Keith Jarrett’s Standards Trio
Happy New Year, dear readers! I assume all of you are keeping your fingers crossed that 2021 will be the year that will make things better, and that we all can attend live concerts again
In the meantime, recorded live concerts are for most of us the only option to recreate that feeling, so I thought it would be a good idea to write about some of these.
As the subtitle of my blog indicates, I’m a big Keith Jarrett fan. And his “Standards” trio with Gary Peacock and Jack de Johnette, remains, after Bill Evans legendary trios, the archetype of the Jazz Piano Trio, one of my favorite art forms.
The Standards Trio was formed semi-formally in 1983, when the trio recorded the album Standards, featuring, guess what, the jazz standards of the Great American Song Book (I’ve reviewed the legendary vol. 2 of this album here). This is not the first time the trio played together, but it was the start of more than a decade of albums, many of them live, of the trio playing together. This came as a return to more accessible music, after the 1970s, which for me Jazz-wise were not very interesting (I really don’t like free jazz, jazz-rock, fusion, or most of the other stuff that came out of that decade that for me was much more interesting on the art-rock side of things).
Standards Live (ECM 1986)
This album was recorded in 1985, two years after Standards, at a live concert in Paris.
It captures all the energy of the trio at the peak of their performance, and unlike After The Fall, is recorded with the excellent recording quality that ECM is well known for.
Thanks to the live format, the trio always has sufficient times to develop the songs, with the average track length being 8-11 minutes. You can hear the fun the trio is having.
We start out with a true standard, the beautiful Stella By Starlight, that Jarrett takes a while to intro solo before the trio kicks in. They follow up with a solid The Wrong Blues, that has absolutely nothing wrong with it. Falling In Love With Love is the archetype of the swinging and grooving together. But the track from this album that I go back over and over again is Too Young To Go Steady, that Jarrett again intros solo. This is 10:11 of pure bliss to me. This is a textbook example of the trio playing truly as one.
The only downside of this, as of pretty much every other Jarrett album is his constant humming and vocalising. I still hope at some point that an AI will be able to filter this out….
My rating: 5 stars (it’s not the absolute best of the Standards trio live albums, the rating is mainly driven by the sublime To Young To Go Steady, but it id still so much better to my ears than so much other music that’s out there).