Sarah McKenzie Live in Berlin – May 5, 2017

Better late than never

This will be a post about all the things I’ve recently been late at.

Well not all the things, but at least two of them. One is recognizing the 2nd anniversary of my blog!

On May 22, 2015, I’ve published my first post here. We’re now a bit more than two years and 194 posts later, and I’m still doing it.

And really, what keeps me motivated doing this, beyond my passion for good music, is your feedback. I’ve heard from so many of you individually, so many encouraging comments, and appreciative notes, I just have to say a big THANK YOU!

The second thing I’m really late at is a review of the concert of Sarah McKenzie I saw about a month ago now.

Sarah McKenzie Live at Passionskirche Berlin

I’ve written about her three times already (here, here, and here) and I remain a great fan of this young Australian singer. So when I had the opportunity to see her live in Berlin, I grabbed it.

And I’m very glad I did. My review of her last album was a bit mixed. There was nothing wrong with the music per se, I just felt the album was a bit overproduced, a bit sterile.

Obviously, live you get a completely different experience.

Let me get the negative points out of the way first.

  • Never do a Jazz concert in a church

The Passionskirche in Kreuzberg is a beautiful building and room, but why on earth somebody would want to do a Jazz concert in there really is beyond me. The acoustics are really bad, and the long reverb half killed the excellent swing of the band. Well at least, for the first time in my life I had a beer (they sold drinks before the concert) in a church. An interesting experience.

  • No pictures please

Unfortunately, the organizers didn’t want me to take any pictures, although I had brought my little Fuji X100T. That’s really a pity, as I believe a concert report with some pictures of the event is much more interesting for the reader. So sorry guys, text only.

But as of now starts the positive part: It really was a fantastic concert.

Her band was as good as ever, and we got a really great mix of standards and her own compositions. So the program switched between the good old classics of  I’m old fashioned to her new Paris in the Rain. 

What were my highlights? Well, as always, Moon River, in a duet with guitar only. Pierre Boussaguet on bass, who managed to even improvise a Bach Cello Suite into his bass solo. A blues, where the entire band was just swinging like crazy.

And, maybe my personal favorite, Sarah has now added You Must Believe In Spring to her repertoire. I´ve written here how much I love this Michel Legrand Song that was made famous in the Jazz world by Bill Evans. It was fantastic hearing her perform this gem.

In a nutshell: Sarah Mckenzie is still on tour, including her very first time at the legendary Montreux Jazz festival in July. Here are her tour dates, make sure you check her out when you can, she is just amazing!

 

My Top 5 Vocal Jazz Albums of 2015

Following my recent post on my top Classical albums of 2015, let me now follow up with my top 5 Vocal Jazz albums for this year.

Note there are a couple of “only” four star albums here, which means I don’t consider them absolutely essential. That said, I very much like all of the below and would recommend them without hesitation.

 

Cecile McLorin Salvant: For One To Love (Mack Avenue 2015)

Cecile McLorin Salvant For One To Love MackAvenue 2015

My Jazz album of the year by an outstanding young talent (review here). I’ve seen her live and this was probably one of my best concerts of the year .

 

Sarah McKenzie: We Could Be Lovers (Impulse 2015)

Sarah McKenzie We Could Be Lovers Impulse 2015

Sarah McKenzie is my other discovery of this year (reviewed here). Less innovative than Cecile McLorin Salvant, she does just old fashioned 1960-style vocal jazz. The thing is, she does it with so much charm and also includes her own originals, I’m convinced we’ll continue hearing from this young artist.

If you can catch her live as I did (see here), go for it, she’s even better live than on this album.

 

Cassandra Wilson: Coming Forth By Day (Legacy Records 2015)

Cassandra Wilson Coming Forth By Day 2015

I’ve said it before, I have a love-hate relationship with Cassandra Wilson. Quite often, she just gets too close to a style that I just don’t like. On this Billie Holiday album, all is well from my perspective (see my review here).

 

Melody Gardot: Currency of Man (Universal 2015)

Melody Gardot - Currency of Man

 

To be fair, this is more Soul than Jazz, but in any case, I really like this album. See my review here.

 

Autour de Nina (Verve 2015)

Autour de Nina Verve Compilation Sophie Hunger Melody Gardot

A beautiful Nina Simone Tribute album from a variety of artists. One of my favorite vocal jazz albums of the year, reviewed here.

My Top10 Jazz Covers Of Pop Songs

Pop/Rock music in Jazz

The usage of pop music in Jazz is actually nothing new, to be fair, many of what are considered today’s Jazz standards were initially “pop” songs of their times.

In my list below, I’ve taken some kind of liberty with the definition of “Pop/Rock” song (in a nutshell it is just another list of music I love).

The entire list started with me listening to Christian McBride’s recent live album I just reviewed and particularly his “Car Wash” song, his version of this 1970s disco classic.

Don’t pay any attention to the numbering, this is just completely random, no ranking implied.

I’m pretty sure I’ve missed many others, please add your favorites in the comments!

1. Christian McBride – Car Wash

As mentioned before, from the great Album Live At The Village Vanguard 

The Christian McBride Trio Live At The Village Vanguard 2015 MackAvenue

2.  Brad Mehldau – Exit Music For a Film

I’ve already listed Brad Mehldau in my 25 Essential Jazz Albums, and he actually has two pop covers on there, I could have chosen both Nick Drake’s Riverman and this cover from Radiohead.

