C.P.E. Bach’s Cello Concertos by Jean-Guihen Queyras – A Review

Carl Philipp Emanuel Bach

C.P.E. Bach probably is the best known of the Bach sons, but still is one of those underrated composer that don’t get played enough today.

His music really sits on this very interesting time of transition between baroque music, that his father still epitomises, and the Wiener Klassik period of Haydn and Mozart.

I’m also a bit responsible for not mentioning him enough, so far I’ve reviewed only one album by this composer, his excellent cembalo concertos with Andreas Staier.

Jean-Guihen Queyras

Queyras is one of the best cello players of our generation. He’s been featured on this blog already a couple of times, and typically getting very favourite reviews, e.g. here.

He plays both chamber music (often with Isabelle Faust) and performs as a soloist for orchestral works.

C.P.E. Bach – Cello Concertos – Jean-Guihen Queyras – Riccardo Minasi – Ensemble Resonanz (Harmonia Mundi 2018)

Carl Philipp Emanuel Bach Cello Concertos Jean-Guihen Queyras Ensemble Resonanz Riccardo Minasi Harmonia Mundi 2018 24 48

I knew Riccardo Minasi from his past recordings with Il Giardino Armonico and several other baroque ensembles where he was still playing the violin. And I’ve mentioned his excellent activities with the Pomo d’Oro here, but had never heard of Ensemble Resonanz. It turns out its been active since 1994 and is located in Hamburg. Well, you never stop learning.

So, how do they play? Well I must admit for these works I have only a handful of other versions, including for example a recent release on Erato with Truls Mørk, and Ophelie Gaillard on Aparté.

How does this recording compare? Well, it really hasn’t have to hide. It is joyful, energetic, and nuanced. This really is a prime example that this composer deserves to be heard more!

Queyras’ sound on the cello is beautiful, not too heavy, but with a nice singing tone. He really nicely integrates with Ensemble Resonanz, the soloist never being the dominant player, but it is more a marriage of equals.

Overall: Very enjoyable!

My rating: 4 stars

You can find it here (Qobuz) and here (Prostudiomaster)

Schumann’s Cello Concerto by Jean-Guihen Queyras – A Review

A Trilogy

This is now the third and presumably album of an exciting series by three outstanding musicians.

The German violinist Isabelle Faust (yes, I’m a big fan, see here or here), the Russian pianist Alexander Melnikov, and the French cellist Jean-Guihen Queyras are all great musicians individually, but get even better when they play together.

An excellent example is their recording of some Beethoven Trios on Harmonia Mundi some years ago, and Faust’s and Melnikov’s collaboration on Beethoven’s and Brahms’ violin sonatas are among my absolute favorites (the latter made it as part of my top 5 classical albums in 2015).

In this particular project, the three have decided to attack Schumann, and to couple one of his 3 piano trios with one of his orchestral solo works, playing with the Freiburger Barockorchester under Pablo Heras-Casado, on Harmonia Mundi.

Faust started, coupling his piano trio with his relatively unknown violin concerto back in early 2015. I really like this album.

Some month later Melnikov got his chance to play the famous piano concerto (see my 4 star review here) with piano trio no. 2.

So here we are at release no. 3, focusing obviously on the Cello concerto, and the remaining trio no. 1.

Schumann: Cello Concerto and Piano Trio No. 1 – Jean Guihen Queyras – Pablo Heras-Casado – Freiburger Barockorchester (Harmonia Mundi 2016)

Schumann: Cello Concerto / Piano Trio No. 1 Jean-Guihen Queyras Alexander Melnikov Isabelle Faust Pablo Heras-Casado Freiburger Barockorchester 2016 Harmonia Mundi

I expected quite a lot from this album, given that I really liked the two predecessors. However, on the Cello concerto I’m not exactly getting what I expected.

Schumann to me is one of the highest points of romanticism. I really like the energy, passion, and drama in his orchestral works. However, both Queyras and Heras-Casado chose a more subdued approach here, and I unfortunately constantly feel I’m missing something.

