Bach: Mass in B-minor by William Christie and Les Arts Florissants – A Review

William Christie and Les Arts Florissants

William Christie, now at the age of 73, is one of the greatest conductors of the historically informed practice (HIP).

The Baroque Ensemble Les Arts Florissants he founded is among the best period ensembles out there. I’ve written about them several times already, e.g. about their Händel Album Music for Queen Caroline, or their Monteverdi Madrigal recording.

I’ve also had the pleasure of seeing William Christie with his ensemble twice already, once performing Purcell’s Dido and Aeneas at the London Barbican Theatre, and more recently, with Xavier de Maistre at Hamburg’s new Elbphilharmonie.

Bach’s B-Minor Mass BWV 232

I’ve written about this masterpiece twice already, initially about Philippe Herreweghe’s 3rd recording, and later about John Eliot Gardiner’s new recording.

I’ve said previously that this is one of the most important masterpieces ever written, and really never get tired of hearing it. In the liner notes to this album, William Christie calls it “[Bach’s] testament, his epitaph, a legacy to those who would follow him

Bach: Mass in B-minor – William Christie – Les Arts Florissants (Harmonia Mundi 2018)

J.S. Bach Mass in B-minor William Christie Les Arts Florissants Live in Paris Harmonia Mundi 24/96

This is a very intimate recording (in spite of being live, this was recorded in 2016 at the Philharmonie de Paris). Both singing and playing are very delicate and balanced.

Tempi are relatively fast (especially compared to the old Karl Richter style) but never rushed. To quote Christie again from the liner notes: Quicker tempi suggest a more physical and dance-like approach to the music“.

Honestly, I really don’t know what to criticize here. I’m a fan of the lighter, more intimate approach, and of the faster tempi. I prefer this even to the very good 2015 Gardiner recording.

It doesn’t kick my all time favorite of Philippe Herreweghe of the throne of “best B-minor ever” for me personally, as the latter just adds a tiny bit more “sparkle”, but this an album really very much worth having.

My rating: 4 stars (actually very close to 5 stars, I just still give the edge to Herreweghe)

You can find it here (Qobuz) and here (Prostudiomasters)

 

 

 

 

Author: Musicophile

I'm not a professional musician, I don't work in the music industry, I'm just what the name says, somebody who loves music. I've been in love with music for all of my life, took piano lessons for nearly 10 years, and played in several amateur Jazz groups. I go to concerts, both classical and Jazz, quite regularly. And I collect music previously on vinyl and CDs, now on my computer, and am slightly OCD on my music collection. You can reach me at Musicophile1(AT)gmail.com

4 thoughts on “Bach: Mass in B-minor by William Christie and Les Arts Florissants – A Review”

  1. Maybe one day you’ll take the time and try out my ‘hometown team’ Concerto Copenhagen with the B-minor mass, released in 2016. I just had to mention …

    Liked by 1 person

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google+ photo

You are commenting using your Google+ account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s