Fauré’s Beautiful Requiem

Gabriel Fauré

This is my first ever entry on the French composer Gabriel Fauré, after more than 5 years of this blog and hundreds of posts. Why did it take me so long? Well to be fair, there are only a handful of his works of this late romantic composers that I actually know. Coming from a German speaking background originally, French composers just weren’t very high on the list of stuff that you’d be aware off. In my personal library that contains thousands of albums I only have 16 that include some music of him, mainly some piano and chamber music.

The only major work of him that I knew and loved for more than 20 years now is the requiem.

I still try to remember where I first discovered it. I still think it was in a movie soundtrack, I even remember a scene with clouds drifting over a sky, and this beautiful music that immediately struck me as truly celestial. I tried to find the movie, and Fauré is listed in more than 100 of them in IMDB, but I couldn’t retrace that scene just yet. I keep digging.

In any case, his requiem is truly special, unlike any other requiem that I’m aware of.

Catholic requiems are typically, in the spirit of Mozart and Verdi, to name two of the most famous ones, very big and sometimes even threatening affairs. After all, it includes the Dies irae, the “Day of Wrath”, that starts like this “Day of wrath and doom impending. David’s word with Sibyl’s blending, Heaven and earth in ashes ending.”.

Well, no ashes in Fauré’s requiem. He simply skips the Day of Wrath, and focuses rather on In Paradisum, which I presume does’t need translation.

Overall, this really is the most peaceful (even compared to my beloved Brahms German Requiem) of all works for mourning the dead that I’m aware off.

My father passed away about a year ago, so I’ve been listening to this, as well as the Brahms, quite regularly. While I’m not at all religious, both works really give me solace.

For years I only had one version, which I still treasure today, by Michel Corboz with the Berne Symphony Orchestra. Not necessarily a reference version, but still one of my favorites.

But I wanted to write about this one instead:

Fauré: Requiem – Paavo Järvi – Orchestre de Paris (Erato 2011)

Regular readers of my blog know that I’m a fan of Paavo Järvi. He is here conducting the Orchestre de Paris, which obviously is very familiar with this work. I still often see that French orchestras have an advantage for French music, as it is so engrained in their culture.

Fauré Requiem Cantique de Jean Racine, Super Flumina Babylonis, Pavane, Elegie Philippe Jaroussky Matthias Goerne, Eric Picard, Choeur de l'Orchestre de Paris, Orchestre de Paris Paavo Järvi 24 48 Erato Warner 2011 24 48

On top of a top notch conductor and an orchestra that knows what it is doing, you also get two fantastic soloists, Philippe Jaroussky and Matthias Goerne.

Finally, this album will also give you an overview of some of the other large orchestral works of Fauré that are worth knowing, like the Cantique de Jean Racine, the Elegie for Cello, and the Pavane.

Highly recommended.

My rating: 5 stars

You can find it here (Qobuz).

The Legendary Klemperer Recording of Brahms’ Requiem

Happy New Year

Can one still wish a Happy New Year three weeks in? Well I’ll just do it anyway, given that the Chinese New Year is anyway still ahead of us.

Requiems

I didn’t often use to write, or even listen to, Requiems. While I acknowledged the beautiful music of Mozart, Verdi, Fauré and others, it always felt “wrong” listening to music meant for mourning the death of somebody.

Well, now it is me being touched by a death in the family, that I still have a hard time mentally acknowledging, let alone fully digest. It turns out that the beautiful music written by these legends is just what you need in these situations.

So bear with me, you’ll read more about requiems on this blog this year. Don’t worry, life has to go on, so I’ll write about other stuff as well.

Brahms: Ein Deutsches Requiem

Given the subtitle of my blog, it is not surprising that Brahms’ is the only requiem I’ve already written about, in my review of Nézet-Séguin’s live performance in Berlin back in 2017.

