray Brown, his legendary bassist. Ray has recorded several outstanding albums with the combo of Jeff Hamilton on drums and Gene Harris on the piano. To quote one of the tracks: It don’t mean a thing if it ain’t got that swing. Well, this one’s got plenty.

21. Diana Krall: The Girl In The Other Room

Diana Krall The Girl in The Other Room 24 192

Talking about Jeff Hamilton, he also plays on this one.

But now you may ask me: what, 25 albums, only 3 vocal jazz among them, and you chose Krall vs. all the other alternatives? Well yes, you could argue about the choice of Krall in general, but not this album. This to me is the best she ever did, by far. The influence of her husband, Elvis Costello, on the songs is clearly there, and this is the first time in my opinion that she truly moves beyond the (very high-class) cocktail bar jazz of her previous albums. Unfortunately, she’s never again reached this level of musical depth since (I personally didn’t like her last two albums, Wallflower and Glad Rag Doll).

22. Grant Green – Idle Moments (1965)

Grant Green Idle Moments 24 192 Blue Note

I’m usually not a big fan of guitar jazz, but the nearly 15 minutes of the title track of this album with so many outstanding musicians, including Joe Henderson (see my post on him here) justifies the including here. I guarantee there’s not one minute of boredom in this slowly developing and evolving track.

23. Michael Wollny Trio – Weltentraum (2014)

OK, so ECM, the great German jazz label, got their share of albums here. Let’s make sure we add another great German jazz label, ACT.

Michael Wollny is one of the great German talents of today, and both the 2014 album Weltentraum as well as this live version are creative, inspired, and fun to listen to.

Michael Wollny Trio Weltentraum Live ACT

24. Alboran Trio – Near Gale (2008)

Alboran Trio Near Gale

Another ACT album. The Italian Alboran Trio seems to have completely disappeared since this 2008 album, and it’s equally great predecessor, Meltemi (2006). What a pity, this is again to me the epitome of a piano trio album.

25. Keith Jarrett: Solo Concerts Bremen-Lausanne (1973)

Keith Jarrett Solo Concerts Bremen Lausann

Yes, I’m cheating. I said in my own rules only one album per artist.

Well, but first of all I make the rules on my own blog, and then this blog has Keith Jarrett in the subtitle. I couldn’t walk away from this without a Jarrett Solo Concerto, given that this was the topic of my very first blog that started this entire adventure entry here.

I could have chosen the Köln Concert, and yes that is a must have for everybody. But so are the Sun Bear Concerts, Bremen Lausanne, The Carnegie Hall Concert or pretty much any other of his solo albums for that matter.

I still have the original vinyl of the excellent Bremen Lausanne, and it is basically just a placeholder for his entire solo works. If I have enough time, I’ll try eventually to review in detail all Keith Jarrett solo concerts.

So, that’s it folks, looking forward to your feedback!

Download sources:

Moanin: here (Qobuz)

Here comes Charlie: here (Qobuz)

People Time: here (Qobuz)

Oliver Nelson: here (Qobuz)

Oscar Peterson: here (Highresaudio)

Ray Brown: here (HDTracks)

Diana Krall: here (Qobuz)

Chick Corea: here (Qobuz)

Bremen-Lausanne: here (Qobuz)

Michael Wollny: here (Qobuz)

Alboran Trio: here (Qobuz)

Musicophile’s 25 Essential Jazz Albums – Part I

To be fair, I could never live with only 25 albums, I’d be totally bored at some point. There is too much great music out there to discover, that’s why I’m purchasing a lot of new music every month.

But if I had to choose my personal favorite 25 Jazz artists and list one of their albums (didn’t go for top 10 as this would have really been TOO narrow), I’d go for these. I wouldn’t call this a “must have” list, this is obviously completely subjective, as all of the rest of my blog. But you wouldn’t go wrong in checking them out and see if you like them. There are some obvious candidates in there that you’ll find in every TopXX list out there (I checked many, to make sure I don’t miss anything), some hopefully less obvious personal choices as well. They range from 1958 to 2013.

By the way, I’m cheating a bit, I’m talking about 25 albums, not CDs, so you’ll find a couple of multi-CD albums in there. In the age of the digital download, it doesn’t make any difference anyhow.

The ordering is completely random, I just numbered them so I don’t lose track. As said before, I try to limit to one album per artists, as you could easily build a list of top 25 albums with Keith Jarrett or Bill Evans on their own (maybe this will come in a future post).

This is part I, with no. 1-12, part II can be found here.

1. Keith Jarrett –  At The Blue Note (1995)

Keith Jarrett At The Blue Note The Complete Recordings ECM 1995

Well, obviously my selection had to have a Keith Jarrett album. As I wanted to choose only one per artist, I’m really under pressure here. With so many good Jarrett trio albums out there, which one do you choose? This choice is a bit arbitrary, and could change tomorrow, but I find myself to go back to this album very very often. However, it could have been easily as well Standards Live, Standards in Norway, Whisper Not, or Inside Out.

This album is mastered by the same Jan Erik Kongshaug, that also is responsible for Badgers and other Beings by Helge Lien (see my review here) and many other audiophile treasures.

