It’s Christmas Season again! – Musicophile’s Favorite Seasonal Music

Unfortunately, an infection has stopped me from progressing on some new reviews.

So in the meantime, allow me to remind you about the beautiful music I’ve written about that you can enjoy in this beautiful season.

I’m not religious at all, but Christmas time in Europe still is a special moment to all of us, and this music will always be intrinsically linked to the smells of gingerbread and the like.

The Nutcracker

Let’s start all the way East: with the Nutcracker, probably the most seasonal ballet by Tchaikovsky. My favorite version remains Rattle, but I’m currently listening to a recent version by Gergiev that I plan to review shortly.

Tchaikovsky The Nutcracker Simon Rattle Berliner Philharmoniker EMI Classics

Bach’s Christmas Oratorio

Let’s move on to the all time classic of the period: Bach’s Christmas Oratorio.

I have several favorite versions here, but have yet to check out the recent release of John Butt and the Dunedin Consort, which got good reviews.

Bach Christmas Oratorio John Eliot Gardiner Monteverdi Choir English Baroque Soloists DG Archiv 1987

Bach’s Christmas Cantatas

Bach also has written some lesser know cantatas for the Christmas period, that are very much worth checking out, particularly in this version.

Bach: In Tempore Nativitatis - Weihnachten Kantanten - Christmas Cantatas - Canates de Noël - Ricercar Consort Philippe Pierlot Mirare

Händel’s Messiah

Moving from Bach to Händel, the Messiah is the other BIG Christmas work that you really cannot be missing. I’ve been “lazy” and have recommended not only one, but three excellent versions in this previous post.

Handel: Messiah - Emannuelle Haïm Le Concert d'Astree Erato 24/96

Christmas Jazz

And finally, if you’re more into Jazz, there is my blog post on my five favorite Christmas Jazz albums.

Diana Krall Christmas Songs Verve

Wishing all of you a peaceful holiday period!

Merry Christmas With 3x the Messiah!

The Messiah

Given the season, I’ve been quite busy writing about Christmas and Seasonal music recently. You will find my musings about the Christmas Oratorio, Bach’s Christmas Cantatas, the Nutcracker, and even my favorite Christmas Jazz albums.

However, one major piece is certainly missing from the list above, and potentially the most famous of all, Georg Friedrich Händel’s Messiah. I guess even most non classical listeners will be able to recognize the famous “Hallelujah” from his best-know oratorio.

I’ve previously written about some other beautiful vocal music of Händel, as well as started writing about his operas (see my post about Rinaldo here) which I like very much. I’ve so far avoided writing about the Messiah, not because I don’t like it, but I just didn’t get to it yet.

To be fair, the Messiah is not properly speaking Christmas music, although the entire first part focuses on the prophecies of the birth of the Messiah, but it is often enough played in this season, so I include it here.

There are about a gazillion recording of this piece, not surprisingly, starting from early ones like the famous Otto Klemperer version, to luckily (to my ears) many contemporary versions influenced by the Historically Informed Practice (HIP).

All the versions I recommend below are HIP, if you prefer big-scale, traditional playing, the Klemperer recording is not a bad place to start.

My Three Favorite Versions

My three favorite versions date from last three decades. The earliest from the early 90s, the middle one from the mid-2000’s, and the latest one is barely a year old at the time of writing (2015).

William Christie, Les Arts Florissants (Harmonia Mundi 1994)

William Christie is one of the greatest baroque conductors ever (see also his beautiful recent album Music for Queen Caroline, reviewed here).

His 1994 recording of the Messiah was my first ever version which I bought shortly after it came out, and I turned out to be very lucky as this remains a great version to this day.

Some great singers (e.g. Mark Padmore, Sandrine Piau), and the ever beautiful playing of the great French ensemble Les Arts Florissants, make this, 20 years later, still a very nice recording.

Handel: Messiah - Les Arts Florissants - William Christie Harmonia Mundi

 

John Butt, Dunedin Consort (Linn Records 2007)

Pretty much every recording of the Dunedin Consort under John Butt is worth having. They have a clear fanclub at Gramophone, but while I sometimes disagree with the UK-artist hyping of this British magazine, for the Dunedin Consort I share their excitement.