So I won’t repeat myself here, just re-alert you to the fact that this is a requiem that doesn’t use the typical latin text of pretty much any other requiem around, but instead uses handpicked parts of the bible that Brahms chose himself, and it is sung in German, hence the name.

It remains among my absolute favorite requiems.

Brahms: Ein Deutsches Requiem – Otto Klemperer – Philharmonia Chorus & Orchestra – Elisabeth Schwarzkopf – Dietrich Fischer Dieskau

Brahms: Ein Deutsches Requiem (A German Requiem) Otto Klemperer Elisabeth Schwarzkopf Dietrich Fischer Dieskau Philharmonia Chorus & Orchestra EMI Warner Classics

I tend to often write about contemporary recordings here, a) because typically they are recorded much better sonically, b) because there’s already been written so much about the great classics, and c) because performance practice evolves and I could for example not really enjoy Bach played in the 1960’s symphony style, before historically informed practice came in the 1970s.

That said, there are some classics that have truly stood the test of time, and if there ever is one, this could be the one.

Otto Klemperer is an absolute Brahms legend, his symphony cycle was my first and still is one of my favorite ever.

And take a look at the soloist cast of this 1961 recording: We have Elisabeth Schwarzkopf AND Dietrich Fischer Dieskau! We get the full dramatic power of the Philharmonia Orchestra under Klemperer, that already made his stereo symphony cycle (also on EMI, Warner classics) so great. By the way, if you like this, you may want to consider getting the entire Klemperer Brahms box on Warner. I’ll provide a link below.

My favorite part of this requiem remains the intimate, simple, and amazingly touching Ihr habt nun Traurigkeit (You now have sorrow). This is really what sets this requiem apart from all the other Latin ones with their Days Of Wrath (Dies Irae). Just look at the consoling text:


You now have sorrow;
but I shall see you again
and your heart shall rejoice
and your joy no one shall take from you.

Behold me:
I have had for a little time toil and torment,
and now have found great consolation.

I will console you,
as one is consoled by his mother

My rating: 5 stars

You can find it here (Qobuz) and here (Prestoclassical)

If you prefer to get the entire Klemperer Brahms Warner box, which I highly recommend, as you’ll get all the symphonic works as well for just a little more money, you’ll find it here (Qobuz) and here (Prestoclassical)

My Top 5 Classical Albums of 2017

It is starting to be a tradition now; this is a third time I´ll be writing about my top 5 classical albums of the year (see here for 2016, and here for 2015).

It´s been a busy year both professionally (completely unrelated to this blog) and musically, with a lot of excellent recordings being published, my blog being listed among Musicaroo´s Top 100 Independent Music Blogs, and me reaching 200 blog posts this summer.

It´s probably a bit late for Christmas shopping, but if you’re still looking for something to put under the tree (or whatever other holiday you’re celebrating right now, if any), or if you just would like to make yourself a nice present, here’s my selection for 2017. For download links to each album, please follow the link to the original review.

 

Bach: St. Matthew Passion – John Eliot Gardiner

Bach St Matthew Passion John Eliot Gardiner SDG 2017 24/96

I may be a bit biased here as I heard Gardiner perform this live as part of the same European tour as when this was recorded, but while I’ve been not always convinced by Gardiner´s recent recordings, I feel this is one that will stand the test of time as a reference.

See my original review here.

 

Brahms: The Symphonies – Andris Nelsons – Boston Symphony Orchestra

Brahms: The Symphonies - Andris Nelsons - Boston Symphony Orchestra 24/192

Brahms being in the subtitle of my album, he is obviously featured on a regular basis.

Note that this album may not be of universal appeal. This is really not the new lean style of “historically informed”, with lean orchestras, which I actually often really like. This is “old-style” Brahms, big, broad, and romantic. I feel it works especially well for the first symphony, in the big tradition of the Klemperers and Walters of this world (not yet Furtwängler and Toscanini).

In, any case if you answer yes to “Aimez-vous Brahms?”, you need to check this box out.