 2. Miles Davis – Kind Of Blue (1959)

Milles Davis Kind of Blue 24 192 remaster Stereo Blue Note

Sorry, BIG no brainer alarm here. But this is just so freakingly good (thanks probably mainly to Bill Evans), that no matter how often you listen, you just get drawn into the atmosphere over and over again.

Plus, the recent 24/192 remaster (available in mono or stereo, I personally prefer the stereo version) sounds so great that you think you’re sitting in the studio with the guys.

3. Giovanni Mirabassi –  Architectures (1998)

Giovanni Mirabassi Architectures

I haven’t written about Mirabassi on my blog yet. What a shame. Will rectify that soon. In the meantime, this is trio jazz at its best (a guitar is added in some songs).

Mirabassi is still one of my favorite musicians, especially live, however, I still prefer his earlier albums to the more recent ones. Again, more to come.

4. Lee Morgan – The Sidewinder (1963)

Lee Morgan The Sidewinder 24/192 Blue Note

Already reviewed here. Another mega-seller, but nothing wrong with that.

5. Bill Evans – Consecration – The Final Recordings Part 2 (1980)

Bill Evans Consecration The Final Recordings Part 2 Live At The Keystone Korner September 1980 Fantasy Recordings

Bill Evans, another genius, and I haven’t even mentioned him on this blog yet (except for above in the Kind of Blue entry). What a sin. Again, plenty of outstanding albums to choose from. Which trio? LaFaro and Motian, Gomez and Morell, or Johnson and LaBarbera? Well, all are great, so hard to judge. I nevertheless have a particularly strong relationship to this album, as a 1 CD compilation of this last concert series of his was among my first even Bill Evans albums.

Is it really necessary to purchase this 8CD box? And to e.g. get 5 different versions of “Your Story” (the album has takes from different days, so quite some repeats in the playlist). And it get’s even worse, “The Last Waltz” is another 8CD box from the same setting. Well, maybe not universally. And there is obviously the great tragedy of knowing that shortly after these concerts this genius was finally killed by his drug habits.

But when you listen to these recordings, there is so much intimacy, so much creativity, so much melancholy, that you can’t help but be fully absorbed by the music.

Anyway, more to come on Bill Evans on my blog in the future.

6. Horace Silver: Song For My Father (1964)

Horace Silver Song For My Father 24 192 BLue Note

Already reviewed here.

7. Brad Mehldau: The Art Of The Trio Vol. 3 (1998)

Brad Mehldau Art of the Trio vol 3 Songs Warner Jazz 1998

I’m not a universal fan of Brad Mehldau, there are a lot of albums I just cannot stand at all (e.g. Largo), but this one is trio jazz at it’s best.

8. Nina Simone: Little Girl Blue or “Jazz As Played In An Exclusive Side Street Club” (1958)

Nina Simone Little Girl Blue 1958 Bethlehem

Her outstanding debut, with many amazing songs.

9. Triosence: Turning points (2013)

Triosence Turning Points 2013 Sony Classical

Already reviewed here

10. Herbie Hancock – Maiden Voyage (1965)

Herbie Hancock Maiden Voyage 24 192 Blue Note

My favorite Hancock album for the famous title track and Dolphin Dance.

11. John Coltrane – My Favorite Things (1961)

John Coltrane My Favorite Things

Well, obviously Coltrane had to be there. I hesitated quite a bit if I should nominate A Love Supreme or Giant Steps, but somehow this album personally touches me even more, both for the title track and one of my favorite versions of Summertime.

12. Shai Maestro – Shai Maestro Trio (2011)

Shai Maestro Trio Laborie Jazz 2012

Already reviewed here. 

As said before, Part II with nos. 13-25 can be found here.

Download Sources

Keith Jarrett At The Blue Note: here  (Qobuz) and here

Kind of Blue: Here (Qobuz) and here (HDTracks)

Architectures: unfortunately, hard to find as download. You can buy the CD here

Consecration: here (Qobuz)

Sidewinder: here (Qobuz)

Brad Mehldau Songs: here (Qobuz)

Song for My Father: here (Qobuz)

Nina Simone: here (Eclassical)

Triosence: here (Qobuz)

Maiden Voyage: here (Qobuz)

My Favorite Things: here (HDTracks)

Shai Maestro: here (Highresaudio)

Keith Jarrett’s My Song – I Really Shouldn’t Be Liking This Album

Keith Jarrett again

Time for another post on Keith Jarrett, given that he prominently figures in my blog’s subtitle. I’ve also mentioned My Song is my recent Songs That Give Me Goose Bumps post .

Jarrett is obviously one of the most brilliant artists in the Jazz world. So why do I say I shouldn’t like this album? Well, two things: a) I love most of Jarrett’s solo albums from the 1970s (the obvious Köln Concert, the Sun Bear Concerts, Bremen/Lausanne), but I find his regular 1970s Jazz albums, very much hit and miss to my taste (with significantly more misses than hits). This is not a particular Keith Jarrett problem, but more my personal problem with the 1970 Jazz scene overall.