Brad Mehldau Art of the Trio vol 3 Songs Warner Jazz 1998

3. Sophie Hunger – I Put A Spell On You

I’ve already reviewed this great Nina Simone tribute album, and this version of the Screamin’ Jay Hawkins classic is my favorite song on there. Love it!

Autour de Nina Verve Compilation Sophie Hunger Melody Gardot

4.  The Bad Plus – Smells Like Teen Spirit

I haven’t mentioned this American trio on my blog yet, interestingly enough. They do a lot of cover versions which are usually a lot of fun, like this Nirvana classic from their 2003 album These Are The Vistas.

The Bad Plus These Are The Vistas 2003

5.  Gretchen Parlato – Holding Back the Years

The American singer Gretchen Parlato has really found her very own style, you’ll recognize her immediately. She deserves even more attention than she currently gets!

And as much as I hate Simply Red in general, I really like this cover a lot.

Gretchen Parlato The Lost And Found

6. Marcin Wasilewski Trio – Diamonds and Pearls

Marcin Wasilewski is a great Polish pianist, his trio recordings on ECM are very beautiful, and he’s played quite a bit on other great recordings as well. Here he’s covering Prince.

Marcin Wasilewski January

 

7. Holly Cole – Tennessee Waltz

Is Holly Cole actually a Jazz singer? Well, probably borderline. Who cares, this album is amazingly beautiful. One of my favorite songs on here is the 1940s classic Tennessee Waltz.

Holly Cole Don't Smoke In Bed

8. Musica Nuda – Roxane 

Musica Nuda, the Italian duo of Petra Magoni (vocals) and Ferruccio Spinet (double bass) is not very well-known outside of Italy, which is a pity, as it is really astounding to hear what you can do with this rather improbable “nude” combination of voice and bass, without any piano or drums. The do cover quite a lot of pop songs, The Police’s Roxane is just one beautiful example.

Musica Nuda Live At Fip

9. Youn Sun Nah – Enter Sandman

Youn Sun Nah also has a great track on Autour de Nina (mentioned above), but her own albums are equally impressive, e.g. this album Same Girl on ACT, which gives us this beautiful Metallica cover.

Youn Sun Nah Same Girl

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10. Sarah McKenzie – Moon River

I’ve recently praised Sarah McKenzie’s new release We Could Be Lovers, and still have it in constant rotation. Moon River is just out of this world!

Sarah McKenzie We Could Be Lovers Impulse 2015

So, what do you think? I’m considering a second edition of this blog post. Any recommendations would be appreciated!

Sarah McKenzie – Another Outstanding Vocal Jazz Talent

Me And Vocal Jazz

Already in my review of Cécile McLorin Salvant’s album I’ve said that I don’t listen a lot to contemporary vocal jazz. Too many of the albums just sound too interchangeable, without individual character. Cécile McLorin Salvant is one major exception to that rule.

So I didn’t expect a lot when I just clicked on one of the latest new Jazz release on Qobuz’ streaming site, the album “We Could Be Lovers” that was just released on Impulse.

We Could Be Lovers (Impulse 2015)

Sarah McKenzie We Could Be Lovers Impulse 2015

How wrong I was!

After listening for about 3 minutes I noticed that this album really is different, this is not one more of the many jazz vocalists that will never stand out from the crowd.

I then checked her biography and discovered she comes originally from Australia, had received a full scholarship for Berklee, probably the best music school of the planet, and has just signed her first album with Impulse, a label that is doing great things again after being one of the major jazz labels in the 60s (see also my review of the Kenny Barron and Dave Holland duo album here).

One warning ahead: this is as mainstream jazz as it gets. As you’ve probably seen from my blog before, I don’t mind that one bit.

You get jazz standards, but also some of their own compositions. She also plays the piano, and not just a bit, she swings like crazy (see some of the YouTube extracts below). Impulse was kind enough to give her outstanding musicians for this album,

The entire album and style sometimes recall the early Diana Krall, but you’ll quickly notice that she has already found her own voice, her own style, at the age of 27 nonetheless.

And I must admit, any singer doing Moon River get extra cookie points from me…. Reminds me every time of my first trip to NYC with my wife where we watched Breakfast at Tiffany’s on the hotel rooms VCR.

Keep your eyes and ears open for her!

My rating: 4 stars

Below two examples of her work, an earlier live recording during her time at Berklee, and the official clip of one of her tracks from the new album (not her strongest one by the way, but still fun to listen to).

You can download it here (Qobuz) or here (Highresaudio)

EDIT: I was notified by a reader that this album doesn’t seem to be available in the US yet. My chin dropped and I just couldn’t believe it. But it is true, Amazon US features this album only as “Import”. Seriously? Dear Execs at Universal, what are you thinking? Are these the 1980s? Is there one good rationale reason (probably beyond the weird parallel world of music licensing rights) why you wouldn’t make available an album by an Australian artist on a supposedly US label (impulse) in the US? I really don’t get it.

UPDATE: You’ll find a review of her live concert in Zurich in 2015 here.