You’ll find the original review here.

 

Volodos Plays Brahms

Arcadi Volodos Plays Brahms (24/96) Sony Classical 2017

And yes, 2 out of 5 for the grandmaster from Hamburg. Another Brahms album.

And this time I can get rid of any disclaimer, this is just outstanding in any way. While playing with all his virtuosity power, these little (underrated) gems of Brahms here really get the treatment they deserve.

A must have for any Brahms fan.

See my original review here.

Mozart: Great Mass in C – Masaaki Suzuki – Bach Collegium Japan

Mozart: Great Mass in C Minor Exsultate Jubliate Bach Collegium Japan Masaaki Suzuki Carolyn Sampson Olivia Vermeulen Makoto Sakurada Christian Immler

 

This gets a special treatment by me, because it is probably one of the most beautiful pieces of music ever written.

Masaaki Suzuki and his Bach Collegium have never produced a bad album to my knowledge. The “worst” you get from this excellent Japanese ensemble is recordings that are a bit too polished and tame to my taste.

But here, none of that. Just beauty! This could well become a new reference recording for this work.

You’ll find my original review here.

Alexandre Kantorow: A La Russe

Alexandre Kantorow A La Russe BIS 2017 (24/96)

This album again may not be of universal appeal. A slightly more eclectic selection of music, a very young pianist, and a lot of extremes in one album.

I still preferred it to let’s say the extreme perfection of Zimerman´s new Schubert recording (another contender for this list), simply because of the piano performance of Stravinsky´s Firebird. I’m not even a particular fan of Stravinsky in general, but this recording is simply out of this world.

You can find my original review here.

 

What do you think?

So, this is my list, what would be yours? Please share! As always, I appreciate your feedback and ideas!

In the meantime, let me wish all of you Happy Holidays!

 

P.S. 

One more album, which isn’t properly speaking a 2017 album, but “just a remaster” released this year, gets a special mention: The outstanding complete Beethoven string quartets by the Takács Quartet.

See my original review here.

Takacs Quartet Beethoven Complete String Quartets Decca 24 48 2017 remaster

 

 

A Truly Moving Performance of Brahms Requiem by Yannick-Nezet Séguin and the Berlin Philharmonic: My Review

Serendipity

Who would have thought that I end up back at the Berlin Philharmonie so soon after the last concert by Simon Rattle just some days ago? Certainly not me.

This was really pure coincidence. I happened to stroll by the Berlin Philharmonic hall purely by chance. Suddenly, a guy approaches me, and asks “Would you want a ticket for the concert? Brahms, right now?” Well, who can say no to that? So 5 min later I find myself sitting in the Berlin Philharmonic hall watching as the BPO and the Rundfunkchor Berlin reassemble (I only got there during the break).

Ein Deutsches Requiem

I haven’t written that much about requiems yet on my blog. I have a certain respect for this category of music, as I always remember it is written for a very serious occasion, the death of a loved one. Maybe because of this I don’t listen to requiems enough.

I’ve previously mentioned Mozart´s requiem on my blog as part of My Must-have Mozart Albums. The other requiems I really love are Fauré’s (this really would need its own blog post), and obviously Brahms’.

Brahms German Requiem is a particular in many ways. First of all, it was written under very personal circumstances, around the death of Brahms own mother. Second, given Brahms´protestant background (he’s from Hamburg), he doesn’t use the traditional latin text of the catholic requiem, but instead parts of the Bible that are of personal importance to him. These are sung in German, hence the name.

Yannick Nézet Séguin – Berlin Philharmonic Orchestra – Rundfunkchor Berlin – Hanna-Elisabeth Müller – Markus Werba

I was indeed very lucky last night. Not only I get to see again the BPO, one of the best orchestras in the world, but also finally get to see Yannick Nézet-Séguin live.