Furthermore, I’m not a big fan of Jan Garbarek . Most of the albums I’ve heard of him leave me rather cold and slightly bored. No judgment implied here, just personal taste. (A notable exception is the recently released 2009 Dresden live recording).

My Song

Keith Jarrett MySong_600

So how come this 1977 album is among my absolute all-time favorites? Well, to be fair, one thing that plays in its favor is the fact that this was my first ever Jazz album. Before buying this at the age of 18 or so, Jazz was weird people playing weird music in my mind.

And then I heard this album: amazingly beautiful melodies, very simple and straightforward arrangements. I couldn’t really believe this was what Jazz was all about. So I copied the vinyl on compact cassette (quick history lesson for my younger readers, google it for your general education, this is what MP3s used to look like) and played it in the car radio over and over and over.

Usually, with stuff I used to listen to a lot during my youth I’ve outgrown it by now. Not this album though. There is a timeless beauty in the melodies. All original compositions by Keith by the way.

My preferred song is the eponymous title song, which is one of my preferred melodies of all times (you can hear the crowd cheering when Jarrett plays this as an encore on the Carnegie Hall solo concert, see also the above mentioned post for a Youtube clip).

The other favorite is the relatively short Country, where Jarrett introduces the theme, before Garbarek get’s to take it over. The rest of the album is very nice as well, with the exception of the slightly random (to my ears) Mandala. All the rest, after all these years, I can still listen to over and over and over again. A rare achievement.

My rating: 5 stars

If you want to buy it, the recent 2015 remaster available in 24/96 and 24/192 is of astounding quality. It’s rather expensive, but you could never guess listening to it that this recording is nearly 40 years old. This was originally recorded and mastered in Oslo by Jan Erik Kongshaug, a true recording magician.

You can find it here and here.

The Legacy of the Jazz Messengers (1): Song For My Father – Horace Silver

Hard Bop

I’m not going to win a price on originality here writing about one of the greatest Jazz groups in history, Art Blakey’s Jazz Messengers. They’ve been praised over and over again over the last 50 years.

But never mind, my purpose was to write about music I really like, and the hard-bop era is one of my favorites in the entire Jazz history. And probably hard-bop wouldn’t be hard bop without the Jazz Messengers. Therefore, I’m starting this little mini-series about the Jazz Messengers and their spin-offs.

The Jazz Messengers

Starting in 1954, this group around the drummer Art Blakey was composed of an ever-changing group musicians that would pretty much all go on great solo careers, including, little known fact, Keith Jarrett at some point (in a way you could say Art Blakey discovered Jarrett). Other outstanding musicians include Wayne Shorter, Lee Morgan, Benny Golson, Clifford Brown, Curtis Fuller. By the way, most Jazz Messengers albums are worth having, including At the Café Bohemia, A Night In Tunisia, Caravan, and obviously, Moanin’.

The original quintet from 1954 was composed of Horace Silver, Kenny Dorham, Hank Mobley, and Doug Watkins. One of my next entries in this series will be about Mobley, who has done some great albums. But given that I have a piano background, let me start with the pianists of the group, Horace Silver.

Horace Silver

And let me start immediately by what is probably his greatest album, Song For My Father.

5099963650457_600

Recorded in 1963 and 1964, and released in 1965, this album falls around the end of the hard bop period, before most  Jazz musicians moved on to “Free Jazz” and “Fusion” (to me an absolute dead-end in music), and it took until the 1980s to get back to a some form of revival of hard bop. (Some say the sale of the Blue Note label in 1966 also significantly contributed to the decline of hard bop).

On this album, Horace Silver records with two groups of musicians, the first one includes Carmel Jones, Teddy Smith, Roger Humphries and the great Joe Henderson (tracks 1, 2, 4, and 5), the second one being Blue Mitchell, Gene Taylor and Roy Brooks. By the way, the initial group of Horace Silver in his earlier recordings were pretty much “stolen” directly from the 1954 Jazz Messengers group (only Art Blakey stayed on).

As usual, I’m not going to write a track by track review of an album, I usually find those rather tedious to read, especially in the internet age where everybody can just listen to the tracks anyhow.

Let me just point out my two favorite tracks on the album, which are the title track, and Calcutta Cutie. Both songs exceed 7 minutes, a great duration for a jazz song because it really allows for several solos that are really outstanding. But luckily, on this great album, even if you have the CD version with some bonus tracks, there are really no weak tracks.

My rating: 5 stars

Other Horace silver albums that are worth exploring include Blowing the Blues Away, Horace-Scope, The Tokyo Blues, and The Cape Verdean Blues (notice a lot of blues in there? well, that’s probably what’s so special about Silver in the first place, his bluesy tone).

Get the 24/192 remaster

Usually I don’t intend to write about technical details here, this blog should be dedicated to music, but if you intend to purchase this album please don’t buy the CD, especially not the RVG remaster series.

The most recent 2012 remaster is released in 24 bit and 192khz format and is available on several sites including Qobuz, HDTracks and ProStudioMasters. Even if you don’t believe in the benefits of higher resolution than CD, the remastering of the recording per-se is way better than all previous versions I’m aware off.