My Reflections on the 2020 Gramophone Awards – Part II – Choral, Instrumental & Orchestral

Usually, I try to do one blog post per section (Orchestral, Piano, etc.), at least for those that I do care about. This time unfortunately my day job is keeping me quite busy and I wasn’t able to listen to all albums shortlisted by Gramophone, so this will just be a “best of” of albums from some of the nominated albums from the different categories.

Note that this is the continuation from part I that I published last week, where I had a look at the “Concerto” category. Today I’ll cover “Choral”, “Instrumental”, and “Orchestral”.

I’m following the order that Gramophone uses in their Gramophone Awards shortlist special edition.

Let’s start with the Choral section, and two recent recordings of Bach’s masterpieces.

Bach: St John’s Passion – Philippe Herreweghe – Collegium Vocale Gent (Phi 2020)

Johann Sebastian Bach: Johannes Passion Philippe Herreweghe Collegium Vocale Ghent Phi 2020 24/96

I must admit I only learned about this release from the Gramophone awards issue, although it was already released in February. What a miss! I do have already a favourite recording of the St John passion, as performed by John Butt and the Dunedin Consort, I have praised Philippe Pierlot’s excellent reading here, I also have Herreweghe’s previous version from 2001, as well as versions from Suzuki, and Gardiner (the usual suspects for great baroque vocal works).

But this new release is truly outstanding, and could potentially become my favorite, a true 5 star recording.

Bach: St Matthew Passion – Masaaki Suzuki – Bach Collegium Japan (BIS 2020)

Bach: St Matthew Passion Bach Collegium Japan Masaaki Suzuki BIS 2020 24/96

So, after the “smaller” passion, there’s also a new release of the majestic St Matthew Passion. I’ve already written about some other fantastic versions (again by the usual bunch of John Butt, one of my 25 Essential Classical Music albums, and the recent recording of John Eliot Gardiner that I was able to attend live), so it wasn’t obvious that I needed yet another version on top of the 7 or 8 others I have in my local library. But I bought it anyhow, given the recommendations by Gramophone, unfortunately without listening to it beforehand.

Don’t get me wrong, this is brilliantly performed, with excellent soloists. So why am just a bit hesitant about it? A simple fact, Suzuki starts the opening chorus “Kommt, Ihr Töchter” is just significantly slower (8:20 compared to John Butt’s 6:38), and it startles me a bit every time. It makes it even more powerful, but it just loses a tiny bit of drive. Check it out before you buy, but it clearly is among the very top performances out there.

Buxtehude: Membra Jesu Nostri – Philippe Ricercar Cosort (Mirare 2019)

Buxtehude Membra Jesu Nostri Ricercar Consort Philippe Pierlot Mirare 2019 (24/96)

I don’t know why this ended up being reviewed by Gramophone only in 2020, you’ll find my 4 star review of March 2019 here.

I really liked the album, and while I still would pick Bach over Buxtehude anytime, Buxtehude’s early baroque is growing on me. It is very much worth discovering.

Beethoven: Complete Piano Sonatas – Igor Levit (Sony 2019)

Igor Levit Beethoven Complete Piano Sonatas Sony Classical 24/96 2019

Yes, absolutely!

The more I discover Levit’s Beethoven cycle, the more I’m impressed. You’ll find my 5 star review here, but in the meantime I’ve again had the pleasure seeing Levit perform a part of the cycle live at the 2020 Lucerne festival (he played the Pathétique and Tempest among others), and have tickets for a live performance of the Hammerklavier that I’m very much looking forward to.

By the way, if you speak German, Levit has done a fantastic podcast, produced by German public radio, where he discusses in-depth every single sonata. Highly recommended.

Brahms: The Final Piano Pieces -Stephen Hough (Hyperion 2020)

Stephen Hough Brahms The Final Piano Pieces Hyperion 2020 24 96

Another album that I fully agree with, as reviewed here (5 stars). This album is all the way up there for me with Volodos and Perahia. Very much worth having.