This recording is probably the most polished of the three, with beautiful acoustics, sometimes a bit more moderate tempos, but a lot of insights and beauty. Wholeheartedly recommended.

Handel: Messiah - Dunedin Consort & Players John Butt Linn Records

Emmanuelle Haïm, Le Concert D’Astrée (Erato/Warner Classics 2014)

The second French recording in my list (William Christie, in spite of his American origins, has worked most of his life in France). I haven’t written about Emmanuelle Haïm yet on this blog, which is a big mistake. I’m a huge fan of hers, and what she does with her Concert d’Astrée is nearly always worth checking out (note that I’ve previously praised the Concert d’Astrée’s version of Mozart’s c-minor mass, but under a different conductor).

This is the most recent recording of the Messiah that I own (2014), and it quickly became my favorite. Why? Well, most of all it is the orchestral playing which has a beautiful “swing” to it. While this is obviously a festive work, baroque music is often based on or inspired by dance music, and this is probably the version of the three that gets closest to that ideal. Love it!

Handel: Messiah - Emannuelle Haïm Le Concert d'Astree Erato 24/96

My ratings: 4 stars (Christie & Butt), 5 stars (Haïm)

You can find the Christie here (Prestoclassical), the Dunedin here (Linn), and the Haïm here (Qobuz).

Merry Christmas!

I wish all of you a relaxing year end break, Merry Christmas if you celebrate it, and all the best! This is most likely my last post of the year, check back in in 2016! It’s been great fun sharing all this beautiful music with you, and getting all the feedback from you! Thanks for taking this journey with me!

 

Georg Friedrich Händel – beyond the Messiah

I’ve already mentioned before that my personal ranking of Baroque composers is Bach first, Händel is second.

So let me write about no. 2 on the list. Händel is German, although he spent quite a bit of his professional life in London and is somehow adopted English, so probably you’re more familiar with the George Frideric spelling of his name.

Most well-known classical music pieces

If you ask the average guy on the street whose typical musical fare is contemporary pop music, chances are he or she has at least heard a couple of ultra-famous classical pieces. These often include the “Da-da-da-daaaa” from Beethoven’s 5th, Bach’s Toccata BWV565 etc. etc.. Somebody even bothered to compile a top 10. Not surprisingly, this top 10 list includes our friend Georg Friedrich (sorry, I’ll stick to his birth name). Guess which one it is? Obviously: “Hallelujah” from the Messiah.

I’m not such a big fan of the Messiah, it’s good, but I can only listen to it ever so often. But it summarizes one of the two things Händel does really well: Glorious Oratorios, often with festive character. His two other rather well-known pieces, the fireworks- and water music, are of similar character.

The other thing Händel is really great at, is related, amazing stage drama. His Baroque operas and oratorios (many oratorios are actually operas, but weren’t allowed to be called opera as the pope Clement XI had some issue with this form of entertainment). I’ll certainly post more about the baroque operas later.

Music for Queen Caroline

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Back to the festive music. Obviously key clients for composers at the time were royals, and royal festivities like the arrival of a new queen, the coronation, or even funerals, required the appropriate musical soundtrack.

This album from William Christie and his Les Arts Florissants ensemble from 2014 brings you all three. Like many others, William Christie, the American turned French conductor has created his own label for this release. By the way, usually you can buy most of Christie’s releases blindly, he’s rather ever done a bad album and many are outstanding. His Messiah is still my personal reference version.

You’ll get three oeuvres on this album, all related to Queen Caroline (another German in the long history of German blood in the British royal family by the way): The Coronation Anthem, a Te Deum that was even nicknamed after her, and her funeral music.

All three are just outstanding pleasure to listen to, and William Christie does an amazing job here. This is 1h12 packed with emotions, with very little time to relax. Furthermore, this album is very well recorded, which makes the impact on a good stereo even stronger.

Highly recommended.

My rating: 4 stars

(this is one potential 5 star candidate, but I’ve only acquired it recently and need to give it some more spins before making u p my mind).

Update Oct 2016: I’ll stick to the 4 star rating. It is really nice to have but not essential.

What is your favorite piece by Händel?