Keith Jarrett – musicophilesblog – From Keith Jarrett to Johannes Brahms

The “Best” Keith Jarrett Solo Album? The Legendary Sun Bear Concerts

The “Sun Bear” Concerts

Keith Jarrett has recorded A LOT of solo concerts. Attending one of the last of them in 2015 actually triggered me to start this blog.

I’ve reviewed a number of them here already, and still have the ambition at some point to review them all. You’ll find the links to my reviews of his concerts in Budapest, Munich, Paris, Modena/Ferrara/Torino/Genova, Bregenz/München, Milan, and Bremen/Lausanne, which I mentioned in my 25 Essential Jazz albums. And yes, there’s obviously, the Köln Concert, the best selling solo Jazz album in Jazz history.

None of these concerts is ever not worth exploring, but some are better than others.

The Sun Bear Concerts however are in a good spot to be a contender for the best solo piano album of Jarrett ever. Thanks to my loyal reader Alain for reminding me to finally get this blog post out.

Keith Jarrett Sun Bear Concerts Piano Solo Recorded in Japan ECM DSD64 Remaster

Calling the Sun Bear Concerts an “album” is a bit of an understanding. When they came out, they were a hefty 10 vinyl box (which I still own), and in the days of CDs it still filled 6 of the silver discs. We’re actually talking about 6h42 of music with concerts taken from 5 different cities in Japan, all in 1976, the year following the legendary Köln Concert.

I must admit I’m not even going to try to properly “review” 7 hours of music. It would probably a rather boring read anyhow. What I can say though is that in spite of being this long, this really is a gem of a box.

Jarrett can have three tendencies that I tend to dislike: 1) occasionally, he get’s into “noodling”, i.e the music isn’t going anywhere. Which shouldn’t be surprising given that they are 100% improvised. You barely get this here. Where he found his creative energy, I’m not sure, but let’s face it, the man is a genius. 2) Sometimes Jarrett gets quite beyond tonality. I’m personally not a big fan of this, my simple little brain is just to addicted to actually chords and melodies. Again, very little of this during the 6 hours of music. And 3) there isn’t a Jarrett album without his somewhat obnoxious humming along to the music. I’m still hoping some future AI can filter this out at some point, but on this album, maybe because of the special atmosphere in Japan, he holds himself back much more than usual.

All of this taken together makes this album an absolute must have for any loyal Jarrett fan, but I’d even say it should be your next step after the Köln Concert as your gateway drug, even if you’re not very much into Jazz at all (for me the Köln Concert was the 2nd Jazz album I ever owned, and it clearly got me hooked forever).

My rating: A very definite 5 stars

You can find it here (Qobuz, 16/44 CD version) or here (Highresaudio DSD remaster)

Keith Jarrett: Standards Live

Keith Jarrett’s Standards Trio

Happy New Year, dear readers! I assume all of you are keeping your fingers crossed that 2021 will be the year that will make things better, and that we all can attend live concerts again

In the meantime, recorded live concerts are for most of us the only option to recreate that feeling, so I thought it would be a good idea to write about some of these.

As the subtitle of my blog indicates, I’m a big Keith Jarrett fan. And his “Standards” trio with Gary Peacock and Jack de Johnette, remains, after Bill Evans legendary trios, the archetype of the Jazz Piano Trio, one of my favorite art forms.

The Standards Trio was formed semi-formally in 1983, when the trio recorded the album Standards, featuring, guess what, the jazz standards of the Great American Song Book (I’ve reviewed the legendary vol. 2 of this album here). This is not the first time the trio played together, but it was the start of more than a decade of albums, many of them live, of the trio playing together. This came as a return to more accessible music, after the 1970s, which for me Jazz-wise were not very interesting (I really don’t like free jazz, jazz-rock, fusion, or most of the other stuff that came out of that decade that for me was much more interesting on the art-rock side of things).

I’ve already put the fantastic Live at the Blue Note box into my 25 Essential Jazz Albums, and have also reviewed the enjoyable After The Fall from 1998, 15 years after the original Standards album.

Standards Live (ECM 1986)

Keith Jarrett Standards Live Highresaudio DSD remaster

This album was recorded in 1985, two years after Standards, at a live concert in Paris.

