A great recording of Bach’s Orchestral Suites by Zefiro

Bach’s Orchestral Suites

I’ve only written once about the Orchestral Suites by Johann Sebastian Bach before, in my 25 Essential Classical Albums. In that brief article, I’ve called them the “pop” music of classical. I still stand by this label, but really don’t mean this in any negative way.

One (or at least me) cannot only listen to advanced intellectually challenging music all day long. You sometimes want stuff that is just enjoyable, including some all time favorites.

The Orchestral Suites, or Overtures, are just that. I can probably (badly) whistle every single note of the well known melodies.

I bet you can too, at least for the second movement of BWV1068. No idea what I’m talking about? Does “Air on a g-string” ring a bell? If not, go to 6:59 in the YouTube Clip below, and I’m sure you’ll go “ahh, that one”.

 

Yes, that one. Played at numerous weddings and other occasions. Do you now get what I mean by “pop” music?

That said, I can listen to this again, again and again.

Zefiro

Zefiro is an Italian baroque ensemble that I must admit I had never heard of before it popped up among in Gramophone´s April 2017 issue as album of the month.

They are lead by oboist Alfredo Bernadini. I had to check out their website to see that they have already done an impressive number of recordings. I´m surprised I´d never conciously seen them mentioned anywhere so far. I really need to check out more of their recordings.

 

Bach: Overtures – Zefiro (Outthere Music 2017)

Johann Sebastian Bach: Overtures - Zefiro - Alessandro Bernadini - Arcana - 2017 (24/96)

I actually was not particularly interested when I skimmed through Gramophone’s April issue about a month ago. So, yet another recording of the Orchestral suites? It took me a while to really take notice, as I was very happy with the Freiburger Barockorchester recording mentioned in my 25 Essential albums.

But thanks to streaming, I figured, let´s give it a try at least. And I´m glad I did. This is not a recording that will kick the Freiburgers off their throne, but is very good on its own rights.

The playing is engaging, passionate, and transparent. On top of this great playing, you get two reconstructed movements that you won´t find anywhere else.

This really is a very enjoyable album throughout and I highly suggest you check it out.

My rating: 4 stars

You can find it here (Qobuz) and here (Prostudiomasters)

Do You Have To Be Italian To Conduct Haydn?

Haydn’s Symphonies

I’ve said it before, I’m generally not a big fan of Haydn’s symphonies. I’m sorry, but quite often they just bore me.

However, these days we see a renaissance of Haydn’s symphonies. I’ve previously written about Ottavio Dantone’s beautiful album on Decca, which I liked a lot. In that blog post I’ve already mentioned that another Italian conductor, Giovanni Antonini, is doing an entire cycle of Haydn symphonies, called Haydn2032.

So let’s have a look at their latest release, vol. 3 in the series.

Haydn 2032 Vol. 3 – Solo e Pensoso – Giovanni Antonini, Il Giardino Armonico (Alpha Classics 2016)

Giovanni Antonini Il Giardino Armonico Haydn 2032 No. 3 Solo e pensoso Alpha Classics 2016

In this volume, we get a colorful mix of symphonies, from very early (4) to the Sturm und Drang era of no. 64. I have absolutely no clue how Antonini decided on the order of his complete cycle, but I appreciate the variety. An album only with very early symphonies would probably not be extremely exciting.

Giovanni Antonini and Il Giardino Armonico, very much like Ottavio Dantone and his Accademia, come from baroque music.

And maybe this is really what “Papa Haydn” needs, the lightness and energy of the historically informed baroque playing style. I guess Haydn has suffered from too many years being played by orchestras that were more used to playing Beethoven and Brahms.

But when you get the Giardino Armonico’s joyful playing, an entire new planet opens up.

Not that this is the first historically informed recording of Haydn, but really this cycle promises to be outstanding.

The playing is top notch. The energy is palpable. And the relatively small size of the Giardino Armonico really lets you rediscover Haydn in a new way.

I’ll make sure to follow future releases of this cycle, and so should you. It is really worth it.

My rating: 4 stars (this is not a rating on the playing, which is 5 stars, but I’m waiting for some of the later symphonies to give the full 5 star rating).

You can find it here (Qobuz) and here (Prostudiomasters).