Oscar Peterson’s Night Train

Oscar Peterson

I’ve written previously about Oscar Peterson twice already, mentioning his Exclusively For My Friends MPS box in my 25 Essential Jazz albums, and also reviewing Oscar Peterson Plays The Cole Porter Songbook. He is one of the three godfathers of the Piano Trio, together with Bill Evans and Keith Jarrett.

Peterson to me represents the archetype of the Jazz Trio type 3 of my personal classification (see here), that I called  It Don’t Mean A Thing if It Aint’ Got that Swing. 

If we needed another example to illustrate this, let’s take this Verve album from 1963, which actually was the second or third Peterson album I ever bought.

Night Train (Verve 1963)

You get classic Oscar Peterson here. The legendary trio with Ray Brown and Ed Thigpen, and produced by Norman Granz, who played an important role in Peterson’s career.

Oscar Peterson Trio Night Train 24 96 Verve 1963

The title track, Night Train, is a good warm-up, but things really start grooving with the great C-Jam blues, uptempo blues at it’s best.

The ballad standard Georgia On My Mind is probably one of the best versions I own. Bag’s Grove is obviously taken from Miles Davis, and honestly, here I prefer the original, the horse are missing a bit. That said, Ray Brown’s soloing manages to keep this song interesting.

Easy Does It is another one of my personal favorites on this album, in spite of it’s apparent simplicity. And then there is the final track, Hymn to Freedom, where Oscar Peterson opens the melody, but the relaxed swing that follows when Brown and Thipgen kicks in, make this track truly memorably.

The only criticism I have with this album is that the tracks are all a bit short. The trio really excels on longer tracks when each of the brilliant musicians get’s more time to solo.

Little anecdote: Apparently Night Train was one of the albums that made Diana Krall wanting to play Jazz (see video below). And she plays it quite well, although I still prefer the original.

My rating: 4 stars

You can find it here (HDtracks)

Bill Evans – You Must Believe In Spring

Bill Evans

I haven’t written any single post on Bill Evans yet (well with the exception of this not very serious one, and my 25 Essential Jazz albums).

Shame on me. Given how much I love this pianist, and the form of the Jazz Piano Trio that he essentially created (or at least brought it to a whole new level), this is a sin.

To be rectified right now.

Bill’s Three Trios

Bill Evans essentially had three trios over time. He started with the mythic combination of  Scott LaFaro and Paul Motian in the 1950s and early 60s, until Scott died tragically in a car accident. If you don’t have Live At The Village Vanguard or Waltz for Debbie, you have missed some outstanding recordings.

For many Bill Evans purists, there is no true Bill Evans after LaFaro’s death. Some may concede that his last trio with Marc Johnson and Joe LaBarbera did some outstanding recordings (and I’d agree, hence them being listed in my above mentioned 25 essential Jazz albums with Consecration.

However, the trio that Evans ended up playing the longest time, with Eddie Gomez and several different drummers, doesn’t get the same level of awareness.

Which is a pity as there are some true gems, and Gomez has a very particular sound to his bass, which suits Evans really well.

You Must Believe In Spring (Rhino/Warner 1977/1981)

Bill Evans You Must Believe In Spring Rhino Warner 1977

This is the last album that Evans played with Gomez before he left the trio. On drums we feature Eliot Zigmund.

Why do I love this album so much? Well, as mentioned above, Gomez has a really nice sound, and this being a decent studio recording it really comes across very well.

Furthermore there is the title song You Must Believe In Spring, written by the great Michel Legrand for the musical movie Les Demoiselles de Rochefort by the French Director Jacques Demy.

It is taken from one of the most cheesy scenes of the entire movie, the young sailor singing about his troubles trying to find his dream girl, also known as La Chanson de Maxence:

For comparison, here’s Bill Evans version:

For context, I usually hate musicals, and any kind of movie where people all over sudden start singing (sorry, Bollywood), but somehow this movie is different. Probably this is due to the fact that I saw it during my student days in an old Roman theatre in the middle of summer in an open air cinema with good friends.

The entire atmosphere was so nice that I cannot help myself but having positive memories with this movie, and therefore having a Jazz version of this song helps (Note that I had the album before I even saw the movie, and somehow my subconscious recognized the melody when I saw the film for the first time).

The rest of the album is nice mixture of late Bill Evans standards like the famous Theme From M.A.S.H but also some lesser know compositions. All are very enjoyable.

