GoGo Penguin Live From Studio 2 – Excellent

GoGo Penguin

Regular readers of this blog know that I’m a big fan of the UK trio GoGo Penguin, that mixes the acoustic piano trio with the sounds of contemporary electronic music very successfully (see my reviews of Ocean In A Drop, Man Made Object, an older live gig in Zurich, and the only album I wasn’t particularly fond of, A Humdrum Star).

In spite of Covid, GoGo Penguin this year has managed not only to release a new studio album (which I loved), but is now even giving us a “live” EP. Well, it is played live, but actually from the famous Abbey Road Studios, so without an audience around, given the circumstances.

GoGo Penguin – Live At Studio 2 (BlueNote 2020)

GoGo Penguin Live From Studio 2 BlueNote 2020 24 96

Audience or not, the energy in this album is incredible.

This video of one of the songs, Petit_a, should give you a good idea what to expect.

My favorite song from this EP is Atomised, from their 2020 self-titled album. This really epitomizes what I like about them, the powerful grooves, the ability to take a simple fragment arpeggio and turn it into an entire song, and the mesmerizing energy.

Check it out, you won’t be disappointed. And please remember, if you want to support artists in this challenging year 2020, do buy their music!

My rating: 5 stars

You can find it here (Qobuz)

Less than 4 weeks until Christmas – Need another Christmas Jazz recommendation?

Stacey Kent

Stacey Kent is a Jazz singer that I believe to be more popular and better known in Europe than her native US.

I haven’t explicitly mentioned her on this blog (she does feature on Jazz Loves Disney that I reviewed previously). I quite like her, but these days I’m not listening to a lot of vocal jazz any more, with only few exceptions.

That said, she has done quite a lot of recordings you should definitely check out.

Including this one, if you start to be in the mood for more Christmas music.

Christmas In The Rockies (EP, Candid Productions 2020)

Stacey Kent Christmas In The Rockies 24/96

Don’t be scared off by the extremely cheesy cover (OMG; these fonts, the colours), this is actually a quite enjoyable performance of Christmas standards.

Note that this is only an EP, you get a total of four tracks.

You start with a very nice, if rather straightforward Sleigh Ride, going through the always beautiful Christmas Time Is Here, a really nice version of Winter Wonderland, and to wrap it all up, my favorite, The Christmas Song (see below)

Normally, I’d always recommend you buy albums, as on streaming revenues no regular artist can reasonably survive (particularly in Covid times when the live revenues are mostly gone).

However, my recommendation would be rather that you buy one of Kent’s other albums instead (check out Breakfast On The Morning Train for example), and add this album to your Spotify or Qobuz Christmas streaming playlist, as I find it a tad expensive for 4 tracks only.

Nevertheless, a solid recommendation for the next 4 weeks!

My rating: 4 stars

You can find it here (Qobuz)

Melody Gardot’s New Album Sunset In The Blue – A Review (sort of)

Melody Gardot

Regular readers of my blog know that I’m a big fan of Melody Gardot. She’s the kind of Jazz(ish) singer that is somewhat different to the many other singers. Let’s be clear, she’s no Cecile McLorin Salvant nor Lady Day, but she has a very particular style and voice, and I’ve praised a lot of her previous albums on this blog (see here and here among others).

So I was very excited when her latest album came out about a week ago.

Sunset In The Blue (Decca 2020)

Melody Gardot Sunset In The Blue Decca 2020 24 96

The cover this time is simply abstract, not even any text on there, and presumably less controversial than the cover of her last live album.

On her previous non-live album, Currency Of Man from 2015, Gardot went to a much more soul influenced style. This new album now is nearly in its entirety a long list of latin ballads, including strings (real ones, not the synthesizer variety). On several tracks Gardot even sings in what is presumably Portuguese.

By the way, given the current Covid situation, it seems that putting this album together was the logistical nightmare you’d imagine with musicians stuck in different parts on the planet. Nevertheless, they pulled it off.

Now I must admit I do like my occasional latin and string inspired ballad (it’s clearly better in my opinion than Diana Krall’s recent But Beautiful), but it is not something that I’m super passionate about. There is the occasional faster samba-type track like Ninguém, Ninguém, or more traditional ballads like From Paris With Love; but you get it, I’m not blown away.