I’ve written a lot about his recordings, from his Cosi Fan Tutte to his FigaroMost recently I did a more ambivalent review of his Mendelssohn symphony box. But taken together, he is one of the most relevant conductors of the 21st century.

Yannick Nézet-Séguinm, The Berlin Philharmonic Orchestra, and the Rundfunkchor Berlin, Brahms German Requiem Oct 19, 2017
Yannick Nézet-Séguinm, The Berlin Philharmonic Orchestra, and the Rundfunkchor Berlin

Given his previous recordings, I expected this concert to be a relatively fast and lean performance. Well, from the first measure I was proven wrong. This was BPO beauty in full blast, with relatively slow tempo throughout.

Actually, I’m glad he did. Given the nature of this work, the grandiose and emotionally charged way Nézet-Séguin conducted this just worked out perfectly.

A word about the soloists: they don’t really have such an important role in this work (maybe with the exception of the central soprano solo Ihr habt nun Traurigkeit), and overall the soloists did an good job, but were not the most memorable parts of the evening. The audience seems to think the same: they got decent applause, but nothing out of the the ordinary.

The true star of the evening was the Rundfunkchor Berlin, under Gijs Leenaars.  Their performance was just amazing. Not surprisingly, they received standing ovations at the end. Well deserved

Yannick Nezet Seguin Berlin Philharmonic Orchestra Brahms Ein Deutsches Requiem Oct 19 2017
The BPO hall organ was a major player in the performance

The highlight of the evening for me was the second movement, Und alles Fleisch, es ist wie Gras.  The combined power of the BPO, the powerful BPO hall organ, and the 80+ voices power (but also nuances) of the choir made this a performance I will never forget.

Truly outstanding.

My rating: 5 star

P.S. If you want to see it yourself, and are not in Berlin (note that there are some tickets left for tonight Oct 20 and tomorrow Oct 21), you can also see the Saturday performance streamed live in the Digital Concert Hall.

2017 Gramophone Awards: And The Winners Are… (and yes, I really agree)

Gramophone Awards 2017

This year I had a bit more trouble than usual with Gramophone´s selection for the albums of the year, see my posts here (Part I) and here (Part II).

However, at the end our judgments were together again.

Here was my overall recommendation looking at the nominees, as published in Part II of my post:

I´d say, the only must-haves in this selection are the Shostakovich with Nelsons, Perahia´s French Suites, and Suzuki´s c-minor mass (with Gardiner´s Matthew Passion just behind).

Faust´s violin concertos, Antonini´s Haydn, and Niquet´s Cherubini are a very good recording of only nice to have (to my ears) music. And in the Solo Vocal category, Goerne´s Brahms album is a no brainer.

So, let´s take a look at this years winners:

Choral

Mozart: Great Mass in C Minor Exsultate Jubliate Bach Collegium Japan Masaaki Suzuki Carolyn Sampson Olivia Vermeulen Makoto Sakurada Christian Immler

Bingo. And fully agree.

Concerto

Mozart: Violin Concertos Isabelle Faust Il Giardino Armonico Giovanni Antonini Harmonia Mundi 2016 24/96

Bingo again. Extremely well played.

Instrumental

Johann Sebastian Bach: The French Suites - Murray Perahia (24/96) Deutsche Grammophon 2016

Absolutely, a 5 star album all the way.

Orchestral

Haydn 2032 no. 4 Il Distratto Giovani Antonini Il Giardino Armonico

Agree, it doesn’t get better when it gets to interpreting Haydn´s symphonies.

Solo Vocal

Brahms: Vier ernste Gesänge - Matthias Goerne - Christoph Eschenbach - Harmonia Mundi 2017

And yes again.

So 5 times alignment, not too bad.

If you take the other categories, I really need to check out the winner of Baroque Instrumental, called The Italian Job with Adrian Chandler and La Serenissima. From Caldara to Torelli, probably worth discovering.

