A Follow-Up on Grieg’s Piano Concerto – Andsnes Still Wins

Disques en lice

I’ve mentioned several times that Swiss radio has two great shows, one in German, one in French, that both have the same approach, select 5-6 versions of a classical work, get 2-3 experts and a  moderator in a radio studio, and have the experts compare these versions blindly. The German version is called Diskothek im Zwei, the French version is called Disques en lice.

I follow both regularly. I often don’t agree with the invited experts, but it is a really nice challenge to see if you listen to the same music without knowing who’s playing, you still like it (or maybe like it less if you’re not aware one of your heros is playing).

A similar concept exists with wine (my other passion), and unlike my wife who has a much better nose, I’m only average at blind tastings. Luckily, I usually do better with music.

Grieg’s piano concerto

I’ve already written about Grieg’s piano concerto previously in this post about Javier Perianes recent recording. There I mentioned that my all time favorite is the version with Leif-Ove Andsnes.

Grieg Schumann Piano Concertos Leif Ove Andsnes Maris Jansons Berliner Philharmoniker

I’m a big Andsnes fan boy, as also documented in my recent commentary about his Beethoven concertos here. So I was really hoping that Disques en lice would include his version, as I wanted to ensure that I still like the version when actually I don’t know it’s him. Luckily for me they did (link to the show here).

Let me brag a little here (sorry!), but I recognized his version blindly in all three movements, and am still as enthusiastic about it as before! I really don’t know how one could do this concerto any better than Andsnes and Jansons.

The competition included:

  • The very recent Vadym Kholodenko recording on Harmonia Mundi with the Norjan Radion Orkesteri. Well, overall I kind of liked the version but must agree with the experts that the orchestra just isn’t the same level than the others, so this got kicked out after the first round (3 stars)
  • Nikolai Lugansky with Kent Nagano and the DSO Berlin: well, ok, but nothing special. Also got voted out rather rapidly, fine by me (3 stars)

The three versions that made it to the final round (3rd movement) are Andsnes, and these two:

  • Nelson Freire, Rudolf Kempe, with the Munich Philharmonic. Interesting version, the still very young Freire has tons of energy here. Unfortunately I liked the orchestral playing quite a bit less (4 stars overall). Nevertheless, this version convinced one  of the three commenting experts

Grieg Schumann Piano Concertos Radu Lupu André Previn, London Symphony Orchestra Decca

  • Radu Lupu, André Previn, London Symphony. This version won for the two other experts. Well, I get what they like, Lupu is obviously doing an outstanding job, and the way they play the 2nd movement is out of this world! Unfortunately, overall this version is just a tad too slow for me, losing too much energy in the process especially in the first movement (still 4 stars though).

Therefore, Andsnes remains my hero for Grieg, and I reconfirm my 5 stars for this album!

The Perianes version from my last post was played at the beginning of the show unfortunately “hors concours”, I still like this recording a lot

And the Moog recording I commented about last time I’ve seen reviewed twice now. Gramophone really loved it, Classica in the latest issue only give it 3 star, in line with my rating.

Two new recordings of the Grieg Piano Concerto 

Edvard Grieg

Edvard Grieg is one of the two (three if you count Nielsen) well known Scandinavian composers, the other one being Sibelius.

In most minds, when you ask about Grieg you’ll hear about the famous a-minor piano concerto, and obviously the Peer Gynt suite (Morning Mood has been abused in many commercials, and In the Hall of the Mountain King is well known from many occasions from a cover by The Who to being used in Disney cartoons).

The Grieg  concerto is in a way an archetype of the romantic piano concerto. It is often coupled on disc with the somehow similar a-minor concerto by Schumann, not surprisingly given that the latter inspired the former (apparently young Grieg heard Clara Schumann perform the work and was impressed).

Leif Ove Andsnes

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I’ve liked this concert for a very long time (and what is not to like about it). At some point I did some extensive research to find my preferred version, and ended up with Leif-Ove Andsnes’ version with Maris Janssons conducting the Berlin Philharmonic. I’m not sure if it is a coincidence that Andsnes is Norvegian as well, in any case, this version has all the passion and energy I’m looking for in this work.

I recently subscribed to Qobuz’ streaming service. I still like purchasing music (downloads in my case), as it seems to be the only way where the artist has a decent chance of making some money. That said, streaming is a great tool to discover new music. Whatever comes out, the moment it is published you can listen to it immediately in CD quality. So nice!

Back to topic: basically, Qobuz alerts you to all new releases, so out of interest I listened to two new versions that came out very recently: Javier Perianes with the BBC Symphony under Sakari Oramo, and Joseph Moog with the Deutsche Radiophilharmonie Saarbrücken conducted by Nicholas Milton.

Joseph Moog

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Let me start by the latter: well, not much to write home about.  Not really my cup of tea, 3 stars. Lacking exactly the energy and passion I so much love with Andsnes.

Javier Perianes

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So I didn’t expect much from the Perianes either, also given the fact that I hadn’t heard about this Spanish pianist beforehand (although I found out later he has won a number of competitions). I was very positively surprised. While not kicking Andsnes of his throne, this version is very good indeed. In the meantime, my opinion was confirmed by both Gramophone and Classica (the latter even giving it a “Choc”, their way of saying 5 stars).

I wouldn’t go just as far, but this is a very solid four star to me and well worth recommending. Perianes had made it onto my personal watch list.

UPDATE August 2015: Gramophone doesn’t agree with me on the Moog, and gives it an Editor’s Choice. My opinion stands, I purchased the Perianes and like it very much, and I continue not to be moved very much by the Moog. YMMV.

Update September 2015: A follow-up post on this topic can be found here, with more detail on the Andsnes and some other recordings.

With regards to Perianes, also check out my review of his excellent Mendelssohn’s Lieder ohne Worte here.