My rating: 4 stars

You can find it here (Qobuz)

Giovanni Mirabassi (one of my preferred Jazz piano trios) – Terra Furiosa

Giovanni Mirabassi

I’ve mentioned Giovanni Mirabassi already in my 25 essential Jazz albums. I consider him one of the best contemporary Jazz pianists.

Unfortunately his masterpiece Architectures is a bit hard to get these days as the rights were sold to a Japanese label.

Terra Furiosa (Discograph/Minimum 2008)

Luckily he has done other recordings that are much easier to purchase, like this 2008 recording,  Terra Furiosa.

On bass, we have Gianluca Renzi who still plays with Mirabassi today, and the American drummer Leon Parker.

Giovanni Mirabassi Gianluca Renzi Leon Parker Terra Furiosa 2008

On this album, you clearly hear the influences of the late Bill Evans style, and also Enrico Pieranunzi. That said, he’s made something very personal out of all this, already given that he essentially plays only his own compositions.

My favorite songs is Last Minutes, where Gianluca Renzi gets some time for a beautiful bass intro, turning into a samba-like rhythm when Parker kicks in.

But even beyond this song, you’ll find stunning melodies, seamless interplay between three outstanding musicians. The music never stops evolving, and while the album remains in a certain mood most of the time, there is never any feeling of boredom at all, there just too much going on.

My rating: 4 stars

You can find it here (Qobuz) and here (HDTracks)

The Legacy Of The Jazz Messengers (7): Kenny Dorham’s Whistle Stop

I haven’t been continuing my Jazz Messengers Mini-Series for a while. It’s really time to change that.

Kenny Dorham is probably one of the least know Jazz Messengers, and this in spite of the fact that he played on the famous Café Bohemia sessions, and being the composer of the great standard Blue Bossa (I just love that song, check it out on Joe Henderson’s Page One or Dexter Gordon’s Biting the Apple).

He has recorded quite a number of noteworthy albums, including Afro-Cuban (1955), Quiet Kenny (1959), Matador (1962), Una Mas (1963), and Trompeta Toccata (1964), all of which are very much worth checking out.

Whistle-Stop (Blue Note 1961)

Kenny Dorham Whistle Stop Blue Note 1961

 

So why call out Whistle Stop? Well, two reasons: a) the cast is stellar, with Hank Mobley, Kenny Drew, Paul Chambers, and Philly Joe Jones, and b) we have only Dorham originals on this album

My favorite song is the bluesy Buffalo, which swings nicely and gives both Dorham and Mobley enough time to develop their solos. Another nice one is the title track, Whistle Stop, faster paced, but nicely grooving. Philly Twist is not dedicated to Philly Joe Jones, the drummer.

This is well done hard-bop, and deserves to be better known.

My rating: 4 stars

You can find it here (Qobuz) or here (HDtracks)

My Top 5 Vocal Jazz Albums of 2015

Following my recent post on my top Classical albums of 2015, let me now follow up with my top 5 Vocal Jazz albums for this year.

Note there are a couple of “only” four star albums here, which means I don’t consider them absolutely essential. That said, I very much like all of the below and would recommend them without hesitation.

 

Cecile McLorin Salvant: For One To Love (Mack Avenue 2015)

Cecile McLorin Salvant For One To Love MackAvenue 2015

My Jazz album of the year by an outstanding young talent (review here). I’ve seen her live and this was probably one of my best concerts of the year .

 

Sarah McKenzie: We Could Be Lovers (Impulse 2015)

Sarah McKenzie We Could Be Lovers Impulse 2015

Sarah McKenzie is my other discovery of this year (reviewed here). Less innovative than Cecile McLorin Salvant, she does just old fashioned 1960-style vocal jazz. The thing is, she does it with so much charm and also includes her own originals, I’m convinced we’ll continue hearing from this young artist.

If you can catch her live as I did (see here), go for it, she’s even better live than on this album.

 

Cassandra Wilson: Coming Forth By Day (Legacy Records 2015)

Cassandra Wilson Coming Forth By Day 2015

I’ve said it before, I have a love-hate relationship with Cassandra Wilson. Quite often, she just gets too close to a style that I just don’t like. On this Billie Holiday album, all is well from my perspective (see my review here).

 

Melody Gardot: Currency of Man (Universal 2015)

Melody Gardot - Currency of Man

 

To be fair, this is more Soul than Jazz, but in any case, I really like this album. See my review here.

 

Autour de Nina (Verve 2015)

Autour de Nina Verve Compilation Sophie Hunger Melody Gardot

A beautiful Nina Simone Tribute album from a variety of artists. One of my favorite vocal jazz albums of the year, reviewed here.