Baroque Vocal has a recent Hyperion recording of some Bach cantatas with Jonathan Cohen´s Archangelo, I´ve heard good things about this ensemble, and will certainly have a closer look at the Hyperion website (unfortunately they don´t allow streaming of their content).

In the Early Music category, a John Dowland album won that simply isn´t my cup of tea musically, I´m too ignorant on contemporary to even comment on that category.

In the Opera category, a recording of Berg´s Wozzeck by Fabio Luisi won, I simply don´t have a BluRay player to check that one out.

But I´ll make sure to have a look at the album in the category Recitalwhere an album by the great Joyce di Donato In War And Peace won, that really sounds interesting.

So, what do you think? Who would you have chosen?

My Reflections on the 2017 Gramophone Awards – Part I

2017 Gramophone Awards

The 2017 Gramophone Awards nominees have been published. As in the two previous years(2015 and 2016, let me add my comments and reflections on the proposed selection.

Overall, this year I was suprised how very few of the recordings I actually knew.

Therefore, this year I’ll only do two overall post on this, unlike the posts per category I did in recent years.

Baroque Instrumental

Bach: Orchestral Suites: Zefiro

Johann Sebastian Bach: Overtures - Zefiro - Alessandro Bernadini - Arcana - 2017 (24/96)

I very much liked this recording, giving it 4 stars here. Is it good enough for album of the year? Well, maybe.

Bach: Goldberg Variations – Mahan Esfahani

I was never as enthousiastic about this album as was Gramophone, my rating in my review was a lukewarm 3 stars. So definitely not my album of the year.

I haven’t heard any of the other albums, with some Telemann and Vivaldi, but will check in and maybe report back later.

 

Baroque Vocal

Hyperion doesn’t stream, so I cannot comment about Cohens/Arcangelos cantata album.

Bach: Matthew Passion – Gardiner

Bach St Matthew Passion John Eliot Gardiner SDG 2017 24/96

As reviewed here, I fully agree that this is a five star album very much worth having.

 

I haven’t heard any of the other recommended albums, from Blow (never heard that name before), Couperin, Monteverdi and Scarlatti, but will check them out, as they are by Les Arts Florissants and Christophe Rousset among other, that I really admire.

Chamber

I haven’t heard any of the first three recommended albums, as they are all 20th century stuff which really isn’t my cup of tea, from Ades, via Bacewicz, Berg, Schönberg, and Webern. I’ll leave this to others.

I´d be interested in trying the Bruch String Quartets as I have very little chamber music from this composer, but Hyperion doesn´t stream so I have no way of risk free trying.

Then there are two Schubert albums. Quatuors 12 and 15 by the Doric Quartet. I have only heard it once on the radio (again, also Chandos doesn´t stream), and liked it, but wasn´t blown away. Not interesting enough for me to spend money blindly on it.

Finally, there is the Death and the Maiden and a quartet by Sibelius by the Ehnes Quartet. Unfortunately, Onyx is another label that doesn´t stream.

So basically, there´s unfortunately not a lot I can contribute to this category, which I usually love.

Choral

Several albums in here that are just not my cup of tea, eg. Berkeley or Elgar. Even Haydn´s Season, here with Paul McCreesh, is not a piece of music I´m particularly passionate about. Better to shut up then.

I´m more curious about the Cherubini album by Hervé Niquet, I´ll check that one out later today.

There have been a number of recent recordings of Rachmaninov´s All-Night Vigil, and I´m also very interested by this latest recording of John Scott. I will report back on this one as well.

And then there is my highlight of the year:

Mozart: C-minor Mass – Mazaki Suzuki

Mozart: Great Mass in C-Minor Exsultate Jubilate Masaaki Suzuki Bach Collegium Japan BIS 2016 24/96

Truly a new reference, see also my review here

Concerto

Let me maybe start by the one recording I can really recommend in here:

Mozart: Violin Concertos – Isabelle Faust

Mozart: Violin Concertos Isabelle Faust Il Giardino Armonico Giovanni Antonini Harmonia Mundi 2016 24/96

I gave it a four star rating, as I don´t consider Mozart´s violin concertos to be essential, but the playing is truly five star.