To explain what I mean, let me refer to my two personal reference versions for this concerto, by the legendary Jacqueline du Pré (playing with Daniel Barenboim), and even more, Janos Starker with Antal Dorati and the London Symphony. Do you hear the passion,  the power?

Here is a Youtube example of du Pré:

Maybe I just need to listen to the Queyras version more to get used to it, but so far it just doesn’t pull me in enough.

Obviously, we are talking about an excellent soloist (I really like his Bach Cello Suites for example) with a great orchestra, so fundamentally this remains a good recording, it is just not my cup of tea.

However, going back to the chamber music, all is well. These three trios, spread over 3 albums, will remain my reference version of these works for a foreseeable future.

My rating: 4 stars, averaging 3 stars for the Cello Concerto and 5 stars for the trio.

You can find it here (Qobuz) or here (Prostudiomasters)

Captivating Period Schumann from Alexander Melnikov

Alexander Melnikov / Isabelle Faust / Jean-Guihen Queyras

I’ve already praised Isabelle Faust and Alexander Melnikov for their excellent Hindemith chamber album, and the outstanding Brahms violin concerto, but they have done many other beautiful recordings together, including a recent version of the Beethoven Archduke trio with Queyras, or my preferred version of the Beethoven violin sonatas. Queyras is one of our leading cellists these days, and has recently recorded the complete Beethoven cello sonatas (very much worth checking out) with Melnikov. So as you can see, these three play regularly together, and you can hear it.

Schumann

This outstanding trio is now working for the second time together (hence the “2” on the cover) on their Schumann trilogy. This trilogy is twofold: it combines in each volume one of the three Schumann Piano Trios, and one of the three solo concertos (violin, piano, cello) he wrote, in collaboration with the Freiburger Barockorchester (which I usually like very much, although I was disappointed this week by their latest Bach release) under the young Spanish conductor Pablo Heras-Casado.

The series started with Faust playing the little known violin concerto (Clara Schumann even actively suppressed it, deeming it not worth of her husband’s legacy), which is very much worth checking out, and is now moving to the warhorse of the a-minor piano concerto.

The Schumann piano concerto

Schumann piano concerto Melnikov Freiburger Barockorchester Pablo Heras-Casado Harmonia Mundi 2015

This beautiful romantic work is one of the most recorded and best known piano concertos out there, and so you have literally hundreds of recordings to chose from, including some outstanding ones. Among my favorites you’ll find Dinu Lipatti with the young Herbert von Karajan, or Radu Lupu with André Previn.

However, I haven’t yet heard this romantic concerto on period instruments. The Freiburger Barockorchester, as their name indicates, are focused on HIP (historically informed) performance, and even more interesting, Melnikov plays on a 1837 Erard, which really gives the work a different color. I’m sure Schumann would have loved a modern Steinway, but it is interesting to hear how this sounded when it was composed.

However, period instruments are not a goal in itself. The performance has to match. And here I’m a bit torn. I love the way movements 1 and 2 are handled, but the third movement, while powerful, is just too slow,. which takes too much energy away for me. I wonder whether this choice was driven by Melnikov or Heras-Casado. In any case, it was clearly a very conscious choice. The overall movement takes 12:14, by far the longest I have in the 10+ versions in my library(as a comparison, my beloved Lipatti/Karajan took 10:01), and even the recent Pires/Gardiner  recording I didn’t particularly like (review here) was only 11:04.

That said, overall this concerto is still a real pleasure, and while it may not become my reference version, it is a very interesting alternative, to hear Schumann’s most famous work like you’ve never heard it before.

In any case, when you get to the trio, all is well, Melnikov, Faust, and Queyras play together as beautiful as ever, and this relatively unknown Schumann chamber work really shines.

I’m really looking forward to vol. 3 with Queyras playing the Cello concerto.

Overall rating: 4 stars (FYI, the reviews I’ve seen so far are divided, Gramophone loved it (Editor’s choice), the Guardian’s Kate Molleson didn’t like it very much with 3 stars), you really need to make up your own mind. It is absolutely worth checking out.

You can download it here (Qobuz), or here (eclassical)