Tchaikovsky Symphony No. 6 with Kirill Petrenko or Why Maybe I Do Like Tchaikovsky After All

Peter Ilyitch Tchaikovsky

My first ever post on this blog regarding Tchaikovsky created a bit of a debate among my readers, as it was titled Tchaikovsky Symphony No. 5 with Neeme Järvi or Why I Don’t Like Tchaikovsky.

Several of them couldn’t believe that I don’t really like Tchaikovsky that much, and tried to convince me otherwise.

That said, this post has been some years ago and I still basically limited my Tchaikovsky listening to about once yearly going back to said Symphony No. 5, occasionally the Violin Concerto with Heifetz (but more likely because it is on the same album as his fantastic Brahms), and every once in a while testing out new versions of his piano concerto no. 1, more often than not being disappointed.

And, for sure, during the pre-Christmas period, the Nutcracker, ideally by Rattle, was a must have.

I’ve tried the four early symphonies by Tchaikovsky, never got them, but most surprisingly his 6th, which many consider his symphonic masterpiece, never got my attention.

So when the Berlin Philharmonic finally released his first album with their new boss (elected many years ago), I got curious.

I’m very happy I did check it out.

Tchaikovsky Symphony No 6 – Kirill Petrenko – Berlin Philharmonic Orchestra (BPO 2019)

So far, I must admit I always go a bit lost in this piece. Guess what, Petrenko really opened my eyes and ears here.

His very transparent reading helped me to see the structure, to understand the nuances, to see the many beautiful similarities with the beautiful orchestral sounds of his ballets.

At the same time, this is not a slim HIP-inspired baroque interpretation, as the word “transparent” may imply. This is the romantic power and suave sound of the BPO at it’s best. So all the necessary drama of the “Pathétique” is there when it is needed.

If this is an indication of the future of the Berlin Philharmonic under his new conductor, I hope this was not only a snapshot from the honeymoon period. We could be really entering a new Golden Age of the BPO, and we all should be going back to Scharoun’s yellow tent more often (if you can get tickets).

My rating: 5 stars

P.S. Gramophone agrees, giving this album an Editor’s Choice in the July 2019 edition

You can find it here (Qobuz)

An Excellent (Nearly) New Schumann Cycle by Rattle and the BSO

Schumann’s Symphonies

Schumann’s symphonies have long been underrated. The idea of “Schumann cannot compose for orchestra” has been going around in musicology circles for many years.

I really disagree. OK, he’s no Beethoven or Brahms, but I still really like his symphonies, especially no. 3 and 4.

To be fair, there are excellent recordings already out there, e.g. from Gardiner, Nezét-Séguin, or, a bit more unorthodox, Thomas Dausgaard, (mentioned in My 25 Essential Classical Albums).

Rattle is now on his way out from the Berlin Philharmonic, with Kirill Petrenko coming.

I’ve not always been a fan of Rattle’s work at the BPO, but he has left some very good recordings, so I was very interested when I recently rediscovered this 2014 cycle which launched BPO’s own label (I had missed it at the time).

Schumann: The Symphonies – Simon Rattle – Berliner Philharmoniker (BPO Recordings 2014)

Berliner Philharmoniker Sir Simon Rattle Robert Schumann Symphonies 1-4 BPO Recordings 2014 24/96

So, what do we get? Overall, a very convincing package. I really enjoy every single symphony on this box. My favorite is actually no. 1, subtitled “spring”; where Rattle takes a very fresh and precise approach.

Potentially the weakest of the 4 is symphony no. 2, which I found slightly incoherent in certain parts. The “Rhenish” (my other favorite), and no. 4 both are presented in a way that combines on one hand a good view of the big picture, but really looks at many exciting details.

Overall, Rattle was clearly influenced by the historically informed movement, and the BPO doesn’t sound like during the Karajan era any more. Everything is much lighter and transparent.

A really enjoyable set.

My rating: 4 stars

You can find it here (Qobuz)