It captures all the energy of the trio at the peak of their performance, and unlike After The Fall, is recorded with the excellent recording quality that ECM is well known for.

Thanks to the live format, the trio always has sufficient times to develop the songs, with the average track length being 8-11 minutes. You can hear the fun the trio is having.

We start out with a true standard, the beautiful Stella By Starlight, that Jarrett takes a while to intro solo before the trio kicks in. They follow up with a solid The Wrong Blues, that has absolutely nothing wrong with it. Falling In Love With Love is the archetype of the swinging and grooving together. But the track from this album that I go back over and over again is Too Young To Go Steady, that Jarrett again intros solo. This is 10:11 of pure bliss to me. This is a textbook example of the trio playing truly as one.

The only downside of this, as of pretty much every other Jarrett album is his constant humming and vocalising. I still hope at some point that an AI will be able to filter this out….

My rating: 5 stars (it’s not the absolute best of the Standards trio live albums, the rating is mainly driven by the sublime To Young To Go Steady, but it id still so much better to my ears than so much other music that’s out there).

You can find it here (Highresaudio, audiophile DSD remaster) and here (Qobuz)

Keith Jarrett’s Last (?) Solo Album? The Budapest Concert

Keith Jarrett’s Solo Live Concerts

Keith Jarrett is without doubt the most important solo jazz pianist out there. $

He’s been touring the world for nearly 50 years now with his solo concerts, his 1975 Köln Concert still holds many records from a sales perspective, and I’ve already reviewed a number of his live solo albums on this blog (Munich, Paris, A Multitude Of Angels, Bregenz München, La Scala). I’ve even listed his Bremen Lausanne in My 25 Essential Jazz albums.

In fact, it was me attending a Jarrett solo live concert in Lucerne in 2015 that got me to start this blog in the first place, more than 5 years ago now.

So it was with great sadness that I recently saw in the New York Times that Keith Jarrett may never be able to play again due to severe health issues. What a loss, if true. I sincerely hope he recovers, as other pianists have after similar situations.

So, could this album that was just released today be his final live album ever?

Budapest Concert (ECM 2020)

This concert was recorded on July 3, 2016, in Budapest obviously, only some days after the previously released Munich 2016 album that was released last fall, and a bit more than a year after I saw him live myself.

The album lasts nearly 90 minutes, structured as often in his later albums in shorter “parts”, a total of 12 (in Roman numerals) this time, with two encores.

I’m not going to describe each part in detail here, I’m not sure that would make for a very enjoyable reading. I’m just going to flag some of my favorite parts, which are II, a slower improvisation, V, again a slower meandering around melodic impressions, and VII, the most dreaming part of the entire album.

That said, for me, the true highlights are the the two encores, Answer Me, that was previously released as a teaser (and was also part of his encores in Munich), and even more importantly, It’s a Lonesome Old Town (also performed in Munich). I could just spend entire days listening to these simple but very deep improvisations (I’m a simple guy, I like melodies).

Overall, to put things into context, this isn’t my preferred Jarrett live album, it is not an essential album if you’re not a hardcore Jarrett fan like me. I’ll obviously buy it anyhow.

And let’s all hope that this won’t be the last solo album he’ll ever record.

My rating: 4 stars

You can find it here (Qobuz)

My Top 3 Jazz Albums of 2019

Happy New Year

Wishing all of you a fantastic 2020!

I meant to complement my Top of the Year 2019 article I wrote on classical music with a similar one for Jazz. I didn’t get to finish that last year, so at least it is the first thing I do in the still very fresh year of 2020. Hope all of you had a nice New Year’s Eve last night.

Why is this post called “Top 3” and not “Top 5” as I typically do? Well, for one I did review significantly less albums in 2019 than in the years before, due to very extensive business travel.

Furthermore however, I find less and less new Jazz albums that truly excite me. Not sure if it is the Jazz scene, or my taste is evolving. Anyhow, let’s get to it.

Keith Jarrett – Munich 2016

Any new Keith Jarrett solo album is an event, but this is a particularly nice one. I’m slightly biased as me attending the 2015 concert in Lucerne that was part of the same tour triggered me to start this blog in the first place Highly recommended. You’ll find my original review of Munich 2016 here.

