Does Gramophone read my blog?
I presume not, but it’s a nice coincidence that just a short time after I write a dedicated blog post about the piano transcriptions of Bach’s Chaconne, Gramophone releases a complete review of all historic recordings of Busoni’s transcription of the Chaconne. That’s great news for me as well, as there a lot of versions I haven’t checked out yet.
One very new one is also not yet mentioned in this review article, which brings us to this album.
Igor Levit – Life (Sony Classical 2016)
He has a very particular style. There is a certain perfectionism (his outstanding technique clearly helps), but it is never going towards the mechanical perfection of some virtuosos, the perfectionism, particularly about timing, is always serving the music.
Levit doesn’t tend to be a virtuoso in general, he could easily be with his mastering of the piano, but he really never shows off. In many way, it is a very introvert way of playing which makes it even more interesting.
This album in many ways shows an even more intimate side of Levit. It is a very personal selection of music, from Busoni, via Schumann, to Rzewski and even Bill Evans. The common thread of the album can be found in the title, “Life”, as this album was strongly influenced by the death of a close friend of Levit.
The album starts with two transcriptions by Busoni of Bach originals. The Chaconne is a very good example of the intimate style I described above, in many ways it is the complete opposite of the somewhat overwhelming fireworks in fascinating recording of the same work by the young Benjamin Grosvenor.
We continue with a rarely played variations work by Schumann, which makes me really hope that Levit will record more of his work. I’d love to hear his take on the Davidsbündlertänze or the Kreisleriana.
Another highlight of this album are the two Wagner transcriptions, from Parsifal and Tristan. I must admit not being a great fan of Wagner in general (this is actually the first time this composer even appears on this blog), but he clearly has written some great harmonies.
The album wraps up with one of my favorite compositions of Bill Evans, the simple Peace Piece from the 1958 album Everybody Digs Bill Evans.
There really couldn’t be a better ending to this very particular, personal album than this solemn, simple, but breathtakingly beautiful interpretation.
My rating: 5 stars