Krystian Zimerman is a living legend.
He is without doubt one of our most important pianists of the 20th and 21st centuries, and has produced a huge number of reference recordings.
I only saw him live once, couple of years ago in Lucerne, and was utterly impressed with his Chopin.
He obviously features in my Top 10 Favorite Classical Pianists, and when I heard that he’s about to release his first solo album since 1994 (!) I really couldn’t wait for it.
Franz Schubert’s late sonatas
And then he plays Schubert! D959 and D960!
The late piano sonatas are among my absolutely preferred works of him (together with the late chamber works), and I’ve even written a blog post comparing 11 versions of D959. At the time, I selected Perahia, Brendel, and Uchida as my reference versions.
Franz Schubert: Piano Sonatas D959 and 960 – Krystian Zimerman (DG2017)
So, maybe it is a mistake to get too excited upfront. I really expected miracles here. I mean, take his Chopin Ballades, his Debussy, his Lutoslawski, his Brahms 1, his Liszt b-minor sonata. All miracles.
So you will have guess by now, that I was underwhelmed here.
Don’t get me wrong, this is a very fine recording. Obviously. It’s Zimerman after all. And he really makes these recordings very much his own.
But I’ve now played them over and over again, and I’m still waiting for the “wow”. I simply doesn’t come. I still don’t know what it is. Is it his rubato, his tempi? Is it maybe “too romantic”? I really don’t know.
There are so many subleties in his recording that I all appreciate individually. But the total doesn’t work for me. Well, hold on, “doesn’t work” is a silly way of saying I’m not blown away. It really all boils down to expectations.
Check it out, you have to, this is Zimerman after all. And I won’t be surprised if many of you disagree with my very personal opinion here. But for the moment, I’ll stick with the “cleaner” versions of Brendel and Uchida.
What do you think? I really appreciate your feedback here!
My rating: 4 stars
UPDATE Oct 1st, 2017: the French magazine Classica is less hesitant and gives this album a “CHOC”, i.e. 5 stars.
UPDATE Oct 7, 2017: Gramophone also is fully convinced, giving this album a “recording of the month” for October. The only more critical review I’ve seen so far is by Elvire James on the French site Classiquenews.com, saying this album has nothing new to offer. Well I really wouln’t go as far as that.
UPDATE Oct 9, 2017: ClassicsToday Jed Distler is in the same range as my rating, with an 8 out of 10 points, quoting some micromanaging.
Your turn to judge! Let me know what you think.