GoGo Penguin – Ocean in a Drop

Ocean In A Drop is a very special album. Not even originally intended to be released, it really captures a very special atmosphere of an improvised film soundtrack. I still haven’t seen the movie it refers to, but keep going back to the album on a regular basis.

Triosence: scorpio rising

I’ve written about Triosence previously (here and here), but never got to formally review this album. They are a relatively unknown group from Germany, but their style is very much to my taste. So this may be the most subjective of my recommendations. Triosence are all about melody. Therefore, some may consider them a bit too mainstream. So check them out before you buy, but if you like modern trio jazz, they are a worthy discovery. You’ll find it here (Qobuz)

So, over to you, enlighten me! I’m sure I’ve missed plenty of good new releases in 2019 that should have been mentioned here. What would you recommend I check out?

Wishing you again a Happy New Year and thank you for all the great feedback and discussions we had in 2019!

Finally A New Keith Jarrett Solo Live Album – Munich 2016

Keith Jarrett Live Concerts

Keith Jarrett is without doubt one of the most important, if not THE most important artists alive today in the space of solo piano improvisation.

Seeing one of his live concerts finally triggered me to start this blog now more than 4 years ago, and I’ve already reviewed a lot of his live albums (always on ECM) as well, including Paris, A Multitude Of Angels, Bregenz München, La Scala, and Bremen Lausanne.

Each of these albums is worth having, my ratings typically are either 4 or 5 stars.

So I was obviously very happy when Jarrett finally released a new (well, 3 years old) solo concert recording again.

Keith Jarrett – Munich 2016 (ECM 2019)

This album was recorded live in Munich in July 2016, about one year after my “own” live experience in Lucerne, and it has a very similar feel.

Jarrett has moved away from the very long improvisations of the Köln concert era to shorter pieces, simply titled “Part”. The concert is split into 12 parts, with roman numerals, plus two encores.

Don’t be afraid by the slightly atonal start in Part I, there is so much more to come.

Part V for example is are the kind of melodic improvisations that fans of the Köln concert (including me) are just loving so much

Part VI and VIII are yet another of the slowly flowing parts, 5 minutes of absolute bliss.

In part IX, Jarrett all over sudden starts a boogie woogie. For most other artist, this would make me run away. Not so with Jarrett, here it is just 3 minutes of a lot of fun, which he’s clearly having.

I personally am not such a big fan of when Jarrett goes much more crazy like in part VII, but these wilder improvisations are typically short.

And I’m so happy to report, that nearly 20 years after La Scala, Jarrett goes back to Somewhere Over The Rainbow as his final encore. And in a way, this improvisation is even better. It must be my sentimental side, but I just love this song.

So in total, this album is an absolute joy!

My rating: 5 stars

You can get it here (Qobuz)

One of the best Jarrett Solo albums: Paris Concert

Keith Jarrett’s Solo Albums

At some point on this blog I had said I was planning to review all of Jarrett’s solo recordings here.

Well, I haven’t written about them in a long time. Nicely enough, a reader comment, inquiring about a live concert by Jarrett she heard on the radio a long time ago, brought me back on track.

I’m still not sure, but most likely the album she is looking for is one of Jarrett’s best ever solo piano recordings, Bremen/Lausanne, actually one of my 25 Essential Jazz albums.

Therefore, let’s talk about another excellent Jarrett solo album I’ve had for a long time:

Keith Jarrett: Paris Concert (ECM 1990)

This is not one of Jarrett’s longest solo albums, containing just a single concert. It mainly consists of one impressive continuous improvisation of more than 38 minutes, simply titled “October 17, 1988”.

The concert starts sounding like Jarrett is actually doing a Bach concert, he plays something that could be a slow Präludium, indicating that Jarrett clearly knows his counterpoint.

This is not totally surprising, Jarrett was actually playing a lot of Bach at the time, e.g. his recording of the Goldberg Variations was released just one year later after this concert was recorded in 1988 at Salle Pleyel. (Side note: I’m not such a fan of Jarrett’s classical recordings on their own, but am very happy how they influenced his Jazz playing).

