Gramophone Award Nominees
The Gramophone awards nominees are now officially declared. This award is probably among the most prestigious award in classical music (beyond the obvious Grammy), so it is always interesting to see who’s in.
As said before, I don’t always agree with Gramophone but their opinions are always worth checking out.
If you have an iPad, you can download the Gramophone magazine app (the primary way I read the magazine these days, no shipment, no paper wasted) and get the Gramophone awards nominee issue for free. It’s worth checking out.
Let me comment on some recordings I know well and also play Oracle of Delphi who will eventually win.
Instrumental
There are four album in here I own or have heard, three of which I’ll be talking about here.
Bach’s English Suites with Piotr Anderszewski
Well this one is a typical example where I don’t agree with Gramophone. I can’t really put my finger on it but this album just doesn’t excite me. Maybe it is the tempo, maybe it is the touch, don’t know. Bach on a modern piano is always tricky, you really need to justify these days why you’d use the “wrong” instrument (instead of a harpsichord or similar).
My rating: 3 stars
Bach: Partitas – Igor Levit
This album, however, is a typical example of getting it just right. I don’t mind one second not hearing a harpsichord. Levit is an extraordinary talent; his previous recording of the late Beethoven sonatas was outstanding as well.
I’ve been listening to this times and times over, it’s been replacing even Perahia as my go-to version. So this album to me is a hot contender to win this category.
My rating: 5 stars
However, if I had to bet, I’d say the following will be the category winner (and not only because let’s say Gramophone sometimes seems to have a certain preference for their countrymen):
Benjamin Grosvenor – Dances
5 years younger than the still very young Levit (years of birth 1992 and 1987 respectively), Grosvenor could be qualified as a Wunderkind. What a horrible term.
Actually, it really goes beyond this, he is just a truly brilliant artist who just happens to be very young. His previous album Chopin/Liszt/Ravel was truly fantastic, and his new release with “Dances” from Bach via Granados to Scriabin is another example of what he can achieve. With him, even relatively useless (sorry) pieces like Schulz-Evler’s questionable version of An der schönen Blauen Donau become enjoyable. (Ok, he could have skipped the Boogie-Woogie…).
An absolute must have!
My rating: 5 stars
Also nominated are a live recital of Mahan Esfahani (haven’t heard), Sokolov’s Salzburg recital (his Chopin Preludes here really aren’t my cup of tea, 3 stars), and La Fauvette passerinette by Peter Hill (haven’t heard either).
So what are your thoughts and ideas? Who would you have chosen?


