Christmas Time Is Here – Two More Beautiful Christmas Jazz Compilations

Christmas Jazz

I’ve already written about my 5 favourite Christmas Jazz albums here, not to mention the recent post about Joey Alexander’s Beautiful Christmas Jazz EP.

But some of my readers complained (rightfully so) that I’ve neglected the Jazz genre a bit on this blog. So just a handful of day before Christmas, let me point you to two beautiful Christmas Jazz compilations by two great labels.

A Concord Jazz Christmas

A Concord Jazz Christmas The Gene Harris Quartet Charlie Byrd

Concord Jazz is a great label that unfortunately has a bit disappeared from the map. Nevertheless, this best of Christmas Jazz is really worth it.

My favorite titles are Scott Hamilton’s Christmas Love Song, and obviously, being a great Gene Harris fan, I’ll Be Home For Christmas. But overall, the album avoids the overly cheesy territory and rather stays on the swinging side. Note that Concord also released a V2 of this album later, which I find much less appealing (even if it has some beautiful tracks)

Verve Presents: The Very Best of Christmas Jazz

Verve Presents: The Very Best of Christmas Jazz Ella Fitzgerald, Kenny Burrell, Bill Evans, Louis Armstrong, Jimmy Smith, Oscar Peterson

The legendary Verve label obviously has released a number of Christmas albums over the years. However, this must be one of the best.

Look at the list: Ella Fitzgerald (obviously), but also Kenny Burrell, Shirley Horn, Bill Evans, John Coltrane, Jimmy Smith, Oscar Peterson. Kind of the Verve All Stars.

You get a beautiful version of A Child Is Born with Oscar Peterson, Bill Evans Playing Santa Claus Is Coming To Town, and even a great Jingle Bells by Jimmy Smith. And yes, it also includes Rudolph, The Rednose Reindeer, Ella’s Christmas classic.

Again, an album that while giving you a nice Christmas feel, avoids the sugary overkill of some more contemporary collections.

Both are highly recommended.

My rating: 4 stars

Wishing all of you some relaxing Christmas days, or whatever other holiday you’re celebrating this year end!

You can find the albums here (Concord) and here (Verve)

Walking The Line – without Johnny – but with Oscar Peterson!

Happy New Year!

Let me start by wishing all of my readers an excellent and successful 2018!

Oscar Peterson has been one of my earliest Jazz influences, actually, he was on the first Jazz CD I ever bought around the age of 18 (The Oscar Peterson Trio Plays, from 1964, note that the first jazz album I ever bought was on vinyl just some weeks earlier, Keith Jarrett´s My Song). Before that, I thought that Jazz was annoying and chaotic, how wrong I was!

So you can see, my love of the piano trio format dates back many years.

I’ve written about Oscar Peterson three times previously, about two albums from his legendary trio with Ray Brown and Ed Thigpen (Night Train and Plays The Cole Porter Songbook), but have also already mentioned his later work in Germany (Exclusively For My Friends) in my 25 Essential Jazz albums with several different bassist and drummers.

Walking The Line (MPS 1970)

The Oscar Peterson Trio Walking The Line Anniversary Edition Remastered 24 88 MPS 1970

Walking The Line is another album from the collaboration with MPS and the German producer Hans Georg Brunner-Schwer.

With Peterson, we have George Mraz on bass and Ray Price on drums here. The change in personnel really doesn’t impact this album in any way, this is pure Peterson Swing!

Like with many Peterson albums, we do get some standards. The most famous songs here are Teach Me Tonight and All Of You, but the albums starting song from Cole Porter,  Love, you’ll probably also have heard before.

What you may not have heard as much (unless you are from France or you are big fan of the original Thomas Crown Affair) is Michel Legrand´s song The Windmills Of Your Mind.

Michel Legrand is one of the greatest song composers I’m aware of, all the way up there with the giants like Cole Porter. I’ve previously mentioned him in my review of Bill Evans You Must Believe In Spring. I’m very glad he gets featured here as well.

Overall, this is not a must have album, but if you like Peterson, you really won’t regret the purchase. To quote another famous song title, it don’t mean a thing if it ain´t got that swing. Well this album clearly does!

My rating: 4 stars

You’ll find it here (Qobuz) and here (Prostudiomasters)

 

Oscar Peterson’s Night Train

Oscar Peterson

I’ve written previously about Oscar Peterson twice already, mentioning his Exclusively For My Friends MPS box in my 25 Essential Jazz albums, and also reviewing Oscar Peterson Plays The Cole Porter Songbook. He is one of the three godfathers of the Piano Trio, together with Bill Evans and Keith Jarrett.

Peterson to me represents the archetype of the Jazz Trio type 3 of my personal classification (see here), that I called  It Don’t Mean A Thing if It Aint’ Got that Swing. 

If we needed another example to illustrate this, let’s take this Verve album from 1963, which actually was the second or third Peterson album I ever bought.

