For part II of my little mini-series (well, given the number of relevant musicians that I really like, it may turn out maxi, who knows) on the Jazz Messengers, I obviously had a lot of choice. I ended up with Hank Mobley.
Why? He’s certainly one of the lesser known artists of the Jazz Messenger stable, and also one of the least well-known Tenor players (Coltrane, Shorter, Rollins, … would anybody spontaneously continue this list with Mobley?)
However, his albums are consistently good. They are never outstanding, I don’t have a single five-star album with Mobley, but I’ve rated most of his albums a very solid four star, they are just always fun to listen too. Getting to such a consistency is already a major achievement for me.
What are those four star albums? Well, you can pretty much chose blindly. Whether it is (in alphabetical order to avoid any impression of ranking) A Caddy For Daddy (what a nice title), Dippin, No Room For Squares, Hi Voltage, Roll Call, Soul Station, or Workout, they are all just a lot of fun. It don’t mean a thing if it ain’t got that swing. Well Mobley and his several groups have plenty.
Mobley grew up learning the … piano. Apparently he starting playing the saxophone only at the age of 16. I sometimes wonder, had he started earlier, would we list him with the Coltranes of this world? If Wikipedia is to be believed, Miles Davis had considered him as a replacement for Coltrane for a little while (what is for sure is that you’ll find Mobley on the great Miles Davis album “Someday My Prince Will Come” playing alongside Coltrane).
As part of the Messengers he also played with Horace Silver, including the nice album “Horace Silver and the Jazz Messengers” I completely forgot to mention in my previous post.
So why did I pick his 1960 album Soul Station here? Well, there’s obviously the personnel: Wynton Kelly and Paul Chambers, plus Art Blakey. What could possible go wrong? In any case, I don’t seem to be alone in preferring this album (witness this very nice article about him written by the folks at BlueNote), and Jazz critic Bob Blumenthal wrote that this album could be considered his “Saxophone Colossus” or “Giant Steps”.
Luckily I didn’t even have to research the facts above, as I have a very simple system: given that I try to rate individual songs as much as possible within iTunes, I can simply check the average score of an album. While most of my Mobley albums net out at four stars throughout, Soul Station stands out just a bit at “4.33” stars.
Two exceptional tracks
The album stands out due to two exceptional tracks: This I Dig Of You and Soul Station. I don’t think it is a coincidence that these are the longest tracks on the album. I’ve noticed before that usually the really long tracks (Soul Station is 9:05) are often the best, probably because they just leave more room to the individual soloing.
Overall rating: 4 stars (well 4 1/3 mathematically…)