My Top 5 Christmas Jazz Albums

After my previous post on the Christmas Oratorio, I thought let’s continue the seasonal music a bit more, but expand to Jazz.

Warning: Cheesy Music Ahead!

Yes, obviously, non-classical Christmas music usually is rather cheesy. If you take it to the extremes, it can feel like a bit too much.

But let’s face it, isn’t this the time for “a bit too much”?

The trick is to find the albums that are still giving you the Christmas feel without completely overdoing it. I’ve looked around quite a bit and found 5 albums that are certainly a bit kitsch, but you (or at least I) can listen to an entire album without the feeling of just too much sugar.

Holly Cole: Baby, It’s Cold Outside (Alert Records 2001)

Holly Cole Baby It's Cold Outside

I’m actually surprised I haven’t mentioned Holly on my blog yet, as I like her music very much. She’s located somewhere between Jazz and Pop/Singer Songwriter, and I really like her voice.

My favorite song on this album is the track that is probably given you the least holiday spirit, a cover of Merle Haggard’s If We Make It Through December. You can see from this song already that this is not your typical Christmas album.

Ella Wishes You A Swinging Christmas (Verve 1960)

0004400650862_600

OK, not a lot of kitsch here, but one of the fastest versions of Jingle Bells ever (OK, not as fast as Barbara Streisand here, but still pretty fast). The track selection is a little bit more classical than Holly Cole, so you get all your Rudolph The Red Nose Reindeer, Let It Snow,  and Winter Wonderlands, but with the usual charm and swing of Ella’s beautiful voice.

Diana Krall: Christmas Songs (Verve 2005)

Diana Krall Christmas Songs Verve

This is actually already the second Christmas album by Mrs Krall, the first one is a 1999 EP called Have Yourself A Merry Little Christmas.

Diana Krall’s voice is just perfect for Christmas songs, and the not too overloaded Clayton/Hamilton Orchestra is doing a great job here (although poor drummer Jeff Hamilton probably get’s a bit bored here). OK, you get your occasional dose if strings, but they don’t dominate the album too much.

My favorite song on this album is Winter Wonderland, which has a beautiful swing to it.

Emilie-Claire Barlow: Winter Wonderland (Victor 2006)

Emilie-Claire Barlow doesn’t have the same near celebrity status as her fellow Canadian Diana Krall, but she’s also a very fine singer. She has a very particular tone, much brighter than all the other singers listed above, if you’ve heard her once, you’ll recognize her immediately.

One particularity of this album is that she turns Sleigh Ride into a Samba.

Emilie-Claire Barlow Winter Wonderland

Vince Guaraldi: A Charlie Brown Christmas (Fantasy 1965)

And given that I’m a fan of the Jazz Piano Trio, a non-vocal classic had to be on this list. You’ve never heard O Tannenbaum (O Christmas Tree) swinging better!

Vince Guaraldi A Charlie Brown Christmas

You can find the albums above here:

Holly Cole (ProStudimasters)

Ella Fitzgerald (Qobuz)

Diana Krall (Qobuz)

Emily-Claire Barlow (HDtracks)

Vince Guaraldi (Acoustic Sounds)

Montreux Alexander Live!

Monty Alexander

For whatever reason, although I really like piano trios as every regular reader of my blog will have understood by now, Monty Alexander flew under the radar screen for me until rather recently

Luckily, some other music lovers pointed me to him, and the trigger for purchasing this particular album was fellow Jazz addict JoeWhip’s entry to Audiostream’s Lovely Recordings, a new feature on the site:  (The rest of his list is also very much worth exploring, I had a bit more than half of it already and purchased most of the rest after reading the list).

Montreux Alexander Live! (MPS 1985/2014)

Montreux Alexander - The Monty Alexander Trio Live! At The Montreux Festival MPS

What a nice recommendation!

Live albums often are either really good or really dull. The dull ones often just try to hard, or don’t really capture the spirit and feeling of the concert and leave you uninvolved. The good ones are just the opposite.

Luckily, the latter applies here, you feel like you’re actually sitting in the concert and the groove get’s you immediately.

Jeff Hamilton is a great asset obviously, his ability to make any kind of music swing is just outstanding (he also plays, in a very similar style on Ray Brown Live At the Loa, one of my 25 Essential Jazz albums).

John Clayton is not that well known, but he is a Ray Brown pupil and you can hear it.

I can only agree with JoeWhip on his assessment that this is music that will make you smile no matter how down you are.

Recommended.

My rating: 4 stars

You can find it here (Qobuz)

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