Tchaikovsky: Symphony No. 6 – Kiril Petrenko (BPO’s own label, 2020)

Berlin Philharmonic Kirill Petrenko Tchaikovsky Symphony No. 6 24/96

Again, an album I already reviewed in 2019 and loved it (5 stars).

In fact, it is the one recording that made me reconsider whether I actually like Tchaikovsky (I’m still on the fence, but getting there).

Very much recommended.

What do you think? I’d love to hear your thoughts on the selection this year.

If you want to buy any of these albums (which I highly recommend you do), you can find the albums here (Qobuz & Hyperion):

Bach St John Passion – Herreweghe

Bach St Matthew Passion – Suzuki

Buxtehude Membra Jesu Nostri – Pierlot

Beethoven Igor Levit

Brahms Stephen Hough

My Reflections on the 2020 Gramophone Awards I – Concerto

Gramophone Awards

My comments on the Gramophone Awards, that I’ve done nearly every year since the beginning of this blog in 2015, always are quite popular with my readers.

And rightly so, Gramophone remains the most important and influencial classical music magazine in the world (in my subjective opinion), so it is always valuable to check what they like and recommend. And by default the handful of albums who make it to the final selection of the annual awards are obviously very good recordings.

But why bother writing about it and not just referring you to the full magazine release (available for free) that Gramophone has just put out ? Basically, I repeat myself: You really have to find a reviewer that you like and that your personal taste aligns with. If your taste happens to be somewhat similar to mine, maybe my couple of comments around the nominations can be of help.

But as always, I also love it when you violently disagree with me!

So, let’s start.

CPE Bach: Oboe Concertos – Xenia Loeffler – Akademie für Alte Musik Berlin (Harmonia Mundi 2020)

I haven’t formally reviewed this album on my blog yet, but I had checked it out when it was released. I’m usually a big fan of the AKAMUS orchestra, and I’ve even seen Xenia Löffler and the ensemble live, however, performing the JS Bach violin concertos together with Isabelle Faust (the album of which co-incidentally was a 2019 Gramophone Award nomination), so I had high expectations.

Poor Carl Philipp Emmanuel still is in the shadow of his legendary father, but, to my personal taste, he is really the one most worth checking out. He perfectly illustrates the ongoing transition from the baroque period to the “Wiener Klassik” of Haydn and Mozart (check out some of my album recommendations for CPE here).

Richard Wigmore in Gramophone writes “I’d confidently recommend this disc to anyone attracted to CPE’s quirkily fascinating art“. Couldn’t have said it better (except I wonder who beyond Gramophone editors still uses “discs”).

My rating: 4 stars (absolutely 5 stars playing, but CPE isn’t such a core composer that I’d necessarily recommend this to everybody blindly).

Beethoven: Piano Concertos No. 2 & 5 – Martin Helmchen – Andrew Manze – DSO Berlin (Alpha 2020)

Beethoven Piano Concertos 2 & 5 Martin Helmchen Deutsches Symphonieorchester Berlin Andrew Manze Alpha 2020 24/96

I didn’t review this album, however, you’ll find my very positive notes (4 stars) on their recordings of concertos no. 1 & 4 here.

The recordings of 2 & 5 is even more impressive. This is in many ways a “modern mainstream” recording, how you’d expect a Beethoven recording to sound like in 2020. Sufficiently inspired from the Historically Informed practice (where Manze comes from), and Helmchen really is one of those a brilliant a bit under the radar pianists that would benefit from being a bit more well known. (Co-incidentally, a very good recording of the Beethoven violin sonatas by Helmchen with Frank Peter Zimmermann was just released yesterday, more on this later).

But as Gramophone nicely writes, the magic sauce is in the beautiful pairing of Manze and Helmchen. This album really is highly enjoyable. Will it kick Andsnes and a lot of the legendary 1960 performances from their thrones? No, but it really is an album well worth having.

My rating: 5 stars

Beethoven & Sibelius – Violon Concertos – Christian Tetzlaff – Richard Ticciati – DSO Berlin (Ondine 2020)

Beethoven / Sibelius Violin Concertos Christan Tetzlaff Deutsches Symphonie-Orchester Berlin - Robin Ticciati Odine 2020 24/96

Seeing two Beethoven albums in this selection isn’t very surprising in the 250th anniversary of Beethoven. However, seeing two albums of the Deutsche Symphonieorchester Berlin here is already more intriguing.