Gardot’s beautiful voice, many original compositions, and the well done arrangements still make this a worthwhile album, but it wouldn’t be my preferred Gardot album by far.

Until we come to the penultimate track, Moon River. I’ve admitted previously that I love this song, it makes me sentimental every time I hear it. So far, Sarah McKenzie’s version was my preferred one, but this could really become my new favorite.

My rating: 4 stars

You can find it here (Qobuz)

Keith Jarrett’s Last (?) Solo Album? The Budapest Concert

Keith Jarrett’s Solo Live Concerts

Keith Jarrett is without doubt the most important solo jazz pianist out there. $

He’s been touring the world for nearly 50 years now with his solo concerts, his 1975 Köln Concert still holds many records from a sales perspective, and I’ve already reviewed a number of his live solo albums on this blog (Munich, Paris, A Multitude Of Angels, Bregenz München, La Scala). I’ve even listed his Bremen Lausanne in My 25 Essential Jazz albums.

In fact, it was me attending a Jarrett solo live concert in Lucerne in 2015 that got me to start this blog in the first place, more than 5 years ago now.

So it was with great sadness that I recently saw in the New York Times that Keith Jarrett may never be able to play again due to severe health issues. What a loss, if true. I sincerely hope he recovers, as other pianists have after similar situations.

So, could this album that was just released today be his final live album ever?

Budapest Concert (ECM 2020)

Keith Jarrett Budapest Concert ECM 2020 24/96

This concert was recorded on July 3, 2016, in Budapest obviously, only some days after the previously released Munich 2016 album that was released last fall, and a bit more than a year after I saw him live myself.

The album lasts nearly 90 minutes, structured as often in his later albums in shorter “parts”, a total of 12 (in Roman numerals) this time, with two encores.

I’m not going to describe each part in detail here, I’m not sure that would make for a very enjoyable reading. I’m just going to flag some of my favorite parts, which are II, a slower improvisation, V, again a slower meandering around melodic impressions, and VII, the most dreaming part of the entire album.

That said, for me, the true highlights are the the two encores, Answer Me, that was previously released as a teaser (and was also part of his encores in Munich), and even more importantly, It’s a Lonesome Old Town (also performed in Munich). I could just spend entire days listening to these simple but very deep improvisations (I’m a simple guy, I like melodies).

Overall, to put things into context, this isn’t my preferred Jarrett live album, it is not an essential album if you’re not a hardcore Jarrett fan like me. I’ll obviously buy it anyhow.

And let’s all hope that this won’t be the last solo album he’ll ever record.

My rating: 4 stars

You can find it here (Qobuz)

GoGoPenguin’s Latest Album Is Just Outstanding

GoGo Penguin

I discovered Manchester-based Gogo Penguin about 4 years ago, and truly loved them when I saw them live.

I was getting a bit worried when I didn’t really like their 2018 studio album A Humdrum Star that much.

Luckily, things came back on track (at least for my personal taste) with the excellent movie soundtrack album Ocean In A Drop, that I listed in My Top 3 Jazz albums of 2019.

GoGo Penguin (BlueNote 2020)

GoGo Penguin 2020 Blue Note 24 96

I’m a bit late in reviewing this, as it came out already 3 months ago, but I bought it the day it came out.

The album is now simply called GoGo Penguin. Naming an album simply after the band name is a major step, as Marc Zisman notes in his album comments on Qobuz.

The album shows that they’ve now developed their truly owned style, the “GoGo Penguin style”, for lack of a better word, that’s clearly recognisable.

The combination of grooves inspired by electronic music, but played (mostly) on an acoustic jazz trio, is really fascinating.

There is something hypnotic about the groove and the repeating piano patterns of Atomised. Or take To the Nth, where Pianist Chris Illingworth plays with some reverb effects, or Don’t Go, that features bass player Rob Turner, supported by a (prepared) piano. Just beautiful.

I’m going to quote again Marc Zisman from Qobuz: With GoGo Penguin, GoGoPenguin goes to the essential. Couldn’t have said it better.