Night Train (Verve 1963)

You get classic Oscar Peterson here. The legendary trio with Ray Brown and Ed Thigpen, and produced by Norman Granz, who played an important role in Peterson’s career.

Oscar Peterson Trio Night Train 24 96 Verve 1963

The title track, Night Train, is a good warm-up, but things really start grooving with the great C-Jam blues, uptempo blues at it’s best.

The ballad standard Georgia On My Mind is probably one of the best versions I own. Bag’s Grove is obviously taken from Miles Davis, and honestly, here I prefer the original, the horse are missing a bit. That said, Ray Brown’s soloing manages to keep this song interesting.

Easy Does It is another one of my personal favorites on this album, in spite of it’s apparent simplicity. And then there is the final track, Hymn to Freedom, where Oscar Peterson opens the melody, but the relaxed swing that follows when Brown and Thipgen kicks in, make this track truly memorably.

The only criticism I have with this album is that the tracks are all a bit short. The trio really excels on longer tracks when each of the brilliant musicians get’s more time to solo.

Little anecdote: Apparently Night Train was one of the albums that made Diana Krall wanting to play Jazz (see video below). And she plays it quite well, although I still prefer the original.

My rating: 4 stars

You can find it here (HDtracks)

Oscar Peterson Plays the Cole Porter Songbook

Oscar Peterson is one of the Gods of the jazz piano universe, playing and recording for over 60 years. This modest Canadian was discovered by the famous producer Norman Granz. Thanks for that, Norman!

Peterson has played with so many great artists. The world-famous Ella and Louis albums wouldn’t be the same without him! Obviously you could fill at least 10 blog posts with him and his enormous discography (maybe I should start that at some point, let’s see).

I’ve already listed Oscar Peterson in my 25 Essential Jazz Albums. There I mentioned his MPS sessions in the late 1960s, where he plays with several different bass players and drummers.

However, his best known trio formation is probably the classical setting with Ray Brown and Ed Thigpen. This is classical swinging piano trio, which really lives from the pianistic brilliance of Peterson with the enormous swing of Brown.

There are many nice albums from the late 1950s to the early 1960s on Verve (Night Train, West Side Story, the slightly overplayed We Get Requests), and obviously the sister albums from the “Songbook” series.

This in any case is one my favorites, and I recently purchased it again as a new remaster:

Oscar Peterson Plays The Cole Porter Song Book

Oscar Peterson Plays the Cole Porter Songbook Verve 1959 24/96

I already love the cover art, which is very unlike most of his other albums of the period (but repeated on other “Song Book” albums). Unfortunately, the recent download I purchased of this doesn’t come with any booklet, and the original CD I ripped is buried somewhere in my basement, so I wasn’t able to find out who did this, if somebody could point me to a source.

Then there is the music. Cole Porter was obviously a genius of songwriting. It’s amazing how a guy who mainly wrote musicals could influence Jazz so much. Certainly the same didn’t happen with today’s musicals, or how many Andrew Lloyd Webber jazz standard are you aware off (probably better this way)

I know many jazz aficionados get bored by standards. I don’t. I just love when you recognize a tune, and then see what the musicians do with it. Call me simple-minded. I’ve Got You Under My Skin, In The Still Of The Night, Love For Sale, Just One Of Those Things, I Love Paris, It’s De-Lovely, etc. etc. One more beautiful than the other. If you’re into avantgarde jazz, look elsewhere. This is as mainstream as it gets. But who cares? It is immensely enjoyable.

My rating: 4 stars

You can download it here (Qobuz), and here (HDtracks)

Musicophile’s 25 Essential Jazz Albums – Part II

Following up to part I of my 25 Essential Jazz albums, here are the entries 13-25. Again no ranking implied in the numbers, this is just a list of albums I think everybody should have heard, and to give you a good understanding of what it is I really like in Jazz.

13. Art Blakey and the Jazz Messengers – Moanin (1958)

Art Blakey and the Jazz Messengers Moanin Blue Note 24 192

Well, my entire mini-series on the Jazz Messengers’s spin-offs wouldn’t have been a series without this group. I’m not sure why I haven’t written about this album yet, but I eventually will.

14: Ella Fitzgerald – Clap Hands – Here Comes Charlie (1961)

Ella Fitzgerald Clap Hands Here Comes Charlie Verve 1961 24 192

Ella again is somebody with so many good albums to choose from. Just to give an example, the Ella and Louis series has been recommended everywhere, and I concur. The live recording Mack the Knife or her many songbook releases are also excellent.

So why this one? Well, purely subjectively again, it was one of my first I ever owned, and it’s got the outstanding 5 star track Cry Me A River.

15. Wayne Shorter: Adam’s Apple (1966)

Wayne Shorter Adam's Apple Blue Note

Already reviewed here.

16. Duke Ellington: Money Jungle (1963)

Duke Ellington Money Jungle

Duke Ellington obviously had a huge influence on Jazz, also as a composer of many standards. I’m not really into big band, but luckily he also did some albums with smaller crews, like the famous Duke Ellington & John Coltrane album, or this one, with Charles Mingus and Max Roach. I mean, what could go wrong if you combine these giants? This by the way has the best version ever of the great standard Caravan.

