My Reflections on the 2017 Gramophone Awards – Part II

This is the continuation of Part I of my musings about the 2017 Gramophone Awards.

I had a to-do from this entry, which was to check out Hervé Niquet´s latest Cherubini album.

Cherubini / Plantade: Requiems – Hervé Niquet – Le Concert Spirituel (Alpha 2017)

Cherubini / Plantade: Requiems pour Louis XIV and Marie Antoinette Hervé Niquet - Le Concert Spirituel Alpha 2017

Not surprisingly for a Hervé Niquet album, this one is really good. I´m not such a big fan of Cherubini in general, but this one is really with checking out.

My rating: 4 stars

I´ll skip the opera section, as I´m not really an opera expert in the first place, and didn’t find anything too interesting in this section to try out.

Orchestral

Haydn: Il Distratto – Haydn 2032 no. 4 – Giovanni Antonini – Il Giardino Armonico

Haydn 2032 no. 4 Il Distratto Giovani Antonini Il Giardino Armonico

Antonini´s Haydn is as good as ever. This has the potential of being the reference Haydn cycle of the 21st century (but we´ll have to wait another 15 years to find out). See my review of vol. 3. My rating: 4 stars (this is absolute 5 star playing, but I just can´t get myself to give a Haydn symphony 5 stars…)

I’m going to skip Mahler´s 10 by Dausgaard. I´m not enough of a fan of the 10th (which isn’t a complete symphony in the first place) to be able to give a proper judgment here.

Shostakovich Symphonies No. 5 and 9 – Nelsons – Boston Symphony (DG 2017)

 

Shostakovich: Symphonies Nos. 5, 8 & 9 - Andris Nelsons - Boston Symphony Orchestra

This was part of my own top 5 albums of 2016, and yes, this is true 5 star territory!

I´m going to skip again over Sibelius 3 & 6 by Vänskä, I´m not familiar enough with Sibelius symphonic work to really be able to judge. But everybody I know that knows something about Sibelius tends to recommend the Vänskä cycle, so I assume there must be something to it.

Vasily Petrenko´s Tchaikovsky get´s a second recommendation here (after the violin concerto which didn’t impress me much). And sorry, the Pathetique again isn´t my cup of tea, so no comment from my side here. Same comment applies to Bychkov´s recording of the same work, you´ll have to look elsewhere for a review of this.

I´m going to skip over Recital and Solo Vocal categories as well. The only album that appealed to me in the former is Anett Fritsch´s Mozart album, which is quite well done, but for me no match to Sabine Devielhe´s solo album last year.

And in the Solo Vocal, Goerne´s Brahms album is a no brainer, as I love his voice, but again I don’t feel comfortable enough properly reviewing Lieder, this is still a territory I need to explore slowly and cautiously. I´m sure I´ll get there eventually

Conclusion

So, there you have it. As you can see from my two posts here, I´m not fully convinced by this year´s selection.

Is there anything you must buy?

I´d say, the only must-haves in this selection are the Shostakovich with Nézet-Séguin, Perahia´s French Suites, and Suzuki´s c-minor mass (with Gardiner´s Matthew Passion just behind).

Faust´s violin concertos, Antonini´s Haydn, and Niquet´s Cherubini are a very good recording of only nice to have (to my ears) music.

I´d probably pass on most of the others.

What do you think? Am I completely off? Anything I´ve missed? Agree? Disagree? Let me know in the comments!

Do You Have To Be Italian To Conduct Haydn?

Haydn’s Symphonies

I’ve said it before, I’m generally not a big fan of Haydn’s symphonies. I’m sorry, but quite often they just bore me.

However, these days we see a renaissance of Haydn’s symphonies. I’ve previously written about Ottavio Dantone’s beautiful album on Decca, which I liked a lot. In that blog post I’ve already mentioned that another Italian conductor, Giovanni Antonini, is doing an entire cycle of Haydn symphonies, called Haydn2032.

So let’s have a look at their latest release, vol. 3 in the series.

Haydn 2032 Vol. 3 – Solo e Pensoso – Giovanni Antonini, Il Giardino Armonico (Alpha Classics 2016)

Giovanni Antonini Il Giardino Armonico Haydn 2032 No. 3 Solo e pensoso Alpha Classics 2016

In this volume, we get a colorful mix of symphonies, from very early (4) to the Sturm und Drang era of no. 64. I have absolutely no clue how Antonini decided on the order of his complete cycle, but I appreciate the variety. An album only with very early symphonies would probably not be extremely exciting.

Giovanni Antonini and Il Giardino Armonico, very much like Ottavio Dantone and his Accademia, come from baroque music.

And maybe this is really what “Papa Haydn” needs, the lightness and energy of the historically informed baroque playing style. I guess Haydn has suffered from too many years being played by orchestras that were more used to playing Beethoven and Brahms.

But when you get the Giardino Armonico’s joyful playing, an entire new planet opens up.

Not that this is the first historically informed recording of Haydn, but really this cycle promises to be outstanding.

The playing is top notch. The energy is palpable. And the relatively small size of the Giardino Armonico really lets you rediscover Haydn in a new way.

I’ll make sure to follow future releases of this cycle, and so should you. It is really worth it.

My rating: 4 stars (this is not a rating on the playing, which is 5 stars, but I’m waiting for some of the later symphonies to give the full 5 star rating).

You can find it here (Qobuz) and here (Prostudiomasters).