Gramophone
To this day, Gramophone Magazine is probably THE reference for classical music reviews.
I haven’t always been fully aligned with their latest recommendations. For example, Hillary Hahn’s new recording of the Bach violin sonatas they have as recording of the month in November, which I personally don’t really like, way too much vibrato for me.
Give me Milstein, Szeryng, or Isabelle Faust anytime instead.
However, beyond this, there are a lot of familiar albums I’ve previously recommended on this blog:
Vikingur Olafsson – Johann Sebastian Bach
See my review here. Gramophone talks about “glowing lyricism and sparkling virtuosity”. Fully agree.
Igor Levit, Life
Gramophone says “A triumph of imaginative programming that ranges from Bach to Rzewski, and elevated further by masterly pianism“. Yep, see also my thoughts here.
And finally, there’s an album I really like, have purchased, but didn’t get to review it yet:
Schubert: String Quartets No. 9 and 14 “Death and the Maiden” – Chiaroscuro Quartet – BIS 2018
I’m a big fan of the young Chiaroscuro quartet, which features Alina Ibragimova as first violin. The previous recording I bought from them is an excellent Haydn op. 20.
This latest recording is also excellent. Gramophone says it is “played with enourmous conviction and power by this very stylish ensemble”. I can’t really comment on the stylishness of the musician, but I fully agree that this album is strongly recommended. I hope I’ll get around to a formal review eventually, but in the meantime, it won’t replace my favorite versions by the Takacs and Pavel Haas Quartets, but it is a truly worthwile addition to the catalogue and worth having!
You can find it here (eclassical).
The links to the other albums you’ll find in my original reviews (see links above).
Hi…I’m in the middle of a major relocation, so if I don’t get back quickly these days, that’s the reason…still reading and enjoying and will be back to Musicophile soon! Keep the words and music coming.
Molly
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