For decades, the former RIAS (radio in the American sector) orchestra has been a bit in the shadows of the legendary Berlin Philharmonic and the excellent Staatskapelle from the former East. But as these two albums show, it has been able to develop an independent profile. It is often working with younger or still lesser known conductors (Ticciati is 37), and has therefore been able to experiment more.

Not that I’d call a recording of the two Beethoven and Sibelius warhorses an experiment. That said, Christian Tetzlaff (I’m a big fan) takes quite a lot of risks in this album. Luckily for him, these risks are very much rewarding. This is a recording that will allow you to discover many new details in these two works that you probably know really well, particurlarly in the somewhat more experimental Sibelius. And it is played with a beautiful passion. And a special mention needs to go to Ticciati for his excellent handling of the orchestra.

For the Beethoven, as a side note, Swiss Public Radio recently released one of their shows where two experts compare 5 recordings blindly. The two winners of this blind test of the Beethoven Violin Concerto, all recordings of the last decade, where my beloved recording with Isabelle Faust and Claudio Abbado (my personal reference), and this very recent release by Tetzlaff. And I fully agree with the reviewers choices, both recordings are excellent in their own rights and should be in your collection.

My rating: 5 stars

Chopin: Piano Concertos – Benjamin Grosvenor – Elim Chan – Royal Scottish National Orchestra (Decca 2020)

Oh yes!

OK I admit I’m as big of a fanboy of Grosvenor as I am of Isabelle Faust and Igor Levit, basically pretty much everything they release usually blows me away.

But still I’m impressed that this recording takes its place right there with the legendary recordings of the Chopin Award winners Krystian Zimerman and Martha Argerich. I’ve already reviewed this magnificent album here, and have nothing much more to add than “buy it now, what are you waiting for!”.

My rating: 5 stars

Mozart: Piano Concertos vol. 4 – Jean-Efflam Bavouzet – Manchester Camerata – Gabor Takacs-Nagy (Chandos 2020)

Mozart Piano Concertos vol. 4 Nor 20 & 21 Jean-Efflam Bavouzet - Gabor Takacs-Nagy - Manchester Camerata Chandos 2020 24/96

Unfortunately, Chandos has a somewhat restrictive streaming policy, presumably allowing only slightly older albums to be streamed on Qobuz. I checked out the previous vol. 3 of this cycle which was available for streaming and liked what I heard, but unfortunately that’s all I can say at this time.

Schoenberg: Violin Concerto / Verklärte Nacht – Isabelle Faust – Daniel Harding – Swedish Radio Symphony Orchestra (Harmonia Mundi 2020)

Arnold Schoenberg: Violin Concerto Verklärte Nacht - Isabelle Faust - Daniel Harding - Swedish Radio Symphony Orchestra Harmonia Mundi 2020 24/96

So, this is another Isabelle Faust release, so I should like it, right? Well my only problem is that the musical universe of Arnold Schoenberg and my comfort zone are still miles apart. The violin concerto is just something that my brain isn’t able to process correctly just yet.

That said, the earlier and more accessible Verklärte Nacht (transfigured night) sounds much more accessible. I’m probably going to buy this album just to really expand my musical horizon a bit. But don’t expect any value added comments from me.

In short, it’s the brilliant Isabelle Faust and recommended by Gramphone, so if you like early 20th century classical music, this should be a no-brainer.

My conclusion

My personal winner of the very good selection above would be Grosvenor’s Chopin, with Tetzlaff’s new album just behind (and those are also the albums I’ve purchased for my personal music collection).

We’ll know more in some weeks when the final awards are being given.

How about you? I’d love to hear your take on these albums.

You can find the albums here (all Qobuz):

CPE Bach / Loeffler

Beethoven / Helmchen

Beethoven / Sibelius / Tetzlaff

Chopin / Grosvenor

Mozart / Bavouzet

Schoenberg / Faust