The Cross Eyed Pianist
Sometimes, as a blogger, you may feel a bit alone. With my rather niche topic of Jazz and Classical music, I really don’t have that many people to exchange ideas with in my immediate surroundings, as most of my friends and family don’t care enough about this topic (my mother-in-law is the exception, she is a loyal reader, even if she often disagrees with my opinions).
Luckily, on the internet, you’ll be able to find like-minded people for every kind of interest, as small as it may be. I’ve met people virtually on several discussion forums and via this blog that I feel I have very compatible musical tastes.
And obviously then, there are the other bloggers. You can find on this blog the long list of all blogs I follow (at least those on WordPress), but some are really outstanding, and to be fair, much better than my little enterprise here.
One blog I follow very closely is Frances Wilson’s The Cross Eyed Pianist. Well, she’s got an advantage over me, she’s an actual pianist (my piano hasn’t been touched for over a year now, shame on me). I strongly recommend you check her out.
Schubert’s Late Piano Sonatas
I’ve mentioned Franz Schubert several times now on this blog, as I’m a big fan.
Unfortunately he died way too young, so there is only a number of categories I really admire in Schubert. Not necessarily his symphonies (see my comment on his last symphony here), but his Lieder (still only getting into them), his amazing chamber works (see here and here among others), and obviously, his piano music, which was his very own instrument.
I’ve previously written about David Fray’s beautiful album, as well as Andras Schiff’s recent recording on a fortepiano. Note that you can always click on the composer link on the right hand side of this blog to see all my articles on a given composer.
But I’ve not fully talked about the 3 masterpieces of his late piano sonatas, D958-960, which really give you a glimpse of what Schubert could have achieved had he lived longer. These were all recorded in his last year alive, at the tender age of 31. Imagine Beethoven dying after the Moonlight, no Waldstein, no Appassionata, no Hammerklavier!
To get back to Frances Wilson, what trigger this blog post was her excellent article on Schuberts D959 in A-Major, which not only inspired me to write this post, but also the title.
Frances Wilson and others are the reason why I don’t write a lot about the works themselves on my blog, these others are so much more talented.
So let me focus on what I typically tend to write about, which is “reviewing” (or probably rather commenting) the recorded versions of these pieces.
I often get asked, which is the “best version” of a classical piece. If I’d be honest, I cannot answer this. Most classical works have been recorded hundreds of times, and comparing them all is just really not feasible. Gramophone and Classica try, and have monthly articles around individual works where they try to achieve this, but even these traditional magazines with their decades of experience usually limit themselves to a smaller number of versions (or I guess, leverage their archived reviews).
So, as I said inspired by Wilson’s article, I wanted to write about the best version of Schuberts D959 I have on my hard disk, plus Paul Lewis from Qobuz (I could have included all versions available on Qobuz streaming, but then you wouldn’t read another blog post from me for a least 3 years)
I have a total of 10 versions (thanks to years spend on meta-tagging I can actually now easily find them):
- Leif Ove Andsnes
- Alfred Brendel
- Martin Helmchen
- Paul Lewis
- Wilhelm Kempff
- Radu Lupu
- Murray Perahia
- Arthur Schnabel
- Andreas Staier
- Mitsuko Uchida
You’ll noticed Andsnes and Perahia from my Top 10 Classical Pianists I just published, actually, the preparation for this review triggered the idea of that post.
I’m not going to review all 10 versions here in detail, but just highlight those that really stood out to me (which is tough, because there wasn’t really a negative outlier in this list.
… and not a single winner
I’ll name 3 in detail here, and honestly, I’m not going to name my winner, as it is just impossible.
This was my first ever version, and I can still count it among the best out there. Brendel is an extremely intellectual pianist, and he’s probably one of the key people who put Schubert’s piano music on the world stage. I haven’t included him in my Top 10 pianist list, as I’m not a universal fan of his playing, but for Schubert, he really is among the top references.
Perahia actually made it into my Top 10 list. He’s a pianist I admire from Bach to romantic repertoire, he always seems to get it right. Same here, this is really worth checking out.
And, last but absolutely NOT least,
I’ve already previously mentioned her in my article about Andras Schiff, she absolutely remains among my favorite versions of this work.
She has such a light, delicate and beautiful touch. To me Schubert’s piano music is even closer to Mozart than to Beethoven, even if Schubert was a great admirer of the latter. Uchida is one of the best Mozart players we have, and approaching Schubert in Mozart style really feels right.
My rating for all 3: 5 stars
Two lessons learned here:
- Never ask for “THE BEST” version of a certain work. It just doens’t exist, you’ll almost always find several versions that are each outstanding in their own way
- I’ll almost certainly not do another of those huge comparisions in the near future, they are just so time consuming. I’ll leave that to the professionals. It was fun though.
As usual, I’d be interested in your opinion, are there other versions out there?
Frances mentioned Goode and Pires, which I both haven’t heard, anything else out there?
You can find the albums here:
Alfred Brendel: here (Qobuz)
Perahia: here (Qobuz)
Mitsuko Uchida: here (Qobuz) and here (Prestoclassical)