I´m not a very huge fan of Lisa Batiashvili´s Sibelius and Tchaikovsky album, but this is more due to Barenboim, not Batiashvili´s fault. Augustin Hadelich Tchaikovsky is straightforward, but also not that much my cup of tea.

I will certainly check out Alexandre Tharaud´s Rachmaninov album and report back.

I can´t comment on the albums by Adams and Beach.

I´ll skip the contemporary and early categories, as I don´t feel qualified enough here.

 

Instrumental

Bach: French Suites – Murray Perahia

Johann Sebastian Bach: The French Suites - Murray Perahia (24/96) Deutsche Grammophon 2016

Yes, absolutely, great album. A must have. See also here

 

Bach: Goldberg Variations: Beatrice Rana

Bach: Goldberg Variations - Beatrice Rana Warner Classics

I´ve now played this album many times, and still haven´t fully made up my mind. I kind of like it, but it´s really not my personal reference.

I´d like to comment about Cedric Tiberghien´s Bartok album and Pavel Koselnikov´s Chopin Mazurkas, but due to Hyperion´s no streaming policy I can´t. Side note: I really understand why labels don´t want to support streaming, as the business model is not very attractive, but on the other hand it really limits discovery. Maybe labels should invent a streaming model where you can listen to an album only 2-3 times and then need to purchase it. I find that album´s I can´t test I often don´t buy.

 

Liszt: Transcendental Etudes: Daniil Trifonov (Deutsche Grammophon)

Liszt: Transcendental: Daniel Trifonov Deutsche Grammophon

I haven´t reviewed this album yet, but have listened to it many times. And yes, it is very good, justifying the Artist of the Year he received last year.

Mozart/Schumann: Fantaisies – Piotr Anderszewski (Warner)

Mozart/Schumann.: Fantaisies - Piotr Anderszewski Warner

I wasn´t such a big fan of Anderszewski´s Bach album that won 2 years ago, but this one (only one listen so far, so beware) sounds really very good. I´ll report back.

Click here for Part II of this article.

 

 

 

Musicophile’s 25 Essential Classical Music Albums – Part II

Continued from part I here.

Anton Bruckner: Sinfonie Nr. 4 – Günter Wand – Berliner Philharmoniker

The 4th Big B as some call him, Bruckner had to be on my list.

The album I’m recommending nicely enough is a collection of all his relevant symphonies, but I’d really like to focus on Symphony no. 4, my first love, and still my preferred Bruckner symphony.

Günter Wand Anton Bruckner Symphonies Berliner Philharmoniker RCA Red Seal

I’ve written about it previously, and am not going to repeat the entire blog post. As I mentioned there, I’m not listening to Bruckner that much any more, my taste has moved on from the romantic period to much more Mozart and especially Bach, but my Essential Album list couldn’t be complete without Symphony No. 4. Even if I listen to it only a couple of times per year, the broad symphonic sound will always remain close to my heart.

There is especially one part in the first movement, that really give me goose bumps (for 10 other tracks doing the same, check out this blog post), it is a little part that connects two larger sections of the movement, and on the Wand album mentioned here, from 9:48 to 11:02, and has a beauty from out of this world.

Chopin: Nocturnes – Moravec

Finally moving away from the letter B, my first Chopin album. Chopin to me is one of the absolute masters of the piano to me. You’ll notice that I haven’t mentioned any Beethoven piano sonata, as much as I love them, Chopin is still closer to my heart.

And if you only have to have one Chopin album, it should be Moravec’s legendary Nocturnes. Already, to me the Nocturnes are quintessential Chopin, and nobody plays them better than Ivan Moravec.

Ivan Moravec Chopin Nocturnes

See my full review here.

Not surprisingly, Moravec also shows up in my Top 10 Classical Pianists.

