I haven’t written a lot about Haydn yet, actually, there is so far only one blog that mentions a Haydn album in passing.
This is not entirely by chance, I’m generally not a big Haydn fan.
Baroque, yes please! Mozart, Beethoven, give me more. But Haydn? Somewhere stuck in between.
The old saying of “Papa” Haydn certainly has a point. I very much like his Cello concertos, and his masterly string quartets. But his symphonies? More than 100? Not really my cup of tea.
Or so I thought. Apparently I’m not alone, in the most recent issue of Gramophone, an article commenting about the recording I’ll be discussing below mentioned that Haydn apparently doesn’t sell well.
So what has changed?
Haydn: Symphonies No. 78-81 by Ottavio Dantone and the Academia Bizantina (Decca 2016)
Ottavio Dantone? Isn’t that the guy that I have several lovely Corelli recordings from? Yes indeed, he is mainly known for his Baroque albums. And now he attacks the traditional “Wiener Klassik”. How does he manage this material?
Actually, really well. The historically informed practice, gut strings et al., really helps Haydn a lot. What it adds is precision and clarity.
This album to be sounds like very precisely drawn with a fine pencil. You don’t miss a single detail. At the same time, there is a lot of energy. “Papa” Haydn really gets a kick in the butt, metaphorically speaking (excuse my French), and this is what this music needs. Extremely refreshing.
Now, about the music itself. Are we talking about something similar to a Beethoven symphony? Well, not to me (although especially the early Beethoven symphonies were clearly inspired by Haydn). But there is enough going on to make this recording interesting and worth discovering even for people (like me) who would usually shun Haydn.
Side note: There currently is a highly exciting complete Haydn HIP style cycle in the making, called Haydn 2032, by Giovanni Antonini and the Kammerorchester Basel. This cycle so far has only released some of Haydn’s earlier symphonies that I really cannot be bothered with, but are played so well that I’ll be closely following this project.
Back to Dantone: My rating: 4 stars