Happy New Year!
Dear readers, I hope many of you were able to have some days off during the holidays over the last weeks. I’d like to thank you again for your interest in my blog, and look forward to sharing more exciting music with you in 2017.
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Mozart’s Violin Concertos
Let me start by saying that as much as I like Mozart, his violin concertos aren’t very high on my priority list. They are the works of a teenager, written between ages 16 and 20. That said, they are enjoyable, and at least one version of them should be in any classical music library.
But which one? In My Must-have Mozart Albums, I’ve already recommended Giuliano Carmignola’s great recording with the late Claudio Abbado and the Orchestra Mozart he founded (which unfortunately lost funding some time ago).
However, regular readers will know that I’m a big fan of Isabelle Faust (see here, or here), so when she released a recording of the complete Mozart concertos, I obviously had to check it out. Unfortunately, it took some months for reasons unknown to me for this to be available on Qobuz, my streaming provider (and I didn’t want to buy this blindly).Now Qobuz finally has it, so here comes my review.
Mozart: Violin Concertos – Isabelle Faust – Il Giardino Armonico (Harmonia Mundi 2016)
Not only you get Isabelle Faust here, as mentioned above one of my all-time favorite violinists, but you also get Giovanni Antonini with his Giardino Armonico. They have done countless excellent baroque albums in the last 30 years. More recently they moved up to the Viennese Classical period with Haydn, in their excellent Haydn2032 cycle (see my review of vol. 3 here), so Mozart is a logical next step.
So, how does it sound? Two words, transparency and energy! Antonini takes the same inspiring approach he uses to awaken Papa Haydn, and plays it with a lot of verve and swing. And even Faust, who can be a tiny bit intellectual in her approach at times, gets fully into the mood and goes with the flow, making this youthful music just highly enjoyable. I seriously wouldn’t know what to criticize on this recording. This really is on par with Carmignola, if not even slightly better.
In summary: highly recommended (all reviews I’ve seen vary between very good and outstanding, so I’m not really going against the consensus here).
My rating: 4 stars (full 5 star playing, but as mentioned above I don’t think Mozart’s violin concertos are truly essential, so one point off for repertoire).