I haven’t written that much about Stan Getz on my blog, as I don’t listen to his albums very often.
He’s probably best known for his latin jazz collaborations with Joao Gilberto, published under the simple titles of Getz/Gilberto (yes, the Girl from Ipanema, and she still goes walking) and Jazz Samba, both among the best selling jazz albums of all times.
There’s another album with Stan Getz I really enjoy, the 1958 Stan Getz & The Oscar Peterson Trio. I bought this very early in my Jazz discovery journey as Oscar Peterson’s trio was one of my gateway drugs into Jazz, and I bought a lot of his classic Verve albums. This one is definitely worth checking out.
Other than that, it seems to me that Getz has somewhat had an image issue with the hardcore jazz community, as his West Coast style jazz was not really seen as exciting as the developments going on in New York City. And I must admit, I mostly myself stick to the great Hard Bop period.
But then there’s Getz late period. I’ve already listed a set of fantastic performances in Europe, People Time, the collaboration with Kenny Barron, in my 25 Essential Jazz albums. I really get a very special introspective intensity from these late performances.
And then I recently discovery yet another live album that I didn’t have on my radar screen, recorded more than a decade earlier, that I really enjoy. It was only released in 2018.
Stan Getz – Moments in Time (Resonance Records 1976/2018)
This concert was discovered in the archives of the Keystone Corner, a San Francisco Jazz club.
I must admit I didn’t know any of the rhythm section previously, which includes Joanne Brackeen on piano, Clint Houston on bass, and Billy Hart on drums. Apparently, these were taken from the first part of the concert which featured just this quartet, which were then followed by a second set with Joao Gilberto.
So, what are we getting here?
Well, on the surface, mostly easy going jazz with the typical Stan Getz sound. But I still like this album much more than the average Getz album from this era.
Why? I presume it’s the live setup which gives just a special intensity to the performances. Live has the advantage of just giving more time to each individual musician to express themselves, with time to breathe and solo. The longest individual performance, Gillespie’s Con Alma, which is one of my favourite tracks on this album, has a playing time of 12:34. But the track I truly like best is a ballad, Wayne Shorter’s Infant Eyes, which really just has a beautiful intensity and intimacy to it.
So, overall, really an album really worth exploring.
My rating: 4 stars (with Con Alma and Infant Eyes being truly 5 stars)
You can find it here (Qobuz)
Alternatively, if you believe a bit in some audiophile voodoo, you can also get this remaster from 2xHD (it’s the one I bought and how I discovered the album in the first place).