So, another year has passed. For me, while it has brought a lot of challenging moments, it also brought me a lot of good luck. And particularly, it brought all of us some exciting new recordings.
Yes, partially I do this because Top Something lists always generate a lot of clicks (I don’t make any money on this site, so this is purely for my stupid little ego), but it is also a nice tradition to look back at the year.
And hopefully, it will inspire you to buy some of these (again, I’m not making any money here, but the artists do, as they should).
Igor Levit – Life
Yes, I really like Igor Levit. This may be his most personal album to date. In my original review I’ve described it as A Beautiful Treasure. An absolute must have.
Daniel Trifonov Plays Rach 2 and 4
Yes, this is one of my favorite Rach 2 ever. But PLEASE BE AWARE that I wrote in my original review (published as one of the first) that this recording will be controversial. It turned out it is, it is a love it or hate it affair. So please do check it out before you buy.
Rachel Podger’s Four Seasons
Do you really need yet another version of the Four Seasons? Probably not, let’s be realistic. That said, if you are looking for one, you won’t go wrong with this beautiful account, which combines amazing energy with beautiful recording technology. See here for my original review.
Murray Perahia’s Moonlight and Hammerklavier
Yes, I’m absolutely certain that this is an album that will stand the test of time. The only argument that you could have is whether the best piece here is the Moonlight (my opinion, see here for my review) or the Hammerklavier (many other reviewers). In any case, get this album, even if you already own these works.
Jean Rondeau Plays Scarlatti
As I wrote in my original review, I was really surprised to finally find an album that makes me like Scarlatti. Now is this enough of a reason for YOU to buy it? Will check it out, I think you won’t be disappointed.
You will find the download links in the respective original reviews.
Now back to you, what did I miss? Where do you disagree? What were your classical albums of 2018?