Chopin: Preludes – Blechacz

Another Chopin album, another pianist I already featured in my Top 10 pianists. At least you cannot call me inconsistent.

Chopin Complete The Preludes Rafal Blechacz Deutsche Grammophon

See my review here

Obviously, there are many other pieces you could get from Chopin, the Etudes (Pollini), the piano concertos, Benjamin Grosvenor’s beautiful albums, etc. etc.

But really, the Nocturnes and Preludes should be in everybody’s music library.

Mendelssohn: Violin Concerto – Janine Jansen

Skipping quite a lot of letters of the alphabet, and with this really good composers like Berlioz, Debussy, Dvořák, Fauré, Händel, Haydn (although I was close in adding his Cello concertos), Grieg, Mahler, all of which have composed great music and that I’ll write or have written about. But none of these composers have made it on my, again, extremely subjective list of “essential”, i.e. something I really wouldn’t want to live without. I know, we can discuss this endlessly, but I had to make a choice, and here we go.

So finally an album and piece that I haven’t written about yet.

You could argue, of the great violin concertos, why do I chose Brahms and Mendelssohn, and not Beethoven or Tchaikovsky (or, to a lesser extent, Bruch)? Well, again for the same subjective reasons as above, both really touch me the most.

Janine Jansen Riccardo Chailly Gewandhausorchester Mendelssohn Bruch Violin Concertos Decca

I’ve previously praised Janine Jansen’s recent Brahms recording, and am also quite a fan of what Riccardo Chailly has done with the Gewandhaus, be it his complete Brahms symphonies, or the piano concertos with Nelson Freire.

On this excellent album, on top of Mendelssohn’s masterpiece, you also get an outstanding version of Bruch, so this really is another must have.

Other music from Mendelssohn I can highly recommend includes his Songs Without Words, and his symphonies no. 3 and 4.

Mozart: Cosi Fan Tutte – Nézet-Séguin

Moving on to Mozart. And getting into dangerous territory. My favorite pieces of all times are his great DaPonte operas, most of all Cosi, closely followed by Figaro.

Nezet-Seguin Mozart Cosi Fan Tutte Chamber Orchestra of Europe Deutsche Grammophon

However, as mentioned in my review of this album, I still don’t consider myself an opera expert. So take my recommendations with a grain of salt, and I’d particularly appreciate any feedback from any opera lovers about their favorite versions.

That said, this 2013 live recording is great, much better than the more recent, slightly disappointing Figaro.

Le Nozze Di Figaro – René Jacobs

Even more difficult territory here, as René Jacobs operas are usually love/hate affairs, i.e. you either love them or hate them.

I personally usually find them really interesting and insightful.

Mozart: Le Nozze Di Figaro René Jacobs Concerto Köln Harmonia Mundi

I also have about 10 other versions, including the classics from Böhm, Muti, Erich Kleiber, but keep returning to this version, as well as the first I ever owned, by James Levine.

Mozart: C-minor Mass – Masaaki Suzuki

Mozart: Great Mass in C-Minor Exsultate Jubilate Masaaki Suzuki Bach Collegium Japan BIS 2016 24/96

I’ve written twice previously about Mozart’s choral masterpiece, one of the most amazing works of music ever written. And I must admit that Masaaki Suzuki’s recent version really made something very special.

Read my full review here.

You’ll find more great Mozart in my blog post about My Must-Have Mozart albums.

Rachmaninov: Piano Concerto No. 3 – Leif Ove Andsnes

Again, jumping a couple of letters ahead, skipping Liszt (although his b-minor sonata was close to making the list), Monteverdi, Mussorgsky, and Prokofiev), directly to Rachmaninov.

And for Rachmaninov, as much as I like quite a bit of his solo piano work, the true essentials are his piano concertos no. 2, and even more so, no. 3

Rachmaninov Complete Piano Concertos Leif Ove Andsnes London Symphony Orchestra Berliner Philharmoniker Antonio Pappano Warner Classics

I’ve previously mentioned this album in my post about My Top 10 pianists.

