I’ve previously praised the young Australian singer Sarah McKenzie for her last album on Impulse, We Could Be Lovers, have seen her perform live, and mentioned her in my Top 10 Jazz Covers of Pop songs. I was even able to exchange a couple of friendly words with her during the above mentioned concert.
So in a nutshell, I really like her. Hence, when I saw on Facebook that she is about to release a new album, I gotvery excited.
(Side note: following artists I like is one of the few useful purposes for me of Facebook. Why is it that in my generation the only people that regularly post updates are the ones you don’t care about? There seems to be some form of inverse correlation between posting activity and content value, with some rare exceptions)
Paris In the Rain (Impulse 2017)
So, now the album has been out for weeks, and I’m only just about now writing about it.
Why is that? Well, not because I didn’t listen to it enough. The thing is, I was really trying to like it, but in a way something was just a bit wrong. And I spent the last month trying to put my finger on it.
Is it the singing? Absolutely not, that’s beautiful as ever.
Is it the songs? No, we get standards, like Tea For Two, beautiful ballads, like Little Girl Blue, own compositions such as Paris in the Rain, see below (she also has 4 other own compositions on the album!).
Is it the musicians? Again, not really. Actually, they do play extremely well. Sarah and Impulse were able to assemble some great musicians here: Mark Whitfield und Romero Lubambo on guitar, Warren Wolf on the vibraphone, Reuben Rogers on bass, Gregory Hutchinson on drums.
The horns are excellent too, from Dominick Farinacci on the trumpet, Jamie Baum on the flute, to Scott Robinson and Ralph Moore on saxphone.
So what is it? It was only when I read that this album was produced again (like the previous one) by Brian Bacchus, when the penny dropped. It is just a bit too perfect! That may sound a bit silly, but the album could use a little bit of “dirtiness” to my ears.
Bacchus, while not a household name, has worked with some of the greatest names in Jazz (e.g. John Scofield). However, he also produced Norah Jones and Gregory Porter. Not that I’m comparing this album to Norah Jones, unlike her this is 100% Jazz, but you get the total perfection of a Norah Jones album. This really doesn’t fully replicate the full energy I felt when I saw her live. I’d really love it if her next album will be a live one!
So why I strongly encourage you to check out this album, I’d even more recommend you see her live. As mentioned, she’s on facebook, and here’s her website that has the tour dates.
My rating: 4 stars