17. Stan Getz and Kenny Baron – People Time (1992)

Stan Getz Kenny Barron People Time The Complete Recordings

This is another example of a large box of “last concerts” recordings similar to the Bill Evans Consecration I wrote about in Part I of this post. This concert was recorded in Copenhagen very close to Stan Getz too early death.

Often duos in Jazz lack something, not here. This one is just beautiful, and a pleasure to listen to. If you don’t want to go for the full 6 box Complete Recordings, there’s also a 2 box compilation.

18. Oliver Nelson: The Blues And The Abstract Truth (1961)

Oliver Nelson Blues And The Abstract Truth 24 96

Oliver Nelson in a way is the One Hit Wonder of jazz. Or could you name any other album from him (with the possible exception of less known and less interesting part II follow-up with a different cast)?

In any case, just look at the line-up here, Evans!, Chambers!, Hubbard!, Haynes!, Dolphy! and you know you’re onto something. One of my favorite Impulse albums.

19. Oscar Peterson: Exclusively For My Friends (1968)

Oscar Peterson Exclusively For My Friends MPS 24 88

You could nominate many Oscar Peterson albums here. He is really one of the best pianists of all times. However, this set recorded in the cosy Black Forest in the personal studio of Hans Georg Brunner-Schwer, is probably one of the best, and most intimate. This album has recently been remastered from the original tapes.

20. Ray Brown: Summer Wind – Life At The Loa

Ray Brown Trio Summer Wind Live At The Loa Concord

You cannot talk about Oscar Peterson without mentioning Ray Brown, his legendary bassist. Ray has recorded several outstanding albums with the combo of Jeff Hamilton on drums and Gene Harris on the piano. To quote one of the tracks: It don’t mean a thing if it ain’t got that swing. Well, this one’s got plenty.

21. Diana Krall: The Girl In The Other Room

Diana Krall The Girl in The Other Room 24 192

Talking about Jeff Hamilton, he also plays on this one.

But now you may ask me: what, 25 albums, only 3 vocal jazz among them, and you chose Krall vs. all the other alternatives? Well yes, you could argue about the choice of Krall in general, but not this album. This to me is the best she ever did, by far. The influence of her husband, Elvis Costello, on the songs is clearly there, and this is the first time in my opinion that she truly moves beyond the (very high-class) cocktail bar jazz of her previous albums. Unfortunately, she’s never again reached this level of musical depth since (I personally didn’t like her last two albums, Wallflower and Glad Rag Doll).

22. Grant Green – Idle Moments (1965)

Grant Green Idle Moments 24 192 Blue Note

I’m usually not a big fan of guitar jazz, but the nearly 15 minutes of the title track of this album with so many outstanding musicians, including Joe Henderson (see my post on him here) justifies the including here. I guarantee there’s not one minute of boredom in this slowly developing and evolving track.

23. Michael Wollny Trio – Weltentraum (2014)

OK, so ECM, the great German jazz label, got their share of albums here. Let’s make sure we add another great German jazz label, ACT.

Michael Wollny is one of the great German talents of today, and both the 2014 album Weltentraum as well as this live version are creative, inspired, and fun to listen to.

Michael Wollny Trio Weltentraum Live ACT

24. Alboran Trio – Near Gale (2008)

Alboran Trio Near Gale

Another ACT album. The Italian Alboran Trio seems to have completely disappeared since this 2008 album, and it’s equally great predecessor, Meltemi (2006). What a pity, this is again to me the epitome of a piano trio album.

25. Keith Jarrett: Solo Concerts Bremen-Lausanne (1973)

Keith Jarrett Solo Concerts Bremen Lausann

Yes, I’m cheating. I said in my own rules only one album per artist.

Well, but first of all I make the rules on my own blog, and then this blog has Keith Jarrett in the subtitle. I couldn’t walk away from this without a Jarrett Solo Concerto, given that this was the topic of my very first blog that started this entire adventure entry here.

I could have chosen the Köln Concert, and yes that is a must have for everybody. But so are the Sun Bear Concerts, Bremen Lausanne, The Carnegie Hall Concert or pretty much any other of his solo albums for that matter.

I still have the original vinyl of the excellent Bremen Lausanne, and it is basically just a placeholder for his entire solo works. If I have enough time, I’ll try eventually to review in detail all Keith Jarrett solo concerts.

So, that’s it folks, looking forward to your feedback!

Download sources:

Moanin: here (Qobuz)

Here comes Charlie: here (Qobuz)

People Time: here (Qobuz)

Oliver Nelson: here (Qobuz)

Oscar Peterson: here (Highresaudio)

Ray Brown: here (HDTracks)

Diana Krall: here (Qobuz)

Chick Corea: here (Qobuz)

Bremen-Lausanne: here (Qobuz)

Michael Wollny: here (Qobuz)

Alboran Trio: here (Qobuz)

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