About 9 to 10 minutes in this evolves into a more hypnotic part, with the left hand in a steady bass pattern over which the right hand freely improvises.

Later, around the 20 minutes mark, the music becomes increasingly minimal, but probably even more beautiful and mesmerizing. He quickly evolves back into a much more powerful improvisation.

After the main course you get two smaller pieces, simply called The Wind and Blues, both of which are highly enjoyable.

The only downside of this album is Jarrett’s really annoying tendency to hum along with his music. I sincerely hope one day artificial intelligence will be good enough to remove his singing from his otherwise fantastic albums.

This is clearly one of his best ever solo efforts, and should be in every Jarrett lover’s collection.

My rating: 5 stars

You can find it here (Qobuz)

Keith Jarrett / Gary Peacock / Jack De Johnette – After The Fall – A Review

The Keith Jarrett Trio

Having Keith Jarrett in the sub-title of my blog, I obviously had to get excited.

Wow, a new recording of the legendary Keith Jarrett Trio?

Well, “new” is relative, we’re actually talking about a live recording from 1998 in New Jersey, that slept in some drawer for now about 20 years.

1998 wasn’t a bad time for Jarrett’s legendary combo, with Gary Peacock on bass and Jack De Johnette on drums. Standards in Norway, one of my favorite live albums ever, was recorded just a year later, so, musically, my expectations were high.

This was also an important moment for Jarrett himself, as he just recovered from Chronic Fatigue Syndrome which stopped him from playing for nearly two years in 1996-1998. In the liner notes, Jarrett calls this concert a “scary experiment”, as it was his first live appearance since the Italian solo concerts (that were also just recently released as A Multitude Of Angels, see my review here).

Keith Jarrett / Gary Peacock / Jack DeJohnette – After The Fall (ECM 2018)

And to make it clear, musically, this album is all you could ask for. The tracks on average 8-9 min longs, which is very enjoyable, as the musicians really get to develop the material and interplay.

This is a “double album” (a term that feels a bit silly in the days of downloads and streaming, but in reality it means you get a total of 1h45 of music and pay about the price of two regular albums should you decide to purchase it, so still has some form of meaning).

To mention some individual songs, Scrapple from the Apple is a very groovy bop track. Old Folks is beautiful ballad. And we get standards like Autumn Leaves with very enjoyable solos (unfortunately, like in so many concerts, Jarrett cannot stop himself from “singing” along. If any digital company could ever invent the AI-driven Keith Jarrett/Glenn Gould humming filter, i’d be extremely grateful).

So, where is the but?

Well, very similar to his recently released solo album A Multitude Of Angels, this album wasn’t professionally recorded, but was basically using Jarretts own DAT (Digital Audio Tape recorder).

And as much as I didn’t mind the shoe-box sound created by this recording set-up for Angels, for a trio where you need to better capture the nuances and interplay of three instruments, I find the sound quality a bit off-putting (and this in spite of the fact that this was remastered at the legendary Rainbow Studios in Oslo).

So, in conclusion, as a hard-core Jarrett fan, this is a must have. If you don’t mind the poor sound quality, I can recommend it as well.

However, if you don’t yet own most of his catalogue, there are many other live albums that benefit from the outstanding sound quality that ECM normally is famous for, like Standards in Norway, or Live At Blue Note from 1994 (one of my 25 Essential Jazz Albums), that you may want to check out first.

My rating: 4 stars (1 star taken off for sound quality)

You can find it here (Qobuz) or here (Highresaudio)

The “Sun Bear” Concerts

Share with

Keith Jarrett’s Standards Trio

Standards Live (ECM 1986)

Share with

Keith Jarrett’s Solo Live Concerts

Budapest Concert (ECM 2020)

Share with

Happy New Year

Keith Jarrett – Munich 2016

GoGo Penguin – Ocean in a Drop

Triosence: scorpio rising

Share with

Keith Jarrett Live Concerts

Keith Jarrett – Munich 2016 (ECM 2019)

Share with

Keith Jarrett’s Solo Albums

Keith Jarrett: Paris Concert (ECM 1990)

Share with

The Keith Jarrett Trio

Keith Jarrett / Gary Peacock / Jack DeJohnette – After The Fall (ECM 2018)

So, where is the but?

Share with