Obviously, there are many other legendary performances of the Rach’s, including Horowitz, and Van Cliburn, but Andsnes and Pappano really stand out.

Schubert: The Late Piano Sonatas – Uchida

Moving one letter ahead again, to S.

Mitsuko Uchida plays Schubert

Schubert’s “late” (all relative, given that he passed away at the age of 31) piano sonatas, D958-960, are absolute masterpieces again. It is not easy to pick my favorite.

Luckily, quite recently I did a systematic comparison of D959, where Uchida, Perahia, and Brendel came out on top.

I’m here rather arbitrarely recommending Uchida, given that her rather exhaustive Schubert box contains 8 CDs for a really low price, you may as well get this directly. You won’t regret it.

Schubert: Winterreise – Prégardien – Staier

Schubert: Die Winterreise - Christoph Prégardien - Andreas Staier Warner Classics

A Schubert Lied just had to be in the list, and Winterreise really is such a gem.

As written here, I really like Christoph Prégardien with Andreas Staier, but this is one where one could easily collect 20 and more versions and still discover something new.

Schubert: String Quintet – Pavel Haas Quintet

Pavel Haas Quartet String Quintet Schubert Death and the Maiden Supraphon

As you can see, I really like Schubert. He get’s 3 entries, and I could easily have given him four or five. Luckily, on this album you get two of my favorites, the amazing quintet, and the nearly as outstandingly beautiful Death and the Maiden Quartet.

You’ll find my initial review here. I could have easily recommended the more recent version by the Quatuor Ebène as well, I just find the coupling more attractive of the Pavel Haas.

Schumann: Symphony No. 3 – Daussgard – Swedish Chamber Orchestra

Schubert: Symphony No. 3 and 4 - Thomas Dausgaard - Swedish Chamber Orchestra - BIS

And last but not least, Schumann.

Given that this is the last entry, you’ll notice the absence of Stravinsky, Tchaikovsky (although you’ll find I’ve reviewed quite a bit of Tchaikovsky on my blog), Ravel, Telemann, Sibelius (although his violin concerto was close to making the list), or Vivaldi.

And for Schumann, I didn’t chose his piano concerto, nor his solo piano music, but his symphony no. 3, the “Rhenish”. Moreover, I’m recommending an atypical version, by Thomas Dausgaard with the Swedish Chamber orchestra. Why? Well, it has often been written that Schumann didn’t know how to orchestrate properly, the balance was supposedly off.

Well, actually, if you listen to it played by a smaller chamber orchestra, like here, or on Nézet-Séguin’s recent recording with the Chamber Orchestra of Europe, another excellent version, you get a totally different picture. Well, obviously the classic recordings of Klemperer, Szell or Sawallisch also have their charm. But for me, a smaller ensemble is what works best.

Again, I very much appreciate any feedback!

Thanks again for all of you who already commented on part I, I can assure you, your feedback is always very welcome. Agree, or even better, disagree, and tell me why!

All albums mentioned here are five stars on my personal rating scale.

You can find the albums here:

Bruckner / Wand: here (Qobuz) and here (Prestoclassical)

Chopin / Moravec:  here (Prestoclassical)

Chopin / Blechacz: here (Prestoclassical)

Mendelssohn / Jansen: here (Qobuz)

Mozart Cosi Séguin: here (Qobuz)

Mozart Figaro Jacobs: here (Qobuz) and here (Prestoclassical)

Mozart / Suzuki: here (eclassical)

Rachmaninov / Andsnes: here (Qobuz)

Schubert / Uchida: here (Prestoclassical)

Schubert / Pavel Haas: here (HDTracks)

Schubert  Winterreise: here (Qobuz) or here (Prestoclassical)

Schumann / Dausgaard: here (eclassical)