Go get it!

My rating: 5 stars

You can find it here (Qobuz)

Diana Krall: The Dream Of You – Really Not My Cup Of Tea

Diana Krall

Let me start by saying that I really like Diana Krall. I’ve even listed her album The Girl In The Other Room in My 25 Essential Jazz Albums; her Christmas Album gets a regular rotation every December, and her early work like Live in Europe are sreally attractive to me, even if quite middle-of-the-road. And obviously, she has a fantastic, immediately recognizable voice.

Of her more recent albums, the only one I somewhat liked was Turn Up The Quiet, although it had a bit too much of a Cocktail Jazz background music vibe to me. However, I truly hated the T Bone Burnett produced album Glad Rag Doll.

Nevertheless, I was very much waiting for her latest release, and so I’m very sad to report that I’m unfortunately really underwhelmed.

This Dream Of You (Verve 2020)

Diana Krall This Dream Of You 24 96 Verve 2020

The album is named after a Bob Dylan song featured on the album.

Overall, you get three types of music here: You start with an overly cheesy But Beautiful (seriously, strings on Jazz albums really need to be handled with a lot of care, and hardly ever work), and get similar ballads, like More Than You Know, which is actually a bit better, due to the more sparing arrangement with piano only.

Then you get some country or folk music inspired songs, like the truly horrible (to me) Just You, Just Me, with an annoying fiddle that just forces me to hit the skip button immediately

And finally, you’ll get Krall-style Jazz standards, like Autumn in New York, or I Wished On The Moon. Unfortunately these just don’t really swing as much as her early straight jazz albums used to do. I really don’t get why, I wasn’t able to get a clear information on the rhythm section musicians, I’ve read on Qobuz that Jeff Hamilton and Christian McBride were on some of the tracks. But it really doesn’t sound like them, or they had a very bad day or were somewhat bored

In any case, this is an album I’d really suggest you check out before you buy. I for my side will pass.

My rating: 3 stars

Accordion And Guitar? Seriously? Absolutely! Rivages – A beautiful new ECM release by Jean-Louis Matinier and Kevin Seddiki

Is this Jazz?

I’ve not only been neglecting my blog overall quite a bit since 2020, but particularly if you’re following this site because you’re interested in Jazz, I’ve been really not writing about that a whole lot recently.

Unfortunately, this trend started already in 2019, when I barely found enough new releases that interested me enough to write about them, and really hasn’t improved this year. But when I saw this new cover popping up in the Qobuz New Releases section, with the beautiful typical ECM style cover, I had my hopes up.

Luckily enough, I wasn’t disappointed.

Now, before we go to the album itself, one could really argue if this is “Jazz” at all. A duo of accordion and guitar is certainly not your typical jazz setting.

And indeed, the music takes many inspirations, from “Manouche” type “gypsy” jazz, to more ethnic music (Matinier previously played on several of Anouar Brahem’s albums, and one of the tracks is coming from traditional Bulgarian folklore) to Gabriel Fauré (track 3, Les Berceaux).

But who cares, this is beautiful music, full stop. I anyhow already had a certain soft spot for the accordion, being a big fan of Richard Galliano (see here, here, and here).

Jean-Louis Matinier & Kevin Seddiki – Rivages (ECM 2020)

Jean-Louis Matinier Kevin Seddiki Rivages ECM 2020 24 96

I must admit, I’m not really sure what to write about this music.

I could be descriptive, and go into more details around Matinier’s long career including his contribution to Anouar Brahem’s masterpiece Le Pas Du Chat Noir.

I could equally detail the fascinating collaborations guitarist Kevin Seddiki has been part of over the years.

I could mention the amazing sounds quality of the album (though that’s not a surprise for an album produced by ECM’s Manfred Eicher).

Or I could go into a track by track description of the content. While I sometimes do this myself, I’m often struggling with the added value of trying to describe music.

Seriously, because this album is very special, I’d rather suggest you really give it a go directly. If you’re open to two outstanding musicians who just click and produce fascinating and intriguing music, check it out now.

My rating: 5 stars

You